Corsage
Photo by D.R. Wagner, Elk Grove
THE ARCH
—Joyce Odam, Sacramento
(After The Arch by Amanda Dunbar)
Seepage at the entrance—mud for
footprints, red stone supporting
the bridge above, where
sounds of foot-steps,
or voices, are gone
as they’re heard.
Under, is the
only way
through.
Its view:
—two
small
trees,
a tiny
patch
of blue
sky, a white
stream of light.
No harm here—only
sun-shadows flickering
warmly—only the sensed
presence of someone making
a choice—nothing to tell what
questions want to know—only the
unimposing, inner-arch of shadow—
darkening—cool—smelling of late summer.
________________________
GOING DOWN TO THE CELLAR
—the musty cellar
where the darkness is
to test the darkness
count the steps
get some wine
that is there
or not there
somewhere in the dusty bottles
—corked
and waiting to be found—
the non-existent wine
and the fear
with its real existence—
the steps are so many
and the door closes after you
and the flashlight dies
and you cannot find the wine
and who will know you are there
—the musty cellar
where the darkness is
to test the darkness
count the steps
get some wine
that is there
or not there
somewhere in the dusty bottles
—corked
and waiting to be found—
the non-existent wine
and the fear
with its real existence—
the steps are so many
and the door closes after you
and the flashlight dies
and you cannot find the wine
and who will know you are there
—Joyce Odam
___________________
LOVE: AS AN ABANDONED BUILDING
—Joyce Odam
Here is where we lived.
Here is where we loved.
Here is where we left.
And now the old shed
of a house stands gaping,
stricken with neglect.
Trees guard it still,
but wearily.
Weeds overtake, then quit.
An upper window stares,
devoid of glass. The inner walls
still hold the ceiling up—
but barely. The outer walls?
They’re gone, as are the steps.
The pathway, too.
Only dry sounds linger here,
mutter about themselves,
worrying the air.
And all we share of this
is how we lived here—loved
awhile—then left.
Here is where we lived.
Here is where we loved.
Here is where we left.
And now the old shed
of a house stands gaping,
stricken with neglect.
Trees guard it still,
but wearily.
Weeds overtake, then quit.
An upper window stares,
devoid of glass. The inner walls
still hold the ceiling up—
but barely. The outer walls?
They’re gone, as are the steps.
The pathway, too.
Only dry sounds linger here,
mutter about themselves,
worrying the air.
And all we share of this
is how we lived here—loved
awhile—then left.
_____________________
A SACRAMENTO MOMENT
—Joyce Odam
Passing by the church steps, I see a man, bent—
washing his feet from a water bottle, and a cloth
—intent, intent—his shoes placed neatly side-
by-side. It is twilight and still warm for October.
He does not seem to see or care that I see him
do this. It is his need, and this is his only means
and place. He will have his bare feet clean, then
lean back, maybe, and watch the people pass.
Passing by the church steps, I see a man, bent—
washing his feet from a water bottle, and a cloth
—intent, intent—his shoes placed neatly side-
by-side. It is twilight and still warm for October.
He does not seem to see or care that I see him
do this. It is his need, and this is his only means
and place. He will have his bare feet clean, then
lean back, maybe, and watch the people pass.
_____________________
THE THOUGHT OF SNOW
—Joyce Odam
(After "March Snow" by Wendell Berry)
For you, Mother,
this thought of snow—
snow in your honor, imprinted
with joyous boot steps,
danced in the bluish white
under the streetlight—only,
it was a later, and an earlier time,
merged into now—
part yours, part mine,
stomping together in the
early snow, under your window,
where you watched,
and it was with my daughter
that I was snow-dancing.
____________________
Today's LittleNip:
COUPLETS
—Joyce Odam
—Joyce Odam
she said
croon me to wisdom till it snows
*
they rocked each other's dreams
they locked their toes
*
they sang till morning found them
safe as souls
____________________
—Medusa
Photo by Janet Pantoja, Woodinville, WA