—Poetry and Photos by Taylor Graham,
Placerville, CA
—And then scroll down for
Form Fiddlers’ Friday, with poetry by
Stephen Kingsnorth, Nolcha Fox,
Melissa Lemay, Caschwa, and Joe Nolan
Placerville, CA
—And then scroll down for
Form Fiddlers’ Friday, with poetry by
Stephen Kingsnorth, Nolcha Fox,
Melissa Lemay, Caschwa, and Joe Nolan
WILD OUTSIDE THE HOUSE
My dog steps out the door as if
it’s terra incognita.
How can my laces be thick
with stick-tights when I just mowed here?
My dog, too—up to his ears,
and we’re not walking thru high weeds.
Look! a tiny bird’s nest’s fallen
from this oak—what kind of bird?
My dog’s intently sniffing
critter scat—do we have bobcat?
Here’s a black leather glove on the ground—
who was here to lose it?
After 16 years
home can still be terra incognita.
My dog steps out the door as if
it’s terra incognita.
How can my laces be thick
with stick-tights when I just mowed here?
My dog, too—up to his ears,
and we’re not walking thru high weeds.
Look! a tiny bird’s nest’s fallen
from this oak—what kind of bird?
My dog’s intently sniffing
critter scat—do we have bobcat?
Here’s a black leather glove on the ground—
who was here to lose it?
After 16 years
home can still be terra incognita.
PRACTICALITIES
I travel light, bring no field guide
to lichens on this trail. I’ll be listening
for gush of snowmelt in the creek,
the drumming drill of beak on wood—
pileated woodpecker?—and
raven’s call echoing off lava cliffs,
all part of an upcountry symphony.
Wildflowers in the meadow
outdo a pointillist’s daydreams.
And these boulders, I couldn’t begin
to name every species of lichen,
but marvel at their murals in grays,
vibrant orange and yellows,
palest pinks and greens.
I can check the field guides later.
OLD RAILROAD TRACK
A sudden blinding
headlight on the track ahead,
bursting thru the dark
canopies of oak woodland.
It’s just July’s rising sun.
THE DOE FAMILY STOLE YOUR TOMATOES?
Why did they wait so long?
Mama Doe descended on my just-beginning-
to-show-promise garden before the first squash
flowers, before the tomato plants’ tiny yellow stars.
A nibble of green leaves here, a nabble there,
small nubbles everywhere until nothing was left
but depressions like cloven hoofprints in soil.
There were no tomatoes
for Mama Doe & her twins to steal. Still,
they stuck around, summer thru fall and winter,
waiting for me to garden again in spring.
Their patience is laudable.
But no more tomatoes, no garden.
OUT OF SIGHT AND HEARING
He’s walking straight ahead, no glance
to either side of blacktop trail,
his earbuds playing what he’ll hear
as ravens on their black wings sail.
His earbuds playing what he’ll hear
instead of birdsong on a breeze,
he doesn’t see what’s out of sight
beyond those thickets under trees.
He doesn’t see what’s out of sight.
My dog’s alert as we pass by
and looking back, and sniffing air
for dangers lurking under sky.
ODD ONE
in the pioneer cemetery
I can’t make out dates
or her name—only letters
GENIA. Lichen
has eaten into marble
headstone. Who was she
and why is her grave facing
the opposite way
from all the other deceased?
Why does she rest here
on the backside of this great
incense cedar? I’d
like to ask her. Our guide tells
the history of this
place. Forest absorbs human
voices. Her untold
story dissolves in silence.
I’ll listen to wind in trees.
____________________
Today’s LittleNip:
TURKEY-LAD SONG
—Taylor Graham
Wow!
turklings
can soar now
as mom-hen sings
her clear-the-fence song,
so glad her son can fly
at last, he’s feeling so strong
he could sail far above blue sky.
____________________
Our thanks to Taylor Graham, who, as you can see from her fine poems and photos, braves the heat to be outside, regardless. Forms she has used today include a Just 15s (“Wild Outside the House”); a Waka (“Old Railroad Track”); an Eight-ette (“Turkey-Lad Song”); a Three Moon Pattern (“Out of Sight and Hearing”); a Word-Can Poem (“Practicalities”); and a Choka (“Odd One”). The Eight-ette was one of our Triple-F Challenges last week, and her Mama Doe poem is a response to our recent Seed of the Week, “Mama Doe and her two fawns stole my tomatoes”.
In El Dorado County poetry this week: on Sunday, Poets and Writers of the Sierra Foothills features readings in Camino from the Voices 2024 anthology, 2pm; and on Wednesday, EDC Poet Laureate Stephen Meadows will read in Georgetown as part of the EDC Poet Laureate Trail series. El Dorado County also has a regular schedule of workshops, weekly and otherwise; go to Medusa’s link, UPCOMING NORCAL EVENTS (http://medusaskitchen.blogspot.com/p/wtf.html) and scroll down to the section on workshops. Or, for more news about El Dorado County poetry—past (photos!) and future—see Taylor Graham’s Western Slope El Dorado Poetry on Facebook at www.facebook.com/ElDoradoCountyPoetry or see Lara Gularte’s Facebook page at https://www.facebook.com/groups/382234029968077/. (Poetry is Gold in El Dorado County!) And of course you can always click on Medusa's UPCOMING NORCAL EVENTS (http://medusaskitchen.blogspot.com/p/wtf.html) for details about future poetry events in the NorCal area.
Two last-minute notices from Sacramento Poetry Center: Their 47-year celebration which was scheduled for this Saturday has been postponed to a date yet-to-be determined; and the submissions deadline for their visual poetry exhibit in their gallery has been re-scheduled again, this time to August 15.
And now it’s time for…
FORM FIDDLERS’ FRIDAY!
And now it’s time for…
FORM FIDDLERS’ FRIDAY!
Check out our recently-refurbed page at the top of Medusa’s Kitchen called, “FORMS! OMG!!!” which expresses some of my (take ‘em or leave 'em) opinions about the use of forms in poetry writing, as well as listing some more resources to help you navigate through Form Quicksand and other ways of poetry. Got any more resources to add to our list? Send them to kathykieth@hotmail.com for the benefit of all man/woman/poetkind!
* * *
Last Week’s Ekphrastic Photo:
Tending the Garden by Stevan Dohanos, 1951
Last week’s photo brought Ekphrastic poems from Stephen Kingsnorth and Nolcha Fox. (And thanks to Stephen for tracking down the title and painter of this painting.)
TENDING THE GARDEN
—Stephen Kingsnorth, Coedpoeth Wrexham, Wales
Another clapper board on show—
who ate the lettuce under flow,
for pristine rows, a dare to slugs,
or any other would-be bugs?
This turn up of relaxing hose—
I mean his trousers in this pose—
both pipe and braces (no belt) aid,
but can he tamp tobacco sprayed?
A veggie plot—few steps from door,
an evening tend—best time for pour—
is satisfactory I think;
contentment, Ma, away from sink.
I wonder, net curtain ajar—
like ‘quarterlight’, old English car—
was means to spy, when at her chores,
on garden life, raise wholesome scores.
Dohanos is the artist here—
Saturday Evening Post his sphere;
he designed stamps, and covered mags,
but did this man, Esquire, lack tags?
* * *
WHAT IT TAKES
—Nolcha Fox, Buffalo, WY
It takes mistakes
and lucky breaks
and grit, devotion
to another soul
to build a house
of sweat and dreams,
and grow the seeds
of love.
* * *
Here is a Golden Shovel from Newcomer Melissa Lemay. Melissa uses a lot of forms, and we’ll hear more from her next Wednesday, July 31. Welcome to the Kitchen, Melissa—do NOT be a stranger!
who ate the lettuce under flow,
for pristine rows, a dare to slugs,
or any other would-be bugs?
This turn up of relaxing hose—
I mean his trousers in this pose—
both pipe and braces (no belt) aid,
but can he tamp tobacco sprayed?
A veggie plot—few steps from door,
an evening tend—best time for pour—
is satisfactory I think;
contentment, Ma, away from sink.
I wonder, net curtain ajar—
like ‘quarterlight’, old English car—
was means to spy, when at her chores,
on garden life, raise wholesome scores.
Dohanos is the artist here—
Saturday Evening Post his sphere;
he designed stamps, and covered mags,
but did this man, Esquire, lack tags?
* * *
WHAT IT TAKES
—Nolcha Fox, Buffalo, WY
It takes mistakes
and lucky breaks
and grit, devotion
to another soul
to build a house
of sweat and dreams,
and grow the seeds
of love.
* * *
Here is a Golden Shovel from Newcomer Melissa Lemay. Melissa uses a lot of forms, and we’ll hear more from her next Wednesday, July 31. Welcome to the Kitchen, Melissa—do NOT be a stranger!
Melissa informs me that she has been nominated for author of the month at Spillwords, and she would like you to vote for her. You have to sign up for an account to vote at https://spillwords.com/vote/. Here is Melissa's Golden Shovel:
a wave
—Melissa Lemay, Lancaster, PA
"Wear gratitude like a cloak and it will feed every corner
of your life.” —Rumi
This morning, the world thought that it would wear
white, the stairs were salted, grass glistening. Gratitude
swept over me as a wave, like
a
cloak
of soft hail or a snowfield. My eyes cracked and
out of the corners of them, it
appeared that a bird flew by. But it had no will
to be concrete as I turned. Its songs will feed
the sky and every
darkest corner,
as it sings not for want or because of pride: it is of
angels, its message that it sends—open your
eyes, and be surrounded by life.
* * *
Caschwa (Carl Schwartz) sent us a Seadna in response to our current Tuesday's Seed of the Week, Roadblocks:
NOT THERE YET
—Caschwa, Sacramento, CA
aging, they test me for cancer
supposing ready and ripe
dementia gets a top listing
I told them I’m not that type
learned my ABC’s with grammar
no D-mentia’s found in there
my mirror does its own misting
while I just breathe in the air
—Caschwa, Sacramento, CA
aging, they test me for cancer
supposing ready and ripe
dementia gets a top listing
I told them I’m not that type
learned my ABC’s with grammar
no D-mentia’s found in there
my mirror does its own misting
while I just breathe in the air
* * *
Carl sent this poem with quatrains alternating three and four feet. Neither of us can remember if this is a legit form, or what the name of such a form would be:
ONE LAST TIME
—Caschwa
we don’t need no president
and surely not a king
just let chaos rule us all
not worry ‘bout a thing
there’s crazies on the ballot
from top to the bottom
Napoleon Bonaparte
singing Early Autumn
miracle in Wisconsin
teenagers out with guns
can’t believe it wasn’t staged
like intentional puns
candidates like sausages
both are getting older
place your bet for faster horse
not the smell that’s bolder
I’ll place my bet in secret
really not tell a soul
except social media
because that is the goal
* * *
Carl has also sent us a Haiku chain:
LEAN ON ME
—Caschwa
tall, unlit candle
upright, potent, and steady
here, I will hold you
most proudly standing
on top of the birthday cake
till flames do us part
before you become
mere residue, table scraps,
a child will appear
take a deep breath and
proudly blow out all the flames
we’ll see you again
* * *
Joe Nolan sent us an Ode to one of his grand-nieces:
—Caschwa
tall, unlit candle
upright, potent, and steady
here, I will hold you
most proudly standing
on top of the birthday cake
till flames do us part
before you become
mere residue, table scraps,
a child will appear
take a deep breath and
proudly blow out all the flames
we’ll see you again
* * *
Joe Nolan sent us an Ode to one of his grand-nieces:
ODE TO MAEVE
—Joe Nolan, Stockton, CA
A child like Maeve
Makes your heart gush with love
Like a fountain, run-amok,
Willing to work like a devil
To make sure she has enough.
If there are any
Children more wonderful,
We’ve never seen at all—
God has kept all those in Heaven
He can’t bear to let them go.
* * *
And here is an Ars Poetica from Stephen-of-Wales:
READING BETWEEN THE LINES
—Stephen Kingsnorth
Ghost writers, whiter shade of pale,
but which is shade, witch poltergeist
as long-dead poets read again,
in relived lines, past death reversed.
Those deadlines met before obits,
in time re-hearsed, All Hallows Eve,
their moving finger, writ moved on,
prophetic call, the poet’s wall.
Fake news, or license, take your pick,
like Xanadu, by drug induced;
so post replies of sympathy,
make me a cheat in poetry.
What should I do, hoax history,
my story read, testimony,
when it is observation, sole,
revealing truth, though whole excised?
So should I cease those stanza works
assumed biography in genre,
reel story nearly as if real,
as would a patron, could for cash.
It is a novel way to write,
to weigh each word, exactitude;
a bio, graphic, not allowed,
though permit issued, verse aloud?
Because dilemma recognised
should I set warnings, trigger so?
And where would Dewey have me be—
some friction in veracity?
___________________
Many thanks to today’s writers for their lively contributions! Wouldn’t you like to join them? All you have to do is send poetry—forms or not—and/or photos and artwork to kathykieth@hotmail.com. We post work from all over the world, including that which was previously-published. Just remember: the snakes of Medusa are always hungry!
___________________
TRIPLE-F CHALLENGES!
•••Dectina Refrain: https://poetscollective.org/poetryforms/dectina-refrain
•••AND/OR howzabout a wee Dixdeux (dee-duh):
•••Dixdeux: https://poetscollective.org/poetryforms/dixdeux
•••AND/OR join Melissa Lemay in a Golden Shovel—remember those?
•••Golden Shovel: www.writersdigest.com/write-better-poetry/golden-shovel-poetic-form
•••See also the bottom of this post for another challenge, this one an Ekphrastic one.
•••And don’t forget each Tuesday’s Seed of the Week! This week it’s “Roadblocks”.
____________________
MEDUSA’S FORM FINDER: Links to poetry terms mentioned today:
•••Ars Poetica: www.poetryfoundation.org/learn/glossary-terms/ars-poetica
•••Choka: poetscollective.org/poetryforms/choka
•••Dectina Refrain: https://poetscollective.org/poetryforms/dectina-refrain
•••Dixdeux: https://poetscollective.org/poetryforms/dixdeux
•••Eight-ette: https://poetscollective.org/poetryforms/eight-ette
•••Ekphrastic Poem: notesofoak.com/discover-literature/ekphrastic-poetry
•••Golden Shovel: www.writersdigest.com/write-better-poetry/golden-shovel-poetic-form
•••Haiku: www.shadowpoetry.com/resources/haiku/haiku.html
•••Just 15s (devised by Sarah Harding): poem or stanza of 15 syllables
•••Ode: www.poetryfoundation.org/learn/glossary-terms/ode
•••Three Moon Pattern (devised by Joyce Odam): Syllabic, three quatrains, 8-syllable lines; x a BR a | BR c DR c | DR e x e | DR e x e. Content based on the Chinese Quatrain, as follows:
▪ Opening line introduces an idea.
▪ Second line extends the idea
▪ Third line introduces a new idea
▪ Fourth line brings first three lines together
•••Waka: poetscollective.org/poetryforms/waka
•••Word-Can Poem: putting random words on slips of paper into a can, then drawing out a few and making a poem out of them
___________________
—Medusa
•••Three Moon Pattern (devised by Joyce Odam): Syllabic, three quatrains, 8-syllable lines; x a BR a | BR c DR c | DR e x e | DR e x e. Content based on the Chinese Quatrain, as follows:
▪ Opening line introduces an idea.
▪ Second line extends the idea
▪ Third line introduces a new idea
▪ Fourth line brings first three lines together
•••Waka: poetscollective.org/poetryforms/waka
•••Word-Can Poem: putting random words on slips of paper into a can, then drawing out a few and making a poem out of them
___________________
—Medusa
Today's Ekphrastic Challenge!
Make what you can of today's
picture, and send your poetic results to
kathykieth@hotmail.com/. (No deadline.)
* * *
—Public Domain Photo
Make what you can of today's
picture, and send your poetic results to
kathykieth@hotmail.com/. (No deadline.)
* * *
—Public Domain Photo
For info about
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
during the week.
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
to find the date you want.
Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
during the week.
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
to find the date you want.
Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
