—Photo by Joyce Odam
THE CLOWN
DANCERS
—Joyce Odam
and the
dancers lift
their
little legs
high in
their huge costumes
being
clown dancers
and the
music dances them that way
cute and
funny
a jerky
spotlight
follows
them
their
satin costumes shine
they leap
like elves
then
grinning
turn and
bow
have
praise for them
they do
not dance that well
(first pub. in Poetalk,
1995)
_______________
THE WIDOW'S CLOWNS AND MANNEQUINS
—Joyce Odam, Sacramento
Today she leaves the sun shining
against
the afternoon wall
to
go inside.
But strangely
But strangely
she
leaves the door open
behind
her.
A window guards the dark,
A window guards the dark,
its
stare
impersonal
as hers.
The
rooms let the shadows in.
Her
cherished figurines animate
on
the mantle.
Beyond
this, it all blurs,
something
she wants to remember,
some
need that wishing has not freed.
_______________
LOVE AS THE FOURTH DESIRE
—Joyce Odam
LOVE AS THE FOURTH DESIRE
—Joyce Odam
The clown in his fourth desire
saw no reason to take
offense at the world.
Love was his desire.
He performed only for her.
He made himself into a
fool
and she laughed.
If he took off his costume
and makeup,
she would not know him.
He was destined to be what
she believed.
He perfected himself and
she grew bored.
—Photo by Joyce Odam
PUDDLE REFLECTION
—Joyce Odam
I see me
upside
down
in gray
water
a clown
a-drown
in teeter of self
precarious
once again
as chance
holds me
still
within a
camera
click
goes
decision
and I
exist
as only
proof requires
a candid
photograph
I smile
in the sun
closing
eyes
again
before
you see me
(first pub. in Senior
Magazine, 2010)
_______________
DEPLETIONS
(After
"Unscheduled Appointments"
by Gayle Ellen Harvey)
—Joyce Odam
They cancel their little
deaths
to matters of no
importance—various
and thin—like ghosts, or
shadows—
like those sounds they
think they hear
in morning quiet after nights
of vague
celebration—as weary as
repetition.
Already they blur into
voices that regret
dead loves with that humor
they save for
sadness. Drunkenness gives them mercy.
No wonder they love—badly,
or wrongly,
deceptively complex, what
they need
for the moment—or
lifetime. Later they
will elaborate on this—with
reverence, even,
going over the broken
memories—detail
by detail—until everything
falls apart or fits.
_______________
REMEMBERING
WHEN THE BELL RANG
—Joyce Odam
Living inside the bell
we have
become afraid of sound.
We pray
for silence.
The
dimension of the bell
is all we
know.
Somehow,
though,
the times
it rang
were the
best times of all;
loud
celebration times
when dogs
howled and we sang,
when the
very shadows
rolled
and rolled
past the
upturning edges.
I don’t
know
why
we live
here.
(first pub. in View Magazine, 1974)
_______________
Our thanks to Joyce Odam for today's fine fare!
Friday the 13th
is coming, so, for our Seed of the Week, let's tackle Lady Luck and see
what we can talk her into, muse-wise. Do some poems (or art or photos) on the old bag and
send your results to kathykieth@hotmail.com. If you get stuck, there's always Calliope's Closet, the FUCHSIA LINK at the top of this blog, with lots of hints, links, and springboards to get you started. All the Seeds of the Week we've done over the years are listed there, plus past Forms to Fiddle With—including, at the bottom of that page, forms that have been made up by our readers. Check it all out!
_______________
_______________
Today's LittleNip:
For a change, lady luck seemed to be smiling on me.
Then again, maybe the fickle wench was just lulling me into a false
sense of security while she reached for a rock.
—Timothy Zahn
—Medusa
—Photo by Joyce Odam