Friday, December 14, 2012

Celebrating Delmore & The End of the World

—Photo by Richard Hansen, Sacramento



THE PRIESTESS OF BEESTINGS HIDES UNDER COVER OF DAYBREAK
—Tom Goff, Carmichael

Do the best gifts come with a lash or a lesson?
When you first walked in, I didn’t know what to make of you.
When you left, you left me guessing:
my eyes ached just staring hard at the daybreak of you.

You are the vessel of gods, not for questioning:
come, ask your own questions, and I’ll try to answer.
Bless me now, priestess, with beestings,
for blessings are beestings, if death is a dancer.

_____________________

ANOTHER LAST DAY
—Taylor Graham, Placerville

It's 12-12-12, a rare, symbolic date.
But will our earthly world end, as some claim?
My dogs and I are on the trail to fate,
or Fleming Meadow—maybe they're the same.
What countdown? Two-one-null, and here's a game-
trail—seven dainty deer prints as a clue.
Who says, “there's nothing here to see”? A lame
excuse for tedium. Sky's rainy-blue.
This present world, each morning wonderously new.

_____________________

THE BEST GIFTS
—Taylor Graham

What I want is a surprise—
I want an old-fashioned iron spigot
that spurts exploding seed-pods
like a bomb-test scattering sprouts I never
heard of; royal-purple thistle, pasture-
grass. I want orange crates full of hope
not theology. I want another form
to fiddle with, and a piece of string long
enough to net the next idea.
I want the neglected geranium to bloom
in honor of midwinter. I want a code
to read the script stars write
in their crossings. I want an empty
box that might hold anything. 



—Photo by Taylor Graham



UNCLE ALFRED
—B.Z. Niditch, Brookline, MA

Uncle Al,
more than an intellectual
pal, a critic of his day
would explain the difference
between Monet and Manet,
Eliot, Bishop or Auden,
who was in and not
bon mot or modern,
we followed him
on Sunday afternoon
where we kids
were not to go,
we wondered if
he sought a text or sex
it was neither learning
or a heavy breather
but a cowboy movie
starring Tom Mix,
Al was full of jokes
of the trade and tricks
on the chess board
or with the rope,
always gave us hope
rather than any dope,
once in Yugoslavia,
(now without borders)
where the cows
were so thin
and girls so pretty
in their gym blouses,
Al read us Wittgenstein
and Einstein on a train
he has a brilliant brain
and could ill afford us,
but we learned so much,
in French, German and Dutch,
now that as we are older
and ruminate on the arts,
we thank Al for the years
when you taught us
Rousseau, Hume and Descartes.

_________________

MAO JACKET
—B.Z. Niditich

Speaking with CC
my Chinese neighbor
of her father-professor
who lost his glasses
in a pig pen
with a dunce cap on
during the Cultural
Revolution,
I took my blue Mao suit
(too tight-fitting now
anyway)
cap,
and Little Red Book
an enamored kid
handed to
me in the Sixties
after his labyrinth
of Poly-Sci memories
restored his health
from a crazy strain
of a dialectical diagnosis
and nervous neurosis
now welcomed back
to rationality,
and with cigarette lighter
with an incredible gesture
of defiance,
and soon
all the props of a preppy
of a man about town
or budding flaneur
like Baudelaire
were in flames.

___________________

DELMORE SCHWARTZ 'S BIRTHDAY
(In Memory 1913-1967)
—B.Z. Niditch

Over New York's
island face
hardly changed
on the steps
of midnight
expanding a sigh
on a sober sidewalk
up from the alley
hearing a sideman
playing jazz
from the top floor
and you, Delmore
now undressed
sleepless, as long
in your month old shirt
turn a trope
in dour expressions
toward the mirror
on your unmade bed
weeding the dictionary
in a sign of mourning
to find an obituary
for yourself
here on December 8
wanting fame
to enervate you
like your peers
without a venture
outside the words
weighing down
your shortened body
in the caught fire
of your younger days.

__________________

CHANT
—B.Z. Niditch

a serenade of mourning doves

from our window sill

in our secret music chamber

a litany of satiny birds

resounding from a violet sky

in plainsong shrouds

from orange groves

along the sea and mount

transfigures butterflies

fluttering to a flirtatious sun

combing a fiery warm dawn

on green trees and waves

amid the slow incoming tide

and we unknown

except to fate

and lamentation

cling to reflect on the day

awake to the soundings

of another.


__________________

Today's LittleNip:

SPIDER
—Olga Blu Browne, Sacramento

How beautiful these last hours
that lie beyond yesterday.

Where whispered webs are spun
in silence.

And thoughts of uncertainty echo
within.

__________________

—Medusa, with thanks to today's poets for helping us celebrate The Best Gifts!


—Photo by Richard Hansen




Thursday, December 13, 2012

Hopefully Tonight

Knot Hole
—Photo by Katy Brown, Davis



hopefully I’ll feel something major tonight
—Trish Consunji, Sacramento

Away from him who doesn’t always see me clearly/honestly enough
I play with you and play that way stripped bare and wanting
There’s time tonight to crash against a wall
pinned limbs stretched and arched, breathless
Fueling attraction branded by a scratch
I memorize smooth roundness, strength, and bones
There’s sure ease when you fondle and exert impression
Using talk dirty for clues and your fine contours guiding everywhere else
Grateful to surrender those remnants of ache that hinder my style

____________________________

It’s difficult not to think of you that way that way when you’re lean in stark shadows
too beautiful in form to leave and I trace torso so I may swoon again
You see me there not there not part of you yet so far maybe never
but imagine touch like that and think of me slow on you
beating tangled throws sweat and thick rhythm

Even when it’s wrong. Even though it’s hopeless.

—Trish Consunji

____________________________



what you've done 
—Trish Consunji


i ponder what you've done to me

and lips don't change a thing

even when laid there

...overt gestures claim the heaviest air

urgency caught out of sorts

you can't be the only one

and maybe this flutter,

this pang will subside

though down my back

and i am yours too often

that dimpled smirk sideways

will shake/break my world

i inhale anxious moments

until i am all over you




—Photo by Katy Brown



Amnesia
—Trish Consunji


out of order 


barely intact


cracked 


shaken 


& lost


I wish 


to melt

out of this 


leave even 


good times


just fall 


in love 


with maps 


& forget 


the way 


he called me 


‘baby’


__________________________



sun day 


—Trish Consunji
skin wicked with luck his nearness overwhelms me

as i observe his sugar quiet down my black soul

the best taste of him comes in the morning

when warmth is whispered through a dark red ache

there is deep pleasure in the sweet sounding word
s
he conjures out of blue and i play with on the bed



___________________________



this place 
—Trish Consunji



inside this place it's happening again + not your swagger or sway

nor your reach or reflection can mean what they mean as inside this place

inside this place your honey spoils me    timing has wrecked those curves

how do i get over you when i long to be under you?

__________________________

Today's LittleNip:

I breathe in 7 a.m.
Sustained in trance breathing
By propitious wooing

—Trish Consunji

_________________________

—Medusa

For more about Trish Consunji, see www.midtownmonthly.net/music/musical-chairs-trish-consunji


—Photo by Katy Brown





Wednesday, December 12, 2012

Trash, Treasure & Little Fishes

Richard Hansen and friend


TRASH AND TREASURE
—Richard Hansen, Sacramento
 

When I was kid
there were large fires in front yards
with junk cars, broken refrigerators and rusty tractor parts
women that were not pretty and fat
in dingy dresses ‘n mussed up hair
walked into the yard carrying trash
to dump piles by men with poking sticks
yelling “git!” at kids zooming in
to steal a prize
anything they could find
that’d be held up high
and claimed as “Mine!”
To Throw in the Fire

I wanted to play there where
fire wasn’t dangerous
But we had an incinerator
and my brother was a teenager so:
He had the matches only mom or dad could give
which were to be returned after he finished his chore
burning household trash

It was the BEST job in the World!
we enviously gathered around him
if he had anything to say to us
we did what we were told
and sometimes he’d actually show us the matches
that could burn a forest or light a firecracker
"Wow!"
"Let me see!"
“How many are there?” we’d ask 
but he’d never count them rather
staying on task
we all stood back as he
Unleashed the Power

I was probably the only kid
to realize this:
The neighbors with the junky yard
had more fun than we did
because
We burned trash but they had fires
makin’ every bit of trash a Treasure Highly Desired

____________________

CLASSIFIED: PERSONALS:
DWM seeking companionship
—Richard Hansen

The successful candidate will be cheerful, personable, and sensitive to my needs.

Membership in the Cognitive Elite preferred.

Owning a truck preferred.

Attractive female preferred,

although gender, age, race, sexual orientation, the presence of disabilities, whether you are pretty pretty or pretty ugly or somewhere in between is of no consequence.

NOTE: if you are a gay male there’s absolutely no chance of physical intimacy.

NOTE: if you are an attractive female with that entitlement/pretty-girl-syndrome thing going on don’t apply.

I need someone to talk to, period.  Anything beyond that is undetermined.  If you need someone to talk to: FINE!  Although, your needs cannot be demands that interfere with my goals.

The successful candidate will not be alarmed if they catch me sobbing at my computer.

The successful candidate will appreciate Bob Marley and the Wailers; especially these songs: Natural Mystic, Cry to Me, Ambush in the Night, Concrete Jungle, Could You Be Loved, Kinky Reggae, the entire album: Uprising.  Also Jimi Hendrix: Little Wing, Still Rainin’ Still Dreamin’.

The successful candidate rarely watches TV except: (the original) Star Trek, Major League Baseball, selected PBS offerings.

If you are “insightful”, creative, artistic, possess a secure identity with the ability to Love intact, appreciate the profoundness of life, love and happily interact with children of all ages, then even your worst moods will be tolerated with empathy, compassion, and respect.

If you fit the above criteria and have fully extrapolated the additional unspoken “conditions of companionship”, please purchase or rent a house within easy walking distance from mine.








TONS OF LITTLE FISHES
—Richard Hansen

tons of little fishes
  swirling in tight circles
tons of little fishes
  swirling in tight circles
that blow apart in radiating particles
all
over the place !
meandering wiggly squiggly
till they see fins and tails
wiggling quickly just like themselves
searching
for space to be
just around the next fish’s tail they see
a vacancy
  constantly
moving very rapidly
hurry !!
get your place just up ahead
   just around this fish’s head
others are moving in
side by side tail to face
tons of little fishes
  swirling in tight circles
tons of little fishes
  swirling in tight circles
that blow apart in radiating particles
all
over the place

___________________

Our thanks to Richard Hansen for today's pics and poems! Artist-Writer–Poet-Musician and The Honorable Founder of The Groovy People’s Association (GPA), Richard Hansen, who, because of rarefied aesthetic acuity and insightful if not daring editorial policies, is published in print and currently online at primalurgemagazine.com, grew up in an insidiously savage wilderness raised by wolves disguised as Christians.  Having moved to California in the late '50s and despite being socially awkward, Richard attended and graduated from numerous distinguished institutions of higher learning only to fail at nothing except life’s most important things.  Though the source of his existent grooviness remains a mystery to all (including His Grooviness), Richard, having already founded the GPA years earlier, became a Writer in 2005 and lives and works happily and humbly in Northern California. [Richard, a person and a poet in his own right of course, is not to be confused with the co-owner of The Book Collector in Sacramento, who recently left us and moved to San Diego.]

__________________

Today's LittleNip(s):

ENDURING FINALS: DECEMBER 12
—Michael Cluff, Corona

Even though finals have us by the neck
soon they will be just a speck
of a past successfully endured
and from which all have matured:
students to reach their high goals
professors bringing knowledge to foals
that will make the world better
and pay the bill for any Irish Setter.
Next week sleep and frolic will be the norms
so just endure this week's storms
remember, finals are not like fiscal cliffs or cancer
next week concentrate on Comet, Donner and Dancer.

 

TARGET
—Caschwa, Sacramento

If hitting the nail on the head
is a good thing,
all of you are nails.

__________________

—Medusa, wishing you a fruitful and edifying 12/12/12









Tuesday, December 11, 2012

This Quiet Morning



THIS QUIET MORNING—

after the white dream—the sun
not yet filtering through the tree
outside the window, an unseen bird

brightly singing somewhere in
the morning—repeated now for quiet
emphasis on the bluish gray sky. 

And as I record this, the bird stops
singing as though arrested by
my thought—and a hum in the air

that may be the wind or the far
day-sounds beginning—is sounding,
like ocean against shore. I can smell

the salt—I can hear the sea gulls,
lonely as ever, circling and
crying—only above the traffic now.

And the clock says 6:00
though I know it is really 5:00. 
And the unseen bird is singing again.

Soon the sun will fill the dark leaves
of the tree with gold fluttering light
and I will close this poem.

_____________________

A SOUNDLESS MOMENT

A lone black bird on a sudden quiet path—south to north across the field outside my window as I glance out at just this moment of this day—the field a makeshift canvas of brimming shade in sunlight—how sharp its flight against that shadow/wash of gold—how quick and silent on the morning.
                                            

(first pub. in Manzanita Quarterly, 2001)

____________________

PAWN SHOP

unhappy man selling old stuff
to dark shadows of people
who offer not enough

                     
(first pub. in Brevities, 2004)

____________________

THE DECEMBER VOICES

Today Now   This raw day   This day
the white whisper of voices, come
home from the past—

whispering
their tragedies,
their confusions.

Trembling,  I hear them,
furtive, soft reverberations—
the white whisper of their voices.
 







DISCERNMENT
"Discernment", Mixed Media by Mary Burke KingGuide to the Arts, Summer 2000

Whatever speaks. Whatever listens
The blessing between.
Extended. Received.

There is a moment.
Reached.
Closed eyes open.

Mute voice finds word.
Gesture means.
A frail stillness is what is.

So is motion. One builds on the other.
Becomes.
Call this power.

Look through the presence you call ghost
as it flows through you.
Now you are one.

Even here, separation
will exist.
The longing toward the unobtainable.

____________________

UNDER-LIFE

My mother named me happiness.
Shall I believe her?

Time passes through me
like poured water.

Gold fastens to my sand.
I gleam with pleasure.

                             
(first pub. in Poetalk, 1993)

____________________

EACH TIME I COME BEARING GIFTS   

Each time I come bearing gifts
the loved one
laughs

and I, unworthy,
must bear all that stuff away:

the rugs
the gold
the unicorn

must take it back:

the heaviness
the shriveled love
the poem
            

(first pub. in Blue Unicorn, 1978)

___________________

Today's LittleNip:

SONG THROUGH MIND

I have heard a rare bird sing
as though blind—
though this may not be so.

Its song fell through everywhere
like a blessing made of love—
can love be otherwise?


___________________

—Medusa, wishing you Happy Channukah and giving thanks to Joyce Odam for today's poetry and pix! Our new Seed of the Week is The Best Gifts—whether they're the best gifts ever, or today, or in the future, physical gifts, or talents, or just things to appreciate this quiet morning. Send your poetic thoughts on such gifts to kathykieth@hotmail.com Don't be shy; don't be just a lurker...








Monday, December 10, 2012

Seven Stars for the Seven Angels

Fall Fungus
—Photo by Taylor Graham


IN HIS IMAGE
—Stephanie R. Ehlers, Davis

In His image
we were created
from the dust that
covers the earth
His voice,
as soft as a whisper
but as loud and thunder
the sound of love
radiates from every pore
like the roar of many waters
His hair,
white as wool
as white as snow
the purest white
like rays of light
darting in all directions
His eyes,
a flame of fire
piercing and penetrating
the nature of His wisdom
His feet,
a burnished bronze
refined in a furnace
pillars of fire
glowing red hot
His hand,
holding seven stars
for the seven angels
a token of His favor
and powerful protection
His mouth,
a two-edged sword
penetrating deep into the soul
His face,
like the sun shining
on a bright summer day
He is the first
and the last
the living one
whom we will
see on the last day

_____________________

SUICIDE
—Stephanie R. Ehlers

Here as I sit and write this poem
Thinking of all I love and all that I hate
I think of all the times
I used to laugh and cry
Thoughts of suicide thinking it's my fate
Nothing can stop me
Will they care when I'm gone
I should be out hanging with all my friends
I was trapped in a box but now I'm free
Nothing can stop me now

It wasn't my intention for you to suffer
My pain was deep within my heart and troubled head
Comfort comes only with time
I try to repair my life
Despair and confusion left my mind unsure
Help me get through the stares
I am going to feel today, the wondering why
Help me get through the tears I'm going to shed
Help me get through today

______________________

WHITE RIDER
—Stephanie R. Ehlers

First came the rider on a white horse, across the
expanse of sky between heaven and earth, holding
a rod of iron in his hands, a thing of fury and
wrath—and all were judged.  Where is your name?



Fencebreaker Creek
—Photo by Taylor Graham



OBIT 
—Taylor Graham

Miss Hunt is dead, age 92.
Her horses mourn the day.
As shadows walk the barn, they chew
their flake of oaten hay.
Where has she gone, on what new ride?
The waters in the creek subside.
Where has she gone
where has she gone
as buzzards fly their tilty glide?

Miss Hunt is dead. Age 92
is not so bad. And yet
her favorite mount, a roan named Blue,
will nudge the gate and fret.
He'll sniff the wind for weather-news,
a forecast from the falcon mews.
He'll sniff the wind
he'll sniff the wind
for storm that everything renews.

Miss Hunt is dead, age 92,
and will not come again
to post down the long avenue
and canter through the glen.
Now who will quote from Kenilworth
and whistle, tightening up the girth?
Now who will quote
now who will quote
Miss Hattie Hunt has gone to earth?

_____________________

SCHOOLYARD TANKAS
—Taylor Graham, Placerville

All the classrooms shut
for Sunday, children playing
truant with their minds
unlocked. What new alphabets
in the voice of clouds and rain?

And what stranger came
in a black frilled cape by night?
Not animal nor plant, this
life-form like a child’s design
singing to the ears of trees.

My dog leads me blind
through corridors of building,
through playground and fog.
How does she know the answer
without formula or sign?

Beyond the high fence,
cedars let their incense rise
to the wind, their muse.
What name for imaginings
born without a cloak of words?

____________________

Suzannah found a bottle cap
half-crushed
a perfect fissure line
down the middle.
It reminded her
of those good days
her step-parent had
every harvest moon
the treasure now retrieved
makes Jake feel better too
not the dross
he was very often
told he was
repeatedly
except each seventh day
come snow, sleet
or hell.


—Michael Cluff, Corona, CA

______________________

TRASH INTO TREASURE
—Michael Cluff
 

Freddie became a micro-millionaire
after he sold his tie collection
from the late seventies to
early eighties
while Melinda traded barettes
for bars of silver insured by
Swiss bank watchers.
Vincent took his
self-hand inkings
from fourth grade
and now lives
like his rent payments are supplied
by Fort Knox.
Best of all
is Alexis
attributer to many museums
because of her collective
profits pilfered from
chicken and ham bones
found on Three Mile Island
or San Clemente
she and Richard
or was it Tricia
can't remember exactly

____________________

Today's LittleNip:

POETRY'S BIRTH
—Olga Blu Browne, Sacramento

Listen and say nothing as if it
were poetry.

Where memories echo and shadows
dance to the rhythm of the winds.

And morning birds sing softly in the
night hour.

There is where poetry is born.

___________________

—Medusa, with thanks to today's contributors, including newcomer Stephanie Ehlers, who comes to us via D.R. Wagner's class at UC Davis. Welcome to the Kitchen, Stephanie!




—Photo by Cynthia Linville, Sacramento
Be sure to check out Medusa's Facebook page
for Cynthia's new photo album, Coasting California!




Sunday, December 09, 2012

Be One WITH the World...





IN THE BLEAK MIDWINTER
—Jane Blue, Sacramento
 
The humble gingkoes as in some crucible turn gold.
A calla lily furls toward heaven, the mandarins are ripe.

Let us go into this Solstice with wood stacked, wine pressed,
the nearly obsolete fields surrounding the city fallow. A few

lights against the bleak midwinter, some song. But please—
no glare. This is what you shall do, says Whitman:

Love the earth and the sun and the animals, despise riches,
give alms to everyone that asks, stand up for the stupid and crazy.


Gingkoes reflect in the windows of a bus, an avenue, a tunnel,
bringing me suddenly here, now. …re-examine all you have been told

at school or in any book, dismiss whatever insults your own soul
and your very flesh shall be a great poem.


It’s December 8, the Feast of the Immaculate Conception,
which is not about Jesus or virginity, it’s about being born without sin.

Yesterday buffeting wind and steady, gloomy rain. Today
liquidambars flare against an azure sky; they resist stripping.

I believe everyone is conceived without sin. The Feast
of Everybody. Red cyclamen jostle in a window box. Low-arced

sun stamps a radiant corolla behind the limbs of a bare ash tree.
Be one with the world, not one against the world, I say.

The gingkoes’ leaves fall in one piece to the ground, enameling
and effacing the lawns beneath them.


(Quotes from Leaves of Grass, the 1855 edition, Penguin Classics 150th Anniversary Edition.)

____________________

—Medusa, with thanks to Jane Blue for her wonderful December 8 poem, which we took the liberty of posting on December 9, since it seems like more of a Sunday poem. "Let us go into this Solstice with wood stacked, wine pressed..."



Saturday, December 08, 2012

Wearing Amber and Small Bells



A SLEET OF ARROWS

Stars are my sisters.
I travel over the lifting sea.
I wear small bells in my clothing
That I may approach the morning
Anointing it with this ringing.
I wear amber in my clothing
That I may approach the morning
As one who has come from the onyx halls of night.

And the morning becomes turquoise
And full of rubies, for it is pleased to move
This way and allows me to draw close
To her, to hear her marvelous song
Played on harps fashioned by the wind
And are freely given to this theater of the morning.

I am opal and I am the color of the perfect lake.
I move toward the morning with the stories
It enjoys, hearing of the purple gardens of night,
The green lights of the gates that open the doors
Before morning, while the night still enjoys the
Plays of the light on the rivers of its realms
And rejoices to their winding and unwinding
Across the plains full of fable and legend.

These things come through the sweet
That is dreaming and a comfort of peace
Everywhere.  But this is only dreaming.  It is like a
Child speaking while red armies gather
On the shore, determined to create a red landscape,
Create a terrible death of visions such as these.

A sleet of arrows courses toward us even
As we gather to hear these tales of marvels.
We shield our eyes against the bursting
Shells and close our ears to the screams of
The dying.  They will come.  They do not care
For anything this beautiful.  We hear the beating
Of our hearts before this rage, draw closer to one
Another and pray my sisters the stars will not look
Away from us. That they will somehow know the beating
Our hearts make here is still welcomed in the highest halls.

_________________________

IN THE FIELD

“An infinity of dust,” he says gesturing
With his entire arm, flinging it toward
An unseen horizon. “It is here that
The alphabet finds its magic garb.”

Where we least expect it to be, it will come,
Time to name again, to reach back
Into a mythic realm and extract
What heretofore seemed a useless sound.

It perched on the edge of forgetting
Armed with blue and vermillion lanterns,
With little hope of opening anything,
Least of all a mind.  No formula.

The sky was most accepting.  It has no
Memory, a place of shades and vanished
Sounds, the voices of the clouds and rain.

It is here that sounds lengthen into words.
No one recognizes it.  It could be
A part of evening, part of a long vista.

But it draws a sharp-bladed knife
And begins to cut all dreaming to pieces,
Into something as mysterious as death.

_____________________

THE WHITENESS OF THE WAVES

The cedars agree with the North
Wind.  They nod their heads together,
Rehearse their congress of consent.

A cry as consent.  Whatever the muse
Brings will be the door.  There may
Be the whitest of transgressions
But the sand will color them
And the imaginings of what
Remains invisible will rise
Before us and find themselves
Suddenly named.  That which
Is not to happen, happens.

Long fingers unroll and grasp
Sin as if it had never been seen
Before.  Now we stand away
From the window.  All of this,
The great ocean, the whiteness
Of the waves.






PIER

Go down to the shore.
They were walking off
The end of the pier, splashing
Into the water as if nothing
Was wrong, sinking, not
Making a sound, like dummies.

We had no idea what was going
On.  I suppose everything returns
To the sea.  But this, this was
A spawn, a mass movement.  They
Had been discussing music,
Job opportunities, ways to
Remember their bodies,
Exercise, yoga, meditation.
The whole enchilada,  never
Saw anything like it before.

Then almost from out of nowhere,
A voice covered these people, a
Cloak worn many times before,
By many others.  “Fashion and taste.”
It said and said it again.  “These things
Are things you cannot know about.
These things are things that nobody
Wins.”  Not new information at all.

The stars showed us Andromeda.
The the rising of Venus and a display
With Mars and Jupiter one above
The other.  We found ourselves
Looking up, walking off the end
Of the pier silently, en masse.
Everything seemed new once again.

__________________

A PLACE FOR THE MOON

This path leads along the shore-
Line for about a mile then ducks
Beneath some wind-shaped pines
Into a cove where the moon may
Always be seen as it assembles
Its lines and hoists itself
To the night sky.

Years ago many people would gather
Here to watch these preparations,
But now this place is mostly forgotten.
Those who came here have mostly died
Or have gotten themselves far, far away, no longer
Thinking of this place.

I came here with gifts for the moon,
But it will not receive me and prepares
Its rigging, mixes its huge variety of lights
And sits down for a few minutes
Before it is time to lift above the tree line.

I watch it practice becoming huge then
Diminishing to the much smaller size
It uses to reign as lord over the night.

It flips through its phases, tucking itself
In here and there, using the shadows
To its greatest advantage to remain
As beautiful as possible.  It is
An amazing display and takes place
In that regal silence the moon demands.

After awhile, I am joined by a few
Others who know of this place.
They come for inspiration and to restart
A sense of wonder lost to themselves
In their commerce with the world.

For centuries this place has been
Such.  I have seen the winds here,
Flocks of owls and creatures who
Build the night.  Last to arrive
Are the dreamers in their gauzy
Garments, truly stardust and breathing,
Smoothly and deeply.

The moon begins its ascent.
The night settles into itself perfectly.

____________________

UNKNOWN SEAS

During the day so little
Has happened that here,
At the end of it, I find myself
Full of space where anything might
Occur.  I can feel a keel

Pressing into these late moments.
Time to go.  There is no way
To know what may happen.  Only
Stars.  Hanging overhead, allowing
Sailing as never before.  I may
Speak to the glaze of mountains
Beyond all knowing or just tie my
Shoe, thinking it one great task,
Bound by will to capture
A landscape, the surface
Of the moment.  Looking for
Landfall.  When will I see

You again?  Why bother with
Lost songs that wander that way,
Knowing there is only a brief flashing.

Then, if one is lucky,
An exhalation of afterglow
Before the need to find
New ports and places
Rising from these seas again
Claims me.  I detain myself

A moment longer just
To say, “I love you and will
Miss you.  Think of you always.
Carry all your messages like
Gold within me, a sun
On unknown seas, 
Who to tell?”

______________________

Today's LittleNip:

DAYS WITHOUT SHOES

Blindness may be a virtue, a signal
Made with the snap of the fingers that
Shoots a hole in the dawn thinking it is
A kind of gift from the moon,
The breeze that follows the bullet,
Completely surprised at its mission
When we can no longer hear our own voice.

_____________________

—Medusa, with thanks to D.R. Wagner for today's poems, pix, and LittleNip.  D.R. will be releasing his new book from Cold River Press, 97 Poems, at a reading with J.T. Odochartaigh to be hosted by Phillip Larrea at the Sacramento Poetry Center next Saturday (12/15), 4-6pm. You can also pre-order D.R.'s new book at www.coldriverpress.org/HTML/97 poems.htm