TRUEST BLUE
Yawn into the mortal portal
reflective void, numb, abysmal
Rip out the remaining hair
what once dark now silver echo
The figurine of leaf dust and ceramic
tidal blossoms, mellow serenity, mirrored
Three butterflies, brown suede detox
floating along the atmospheric avenue
Skeleton keys cold-pressed in fridge
arctic flesh, heightened senses
Magnetic force of pulsar, dynamic
cosmic radiance, lasso, necktie
Gradations encapsulated by degree
fortunes humming by bird of laser
Fragile plasma circling crystal
clip on smile and wisps of smoke
Yawn into the mortal portal
reflective void, numb, abysmal
Rip out the remaining hair
what once dark now silver echo
The figurine of leaf dust and ceramic
tidal blossoms, mellow serenity, mirrored
Three butterflies, brown suede detox
floating along the atmospheric avenue
Skeleton keys cold-pressed in fridge
arctic flesh, heightened senses
Magnetic force of pulsar, dynamic
cosmic radiance, lasso, necktie
Gradations encapsulated by degree
fortunes humming by bird of laser
Fragile plasma circling crystal
clip on smile and wisps of smoke
A MONSTER OF LIGHT IN MOTION
Assimilate
disparately dichotic parts
to align the structured whole
fractals and fragments
shards and splinters
pieces and particles
Chaos scrambles
the pattern’s picture
with white noise
and scattered signals
until cohesion
of honed consciousness
coalesces
the vibrational
soundscape
into more highly
ordered shapes
and forms
cymatic intentions
sacred geometrical premonitions
pulse rays and photons
stars and spirals
pinpoints and needles
circles triangulated
with butterfly wings
the flower of life
coiling out
from its own axis
a sphere
a square
a sanctuary
a mandala
a meditation
a miracle
FLASHED BEFORE MY EYES
One admiring another orbit
spaced-out theories
obtusely angled
obfuscating in the corner
ready to bend into or out of
whatever the great
pretzel puzzle dictates next
from the spiraling geometric source
Two tasting from the black hole’s fountain
empty desert chalice alchemized
with alkalized mountain valley
spring water splendor
veins devour
and merge into the blood
of you know who
hanging out in high places
Three pulsing with the highlight reel
comatose and laid out to bear
witness of lifelines in transmission
silver cord fashioned to socket
the blinding white light
offers its choice
to fade into obscurity
or return for another spin
creating a legacy as yet unrooted
OF PETALS AND PADLOCKS
Violet autumn
like a fire hazard
The hues and moods
of trees and leaves
released from branches
by the dozen
gliding through
a sighing breeze
to kiss the gentle waters
Purple pulsing dot
behind your eyes
after bleeding into the morning rays
View of the boiling inferno
bobbing around in the sky
Constellations
of experiences
Atoms on a board
wildly connected
and the shaman ducks
lined up
on the flotsam
sneezing their way
toward oblivion
or is that just
a quack
heralding annihilation?
Consider all elements
in gratitude
Even the moon has
a poison pill
stationed at its galactic sore
and the sun will damn well
blind any fool
who forgets how to dance
after they’ve mastered
the art of falling
So I will stand here
as long as it takes
to catch a gift
from the maple heart
and blessed be
the plague of grackles
who come to join
the syrupy wait
Love is the key
and there are
several ways
to pick the lock
but only one true fit
hear the click
of my legacy
and reposing laurels
____________________
Today’s LittleNip:
BODY POLITIC
—Scott Thomas Outlar
Be thankful for small pains
because we all suffer worse eventually
I’ll dance until my body caves in
the same way I laughed as my mind went
One limb downed
but the rest is electric
Hand’s been dealt
steady straight toward the hum
____________________
Welcome back to the Kitchen, Scott! Scott used to visit the Kitchen a lot, but it’s been a while; here’s what he’s been up to lately: Scott Thomas Outlar originally hails from Atlanta, Georgia; he now resides and writes in Frederick, Maryland. His work has been nominated multiple times for both the Pushcart Prize and Best of the Net. He guest-edited the Hope Anthology of Poetry from CultureCult Press, as well as the 2019-2023 Western Voices editions of Setu Mag. Selections of his poetry have been translated and published in 15 languages. He has been a weekly contributor to Dissident Voice for the past 10 years. More about Outlar's work can be found at 17Numa.com/. Don’t be gone so long next time, Prodigal Scott!
____________________
—Medusa
For future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
during the week.
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
to find the date you want.
Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
during the week.
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
to find the date you want.
Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!