Photo by Katy Brown, Davis
In the withered fields
there's no need for the crane
to stretch out its neck
—Shiko
NOCTURNE
—Li T'ai Po (701?-762)
A white moon
Floating
On sea-green waves;
A snowy heron
Flying
In the night;
Girls
Walking home
From water-chestnut picking
And singing
In the moonlight.
____________________
SANDPIPER
—Elizabeth Bishop
The roaring alongside he takes for granted,
and that every so often the world is bound to shake.
He runs, he runs to the south, finical, awkward,
in a state of controlled panic, a student of Blake.
The beach hisses like fat. On his left, a sheet
of interrupting water comes and goes
and glazes over his dark and brittle feet.
He runs, he runs straight through it, watching his toes.
—Watching, rather, the spaces of sand between them,
where (no detail too small) the Atlantic drains
rapidly backwards and downwards. As he runs,
he stares at the dragging grains.
The world is a mist. And then the world is
minute and vast and clear. The tide
is higher or lower. He couldn't tell you which.
His beak is focussed; he is preoccupied,
looking for something, something, something.
Poor bird, he is obsessed!
The millions of grains are black, white, tan, and gray,
mixed with quartz grains, rose and amethyst.
______________________
THE CRANES
—Raymond Carver
Cranes lifting up out of the marshland...
My brother brings his fingers to his temples
and then drops his hands.
Like that, he was dead.
The satin lining of autumn.
O my brother! I miss you now, and I'd like to have you back.
Hug you like a grown man
who knows the worth of things.
The mist of events drifts away.
Not in this life, I told you once.
I was given a different set of marching orders.
I planned to go mule-backing across the Isthmus.
Begone, though, if this is your idea of things!
But I'll think of you out there
when I look at those stars we saw as children.
The cranes wallop their wings.
In a moment, they'll find true north.
Then turn in the opposite direction.
_____________________
—Medusa
Medusa encourages poets of all ilk and ages to send their POETRY, PHOTOS and ART, as well as announcements of Northern California poetry events, to kathykieth@hotmail.com (or snail ‘em to P.O. Box 762, Pollock Pines, CA 95726) for posting on this daily Snake blog. Rights remain with the poets. Previously-published poems are okay for Medusa’s Kitchen, as long as you own the rights. (Please cite publication.) Medusa cannot vouch for the moral fiber of other publications, contests, etc. that she lists, however, so submit to them at your own risk. For more info about the Snake Empire, including guidelines for submitting to or obtaining our publications, click on the link to the right of this column: Rattlesnake Press (rattlesnakepress.com).
SnakeWatch: Up-to-the-minute Snake news:
Rattlesnake Review: The new issue of Rattlesnake Review (Sweet 16) is available for free at The Book Collector, 1008 24th St., Sacramento, or send $2 to P.O. Box 762, Pollock Pines, CA 95726 and I'll mail you one. The last of contributors' and subscribers' copies go into the mail this week. Next deadline (for Issue #17, due out in mid-March) is February 15. (Sooner than you think!)
New in December! Rattlesnake Press is proud to announce the release of Metamorphic Intervals From The Insanity Of Time, a SnakeRings SpiralChap from Patricia D'Alessandro, and Notes From The Ivory Tower, a littlesnake broadside from Sacramento's Ann Wehrman. And while you're down at The Book Collector, pick up a few poetic Christmas presents, including any of a number of wonderful books and chapbooks, Rattlesnake and otherwise—not to mention A Poet's Book of Days, our first perpetual calendar, featuring the poetry and photography of Katy Brown.
Coming in February: The Snake has crawled into winter hibernation for the rest of December and for all of January: no readings, no books, no broadsides. (Medusa is always awake, however, and will keep posting through most of that time. Send stuff.) Then, on February 13, Rattlesnake Press will roar to life again with a new SnakeRings SpiralChap from Don and Elsie Feliz (To Berlin With Love), plus a new littlesnake broadside from Carlena Wike (Going the Distance), as well as Volume Two of Conversations, B.L. Kennedy's Rattlesnake Interview Series.
