Saturday, June 14, 2025

Baggage

 —Poetry by Taylor Dibbert, Washington, D.C.
—Public Domain Illustrations Courtesy of Medusa 


MISTAKES

There are big mistakes
And then there’s
His ex.
 
 
 
 
BAGGAGE

He thinks
He can handle
Her baggage,
With time
He’ll understand
How wrong
He’s been.


This poem first appeared in
Synchronized Chaos Magazine.
 
 
 
 
 
IN LOVE

Anyone can fall in love
It’s staying in love
That’s truly special.


This poem first appeared in Synchronized Chaos Magazine.
 
 
 


IN A HEARTBEAT

He's damaged
But not dead
And if you were
To have told him
Years ago
That that's where
He'd be
Right now
He would’ve
Taken it
In a heartbeat.


This poem first appeared in
Alien Buddha Zine.


__________________

Today’s LittleNip:

THE BITTER TRUTH
—Taylor Dibbert

Stay away
From beautiful people
With big baggage
Things are bound
To end
In tragedy.


This poem first appeared in
Alien Buddha Zine.

___________________

—Medusa, with thanks to Taylor Dibbert for today’s wisdom about love and relationships!
 
 
 

 






















 
 
 
 
 
 
A reminder that
Youth Literacy Day
takes place in Sacramento
today, 12-4pm.
For info about this and other
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 
























Friday, June 13, 2025

Up & Running

 Pony-X, 2022
* * *
—Poetry and Photos by Taylor Graham,
Placerville, CA
—And then scroll down for
Form Fiddlers’ Friday, with poetry by
Nolcha Fox, Stephen Kingsnorth,
Caschwa, Christina Chin, and
Marjorie Pezzoli
 
 
UP & RUNNING    
     for the Pony Express Re-Riders

Head high, ears folded back
to hear me running behind him,
my dog’s a poor-man’s pony.

I think of the old Pony—
day & night ten days
crossing half the continent.

It’s a different world now,
asphalt under hooves
running with rush hour traffic.

We reach a country road,
I tell my dog “hustle!”
we’re safe on the other side.

That speeding truck
is heftier than any horse,
with a grille like flashing teeth.

Today our trail is earth
shaded by oaks and pines,
we travel light—no mailbags.
 
 
 

 
OPEN-AIR READING
       in time of Covid

Might he remove his mask out-
of-doors? Poems dare not shout

so’s not to spread more than words.
No virus in can’t-be-heards,

his just-between-you-and-me’s
lost somewhere under the breeze.
 
 
 


NOTES OF AN EARLY JUNE WALK

An ecstasy of flowers along the trail—
elegant brodiaea lifting its purple goblets,
passionate pink peavine as a chorus
of open mouths singing the hallelujah
of bumblebees, and even golden salsify
gone from blossom to seed-fluff
shining crystal-silver in noonday sun.
And here’s the lowly bindweed, twining
its pure white trumpets ever higher.
 
 
 
 

THE WEIGHT OF SERENITY    

It’s a bit muggy but not too
hot for walking this foot path down
thru blackberry bramble in bloom,
unnamed grasses high as my chest.
Trickle of creek water almost
lost among over-crowding green.
No hurry. Not a sound of the
world outside. And this trail narrows,
a plank bridge to side-paths over-
grown with bramble-vine whose blossoms
bode berries—later. So peaceful
the low mumble of creek, a song-
sparrow singing. I muse I could
stay here forever listening....
my legs getting heavier, air
weighing down my lungs. But the blue
dragonfly stirs a fragile breath
of cool air, suggesting I climb
back out, heart beating livelier
with every step by step, leaving.
 
 
 

 
WITHOUT LYRICS

Three-part harmony
greets me at gate coming home—
phoebe, nuthatch, finch.
 
 
 
 

MYSTERY ACROSS THE FENCE

I was out by the back fence, pulling
weeds, when I heard a voice break
the serenity of morning. A little doeling
was staring at me with deep brown eyes.
She spoke a word but I couldn’t catch
it. She said it again, mournfully.
She repeated. One short word—
what language? “Are you in trouble?”
I asked. The same word again, as answer.
This time it sounded a bit like “ma_”
but not quite. Then I noticed the buck
standing not far off, watching, listening,
not saying a word. The doeling
stopped talking and began nibbling weeds.

__________________

Today’s LittleNip:

ACROSS THE RAINBOW BRIDGE
       for Janay

Your dog,
released at last
from all her sufferings,
is gone—so hard for you to bear.
But think,
she’s whole, young and strong again
running with the great pack
of good old dogs
you’ve lost.

___________________

Our thanks to Taylor Graham for today’s fine poetry and photos on this lucky Friday the 13th! Follow this year’s annual Pony Express Re-Ride at https://nationalponyexpress.org/re-ride/current-reride/,

Forms TG has used this week include a Triversen (“Up & Running”); a Barzelletta that uses Normative Syllabics (“Open-Air Reading”); a Haiku (“Without Lyrics”); a Response to our Tuesday Seed of the Week (Serenity) that also uses Normative Syllabics (“The Weight of Serenity”); a Butterfly Cinquain (“Across the Rainbow Bridge”); and a Response to a SOW (“Mystery Across the Fence”). The Barzelletta and the Butterfly Cinquain were last week’s Triple-F Challenges.

In El Dorado Country poetry this week, Poetic In Motion meets in Placerville next Monday, 6/16, at 10:30am. El Dorado County’s regular workshops are listed on Medusa’s calendar (if you scroll down on http://medusaskitchen.blogspot.com/p/wtf.html/). For more news about such events and about EDC poetry—past (photos!) and future—see Taylor Graham’s Western Slope El Dorado Poetry on Facebook at www.facebook.com/ElDoradoCountyPoetry. Or see Lara Gularte’s Facebook page at https://www.facebook.com/groups/382234029968077/. And you can always click on Medusa's UPCOMING NORCAL EVENTS (http://medusaskitchen.blogspot.com/p/wtf.html). Poetry is Gold in El Dorado County!  
 
Again, our congratulations to El Dorado County's new Poet Laureate, Moira Magneson. Moira will be part of the Sixteen Rivers Press reading this coming Monday, June 16, in Napa at the Napa Book Mine, 6pm. Info: https://napabookmine.com/event/2025-06-16/sixteen-rivers-press-reading/.
 
And now it’s time for…  

 
FORM FIDDLERS’ FRIDAY!
 
It’s time for more contributions from Form Fiddlers, in addition to those sent to us by Taylor Graham! Each Friday, there will be poems posted here from our readers using forms—either ones which were sent to Medusa during the previous week, or whatever else floats through the Kitchen and the perpetually stoned mind of Medusa. If these instructions are vague, it's because they're meant to be. Just fiddle around with some challenges—  Whaddaya got to lose… ? If you send ‘em, I’ll post ‘em! (See Medusa’s Form Finder at the end of this post for resources and for links to poetry terms used in today’s post.)


Check out our recently-refurbed page at the top of Medusa’s Kitchen called, “FORMS! OMG!!!” which expresses some of my (take ‘em or leave 'em) opinions about the use of forms in poetry writing, as well as listing some more resources to help you navigate through Form Quicksand and other ways of poetry. Got any more resources to add to our list? Send them to kathykieth@hotmail.com for the benefit of all man/woman/poetkind!



* * *
 

Travelling Artists Sketching An Arab Encampment, Cairo (1863)
Last Week’s Ekphrastic Photo


Poets who sent responses to last week’s Ekphrastic photo were Nolcha Fox, Stephen Kingsnorth, and Caschwa:



OASIS
—Nolcha Fox, Buffalo, WY

Beneath a tree, the caravan rests.
They speak of high adventure,
of plodding through a nothingverse
of sand and blazing sun.
I wonder where these travellers go
when they are fully rested.
Although it looks romantic,
I’d rather stay at home.
How would I stand the pungent smell
of camels and their cud?

* * *

BUT LAUD THE TREE
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales

As if an auction catalogue,
long title in descriptive form.
It’s symptomatic, painter’s view,
‘travelling artists sketching’ sign—
encampment of the Arabs too.

But it’s this tree that dominates,
its shading, unexpected thrown,
to suit the focus, story told,
entitled artists spotlighted,
though western painters seek the shade.

It is that camel, canopy
which claim attention of the eye,
still life long-lasting in the sun
as bark to bark sounds as it should,
essential partners on the trek.

Sheen, luminous with chlorophyll,
thick ginger trunk, broad stretching branch;
this is oasis for the mind,
refreshing soul as body rests,
noteworthy as outstanding site.

As witness, conflict, centuries,
maybe a market, meeting place,
today acknowledge tree of life,
vitality, community,
see, bough before its majesty.

* * *

WAITING A WHILE
—Caschwa, Sacramento, CA

At high noon, the tree’s canopy offered generous
shade to all below it but now the sun’s orbit has
taken it to a lower point, letting some full sun reach
those resting under the tree

One cannot fathom how tired those people must be,
trying to second-guess the rituals of the sky, they
can only wait a while right there under the tree while
rays of sunlight dart in, dart out, and  play games
lighting up their faces

* * *

Here are three Haiku from Carl: one that’s true, he says, and one that’s not (Haiku Hyperbole) and one that’s, well, whatever:
 
 

 
RANKING
—Caschwa

I am at best a
mediocre chess player
on timer, the worst

~ ~ ~

UNTIE ME
—Caschwa

Knots are trouble when
right in front of me, behind
me, impossible

~  ~ ~

THE GOOD OL’ DAYS
—Caschwa

Used to be that the
Customer was king, not the
Board of Director

* * *

Carl also sent a List Poem:
 
 
 


FULL CIRCLE
—Caschwa

The first car I bought was a 1963
Dodge Dart, GT. It had a slant 6
engine, push button transmission,
license plate ending in “063” and
it brought me a greater feel of
freedom than I had experienced before.

What it didn’t have was:
    power steering
    power brakes
    power windows
    right side mirror
    passenger seat belts
    FM radio or stereo
    radial tires
    air conditioning

Compare to the 2014 model car I
bought more recently, which has all
of those things the GT didn’t have
now as standard features.

* * *

And here’s a Renga from Christina Chin (Malaysia) and Marjorie Pezzoli (San Diego, CA):
 
 


RAW DEAL
—Christina Chin (plain text) and
Marjorie Pezzoli (italic)

whiskey on the table
a drunk man should
not bet

mixed signals
telephone game


someone's got to lose
be that winner when you
play smart

on hold
bottoms up


couldn't read
his cards but it's written
all over his face

rigged deck
the joker’s wild


counting
the aces hoping
for a trump card

fifty-two card shuffle
forty-seventh bluffs again


the dealing is done
he has a good hand
and walks away

__________________

Many thanks to today’s writers for their lively contributions! Wouldn’t you like to join them? All you have to do is send poetry—forms or not—and/or photos and artwork to kathykieth@hotmail.com. We post work from all over the world, including that which was previously-published. Just remember: the snakes of Medusa are always hungry!

__________________

TRIPLE-F CHALLENGES!

See what you can make of these challenges, and send your results to kathykieth@hotmail.com/. (No deadline.) In honor of Friday the 13th, we shall do HexSonnettas:

•••HexSonnetta: http://www.shadowpoetry.com/resources/wip/hexsonnetta.html

•••AND/OR since nobody has any time for anything these days, we’ll have to be satisfied with The Brevette:

•••Brevette: www.shadowpoetry.com/resources/wip/brevette.html

•••See also the bottom of this post for another challenge, this one an Ekphrastic one.

•••And don’t forget each Tuesday Seed of the Week! This week it’s “Bedlam”.

____________________

MEDUSA’S FORM FINDER: Links to poetry terms mentioned today:

•••Barzelleta: https://poetscollectivepoetryforms.wordpress.com/2014/11/17/barzelletta
•••Brevette: www.shadowpoetry.com/resources/wip/brevette.html
•••Butterfly Cinquain: https://poetscollectivepoetryforms.wordpress.com/2014/02/21/butterfly-cinquain
•••Ekphrastic Poem: notesofoak.com/discover-literature/ekphrastic-poetry
•••Haiku: https://www.poetryfoundation.org/learn/glossary-terms/haiku-or-hokku AND/OR www.shadowpoetry.com/resources/haiku/haiku.html
•••HexSonnetta: http://www.shadowpoetry.com/resources/wip/hexsonnetta.html
•••Normative Syllabics: hellopoetry.com/collection/108/normative-syllabic-free-verse AND/OR lewisturco.typepad.com/poetics/normative-syllabic-verse
•••Renga: www.writersdigest.com/editor-blogs/poetic-asides/renga-poetic-forms
•••Response Poem: creativetalentsunleashed.com/2015/11/18/writing-tip-response-poems
•••Triversen: www.writersdigest.com/write-better-poetry/triversen-poetic-form
•••Tuesday Seed of the Week: a prompt listed in Medusa’s Kitchen every Tuesday; poems may be any shape or size, form or no form. No deadlines; past ones are listed at http://medusaskitchen.blogspot.com/p/calliopes-closet.html/. Send results to kathykieth#hotmail.com/.

__________________

—Medusa
 
 
 
 Today's Ekphrastic Challenge!
 
 Make what you can of today's
picture, and send your poetic results to
kathykieth@hotmail.com/. (No deadline.)

* * *

—Photo Courtesy of Public Domain
 
 
 
 
 














 
 
 
 
 
 
 
A reminder that
Round-Up @ The Rink
Father’s Day Variety Show

takes place tonight in Sacramento,
7pm and 10pm.
For info about this and other
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 
























Thursday, June 12, 2025

Love, Death, and Free Meals

 —Poetry by Nolcha Fox, Buffalo, WY
—Public Domain Photos Courtesy of Nolcha Fox
 
 
LIFE ISN’T A FREE MEAL, UNLESS YOU’RE ME

I’m on an everlasting diet.
I’m always hungry ‘cause I’m fasting.
You should eat up all your food.
I’m a poor gull who needs dessert.
I’ll dive right in and eat my fill before you leave.
 
 
 

 
IMAGINE THAT

I climb through branches overweight with leaves of orange, gold, and green. Higher still, the branches shiver from the cold caress of snow. I climb from winter into spring, where flowers burst from every twig in fragrances of red and pink and lavender. A few more rungs, and summer sunshine makes me want to close my eyes. I could clamber higher, but I’m ready for a nap.

My ladder goes as high
as my imagination
wants to climb. 
 
 
 
 

BETTER

It’s better to play
in the mud in my imagination,
than washing dirty clothes.
 
 
 

 
CITY LIFE

Goodbye to constant noise and lights.
Goodbye to freeway parking lots.
Goodbye to condos, people packed in tight.
Goodbye to smog and shaky quakes.
Goodbye to LA, I salute you with my middle
finger as you become a figment of my past.
 
 
 
 

GROWING UP FAST

Pretty in pink,
Her prom dress and heels
match the blush of blossoms on her cheeks.
 
 
 

 
LOVE AND DEATH

Love and death are criminals
who ripped my heart too many times.
If you’re dead, just know that I loved you.
If I love you, you might just be dead.
 
 
 

 
TANGLED TANGO

We’re in a tangled state of love.
We finish one another’s thoughts.
I don’t remember who I am.
I’m going crazy. Life’s too complex.
To disentangle, I must cut the cords
that bind us, stop our mad dancing
in the pentangle of my mind.
 
 
 
 

MY DOCTOR SAID

I see you sneeze.
Your eyes are red and weeping.

Your nose is running out the door
along with your ex-boyfriend.

Your stomach wants to somersault.
You tell me you are dying.

It’s not a cold or allergies.
The problem’s in your head.

Love hit you with a stick and now
you think the world is ending.

Go find yourself another love,
and you will feel just dandy.
 
 
 
 

I WANT MY POETRY TO …

I want my poetry to
be the roses crying
red petals on the coffin.

I want my poetry to
be the stillness of the deer
framed by fog and birdsong.

I want my poetry to
be the geese flying
across my windshield.

I want my poetry to
be the captive inhale,
the moment before wonder escapes.
 
 
 
 

Today’s LittleNip:

THEY LIE
—Nolcha Fox

He doesn’t believe he’s dying.
He dances in the sprinklers
beneath an endless sky.

____________________

—Medusa, with thanks to Nolcha Fox for today’s fine poetry and the photos to go with it!
 
 
 
 —Public Domain Illustration Courtesy of Medusa
























For info about
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
 . . . climbing from winter into green . . .



































 

Wednesday, June 11, 2025

Contact

 —Poetry by Linda Klein, Playa Vista, CA
—Public Domain Photos
 
 
MAKING CONTACT

A hand reaches out to you.
Don't ignore it.

Something senses your presence
and wishes to make contact.

How delicate and small it is
compared to yours.

You must not grab it.
It needs a gentle touch,
to be recognized and appreciated

for what it is, a part of this world,
as it knows you also are.
 
 
 

                         
GROWING TOGETHER

She was first attracted by his ambition.
He knew exactly what he wanted
and would settle for nothing less.

He always followed his instincts,
was never deterred nor discouraged.
Straight-forward, confident moves, his style,
this brash young man of the sixties.

She was a dreamer, young and wild,
and probably a little out of her mind.
His strength made her believe in her dreams.

Together they made the passage,
transported by years and difficult times.
Now, they seem to have gotten the message,
and are, with calm acceptance, sublime.
 
 
 
                                

AS RAIN FALLS

Dark clouds loom across the sky
as if filled with resentment and fury,
a heavy burden that they have
held too long. How much longer
must they wait to release the
anger that consumes them?

They cannot be ignored forever.
Let it rain freely. Let torrents splash
and enrich the earth and all life
that dwells upon this precious planet.
Only then can we be nourished,
and joyously free as falling rain.
                      
____________________

Today’s LittleNip

SENSITIVE EARS
—Linda Klein

Keenly poised to pick up sounds
as flower petals absorb sunshine,
cupped and veiny, grabbing
a whisper or a thrash,
alert to signs of danger,
aware of soft, sweet tones
that captivate and enchant.
A blessing are such ears.

_____________________

—Medusa, with thanks to Linda Klein for today’s fine poetry!
 
 
 
 …free as falling rain…
















 
 
 
 
 
 
 
 
 
 
 For info about
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 




























 

Tuesday, June 10, 2025

Serenity

Birdsong
* * *
—Poetry by Joyce Odam and Robin Gale Odam,
Sacramento, CA
—Photos and Original Art by Joyce Odam
 
 
 PEACE BE TO THE MORNING
—Joyce Odam

Peace be to the morning
with its cool announcement of arrival,
pale and thin, on wings of nothing . . .

And peace be to the fading of night
that takes away its dreaming and its sleep
or its long wakefulness . . .

Peace be to the mystery
of whatever is there—or not there—
that turns such pages . . .

Peace be to the memory
and the forgetting of all that needs to be
forgotten and remembered . . .

And peace be to the moment
trembling on the brink of the next one,
and to that mystery, peace, too . . .
                                        

(prev. pub. in Say Yes, 1999;
Chapbook:
A Sense of Melancholy by
Rattlesnake Chapbook, 2004; and in
Medusa’s Kitchen, 4/7/15; 2/23/21) 
 
 
 
Tender
 
 
BUFFALO SOUL
—Joyce Odam

Buffalo Soul moves through pale morning,
lowering his head to the grass,
at peace with his surroundings.

He does not know of houses that clutch
in repetition around him
nor does he feel the traffic move through
the pale substance of his being,
there is no pavement beneath his hooves.

He wanders easily where
all the wilderness has ever been,
his sunrise to the east, his sunset to
the west, the whole sky between.
He has not yet become shape of tumbleweed

or hollow obstruction in wind.
He is there. He is Buffalo Soul. Eternal.
He remembers himself.

                                                
(prev.  pub. in Medusa’s Kitchen, 8/9/22)
 
 
 
 For Ever And Now II
 
 
THE SERENITY
—Joyce Odam

Oh, here we are,
in the middle of a dream,
the day serene, the templed city blind.

One of us is nude,
the other clothed in rumpled blue.
Red fruit has fallen all around,

and is still falling
in a soundless fall.
We are not hungry now.

The mountains float behind us
in the bordered mist
blending into the diluted sky.

We’ve reached the stillness here—
the birdless air—
the trees that lean, asleep.

We lie, embraced, in mockery of love.
We’re simply here,
in the middle of an unremembered dream.
 
 
 
 Artistry

 
PASTEL
—Joyce Odam

After
Mademoiselle Julie Manet, 1887
—Pierre Auguste Renoir (1841-1979)


Girl and cat
in tranquility of pastel.
Girl day dreams. Cat purrs.  

Her shadow against the couch
is motionless.
The cat allows itself to be loved.

Vague light in the room
stays soft. The walls diffuse.
Her thoughts hide in her eyes.

All is fading—
losing context
in tone after tone of quietness.

I watch for her breathing.
She does not know how I linger
over this moment she has claimed

for herself—
how even the cat
is unaware of my imposition.
 
 
 
Sketch Pad
 

AXIOM
—Robin Gale Odam

Because my eyes are masked,
and because rivers of tears have
stained my cheeks, and even though
my lips are hidden in shades of dark,

she has come to my hand out of the
axiom of art—from the quill pen—the
rue bird from the theory of sorrow.
                    

(prev. pub. in Brevities, November 2019;
and in Medusa’s Kitchen, 7/23/24)
 
 
 
Translate
 
  
THE GREEN WOMAN
—Joyce Odam

How serenely she wears
the art of the painter’s hand
who painted her all green—

or is it the deception of light
turning her into
a numinous map of the sea

that follows her contours
with shapes and symbols
of intricate design—

even to the closed mouth
and eyelids, the hair sculpted
into deep waves: how

ever swim back now
to the real
and lose all this… how

ever clothe, and hide
the breathing design of her body,
so perfectly stained…
 
 
 
Beyond The Need
 
 
IN THE SERENITY OF STONE
—Robin Gale Odam

Preparing for the arena, bathing in the
northern light, cool as nerves in meditation.

The swordsman, consummate entertainer
schooled in the ethics of dying well—or to
live another day, to outwit the game of the

opponent, the rage of the wild beast,
the eyes of the condemned, to take up
the passions of a thunderous audience—

the gladiator, admired in the bloodthirsty
age of humanity—and in the arts, rendered
in the serenity of stone. 
 
 
 
Vertical
 
 
AFTER READING “WAKING AT 3 A.M.”
BY WILLIAM STAFFORD
—Robin Gale Odam

  . . .  even in the cave of the night
  . . .  all that the darkness ripples across
  . . .  as far as your thought can run
                                   —William Stafford


even in the cave of the night . . .
at the resting in the dreamscape between the
first and second sleeps, the neuro-chemistry
will cast dark ripples of imagination—

all that the darkness ripples across . . .  
will stir and blink against the sprint of thought
and the chatter of reason, at the ripples, the
original mirage, an imaginary vision—

as far as your thought can run . . .  
and as far as you can wander the dream will
pull you to the chase of curiosity and morph
into the mirage of disappearance—

the timepiece will hold the hour for hours,
and the sun will rise and set again

                                       
(prev. pub. in Medusa’s Kitchen, 4/9/24) 
 
 
 
Alba
 
  
SILVER MOONLIGHT
—Joyce Odam

O silver moon on dark water,
you alone
make all this beautiful :

the sea
in its quiet
where you make a path

and dark churnings build
while the sky
sleeps on the horizon

and everything looks like
a black-and-white photograph
that one might send home

for the great silence
under the low sea sound
in the peculiar calm of loneliness . . .
 
 
 
As Arrangement
 

SOMETHING ABOUT DROUGHT
(Deism)
—Joyce Odam


In the garden, O fated one, I sit with my cup
     extended and empty, waiting for the wine
     of rain to fill it to the brim and overflow.

I wait until nightfall. I wait until dawn. I wait
     through all the promises with my waiting.
     And my hand does not tire, O fated one.

My face is serene, O divine one, waiting for
     the expression of your approval—the
     dark mirror of your face into which I stare.

The twilight shadows creep across the ground,
     and up the hem of my robe,
     and even myself, to conceal the waiting.
   
O, I wait forever, with patience, which is all
     I have, and in which you are timeless.
     Even so, the dawn brings more waiting.

My loyal cup waits for the rain, O fated one,
     empty and thirsty and sure of patience,
     though my hand now trembles as does
     my mind in the concept of waiting.  

What do I see in the shadows that touch so
     lovingly around me, what trembles there
     with confusion and brings no news of rain?
 
 
 
 Path


A TIME AND PLACE
—Joyce Odam
                        
for purple candles
and for music
for some lazy time of

day-dreaming
for light that falls in a
certain way

where you like to look
there light the candles
play the music

let your thoughts be tranquil
close away
whatever needs closing

in a place of private storage
under purple tassels
and embossed shadow

leave open what you love
life is yours
give it your happiness
 
 
 
Rain As Promised
 

Today’s LittleNip:

KOMM, SÜSSER TOD
—Joyce Odam


 
Suddenly death comes in—

sets up his music stand and begins

to play his tiny violin.


 
Death, I knew you were vain,

but talented, too? The hours wane;

your music sounds like winter rain—
 


like little drops of notes

that turn into little ferry boats

on which my life serenely floats.


 
Oh! I think I see shore.

I feel like I’ve seen all this before.

I am so sleepy. Play some more.

                                     
(prev. pub. in Medusa’s Kitchen, 3/8/11)

___________________

Our thanks to Joyce and Robin Gale Odam for their serenity poems today, our Seed of the Week. Be sure to check each Tuesday for the latest Seed of the Week. Our new SOW is “Bedlam”. Bedlam was the scene chez Kieth this weekend. Bee guards! I’ve had hummingbird feeders for over 40 years, except for recently. I hung one again last winter, and all has been peaceful until—bee season! How could I have forgotten to use bee guards! So this weekend was bedlam around here—bees chasing birds, hornets chasing squirrels, chasing wasps, chasing hummers—truly bedlam! (A few bed guards fixed the problem.)

Surely you can find a corner of your life which is bedlam (I suspect more than just one). Send your poems, photos & artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from. And see every Form Fiddlers’ Friday for poetry form challenges, including those of the Ekphrastic type.

Or—heck—write about bee guards! I don’t care; just send me something . . .

___________________

—Medusa
 
 
 
Bee Guards—don't leave home without 'em!
—Public Domain Photo Courtesy of Medusa










 
 
 
 
 
 
 
 
 
 
 
 
 
A reminder that
Aideed Medina and
Russell Reza-Khaliq Gonzaga
will read in Modesto tonight, 7pm.
For future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
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Medusa’s Rapsheet at the bottom
of the blue column at the right
side of this column to find
any date you want.

Miss a post?
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(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
 Can’t we all just get along . . . ?