THE FOLLY OF WINGS
Time crashes more than it flies
with credit card bills,
online videos about saturated fats,
an overgrown lawn,
potholes the size of small graves,
grocery store bouquets
50% off because it's the day after Valentine's,
and prepaid funerals
proving how much you love someone,
only for a sensible eight hours of sleep
to give a sermon most sleep through,
and another dying bird finds god
inside a cat's mouth.
Time crashes more than it flies
with credit card bills,
online videos about saturated fats,
an overgrown lawn,
potholes the size of small graves,
grocery store bouquets
50% off because it's the day after Valentine's,
and prepaid funerals
proving how much you love someone,
only for a sensible eight hours of sleep
to give a sermon most sleep through,
and another dying bird finds god
inside a cat's mouth.
More and more
I am an old doll:
untouched for years,
except for the dust,
who greys my hair
as part of its game
with rules I only guess.
I am a deflated ball:
abandoned to tall grass
and glory left for dead
in a brain-sized past
lost to the whisky-
coloured present.
I am an old doll:
untouched for years,
except for the dust,
who greys my hair
as part of its game
with rules I only guess.
I am a deflated ball:
abandoned to tall grass
and glory left for dead
in a brain-sized past
lost to the whisky-
coloured present.
IN THE AWKWARD PAUSES
The more I say nothing,
the more I learn
the importance of silence,
sitting on a tongue like a snowflake,
and that there's no words to cure cancer
or to fix the potholes in the road
we call capitalism, and that even
as the shadows dance naked
on a bedroom wall,
we're taught how clumsy words can be
afterwards, when loneliness whispers
in the awkward pauses
between promises that sound right
because they're lies.
The more I say nothing,
the more I learn
the importance of silence,
sitting on a tongue like a snowflake,
and that there's no words to cure cancer
or to fix the potholes in the road
we call capitalism, and that even
as the shadows dance naked
on a bedroom wall,
we're taught how clumsy words can be
afterwards, when loneliness whispers
in the awkward pauses
between promises that sound right
because they're lies.
NEVER AGAIN (UNTIL NEXT TIME)
My head pounding for another drink,
almost like there's an angry drunk
living inside my brain,
banging on the wrong door
again, while I read some back issues
of an indie poetry magazine,
trying to figure out what a poem is,
trying to ignore the noise thinking
has become, while the sound of flipping
pages sound like sharp whispers
saying something viscous
about me,
which most people would only share
with someone they love.
My head pounding for another drink,
almost like there's an angry drunk
living inside my brain,
banging on the wrong door
again, while I read some back issues
of an indie poetry magazine,
trying to figure out what a poem is,
trying to ignore the noise thinking
has become, while the sound of flipping
pages sound like sharp whispers
saying something viscous
about me,
which most people would only share
with someone they love.
A LEGIBLE X
When the only decision you support
is getting blackout drunk,
it makes forgetting to vote easier
because a ballot will never be a hangover
reminding you how love songs
aren't about you,
especially in a country that believes
in right and left more than loneliness,
who lives in the corner of your eye,
just to move whenever you're sure
you see something,
leaving a light bulb
to seem more like a dark corner
inside a mind talking to itself at 6 AM,
rather than any idea
about revolution and democracy.
AS THE EDUCATED ARGUE
ABOUT THE PAST
People peopling history,
only to turn names into chapters
inside textbooks, channelling the spirit
of phone books no one cares about anymore,
while students pretend to read
and memorize all the important dates,
only to learn without knowing it
that the living usually find the dead boring,
unless there's something morbid
to feed one's morbid curiosity,
or to be more literary:
the moss on a gravestone is a class
we all have to take,
and the worms don't care
if we pass or fail.
SECONDHAND
Reading an inscription in messy cursive,
thanking someone I never met
for something I never saw,
only to realize it sparked my imagination
more than the book itself
with its lack of hearsay
or plainness that can't be
misinterpreted, and even the dollar it cost
seemed a just verdict
for another failed attempt at immortality,
which I am also guilty of.
__________________
Today’s LittleNip:
There comes a time when the world gets quiet and the only thing left is your own heart. So you'd better learn the sound of it. Otherwise you'll never understand what it's saying.
―Sarah Dessen, Just Listen
__________________
Welcome back to the Kitchen, Richard! Richard LeDue has a new chapbook on Amazon, Mourning the Petals (https://www.amazon.com/Mourning-Petals-Poems-Richard-LeDue-ebook/dp/B0DNN5WL7P/). Congratulations on your new project, Richard!
__________________
—Medusa
Reading an inscription in messy cursive,
thanking someone I never met
for something I never saw,
only to realize it sparked my imagination
more than the book itself
with its lack of hearsay
or plainness that can't be
misinterpreted, and even the dollar it cost
seemed a just verdict
for another failed attempt at immortality,
which I am also guilty of.
__________________
Today’s LittleNip:
There comes a time when the world gets quiet and the only thing left is your own heart. So you'd better learn the sound of it. Otherwise you'll never understand what it's saying.
―Sarah Dessen, Just Listen
__________________
Welcome back to the Kitchen, Richard! Richard LeDue has a new chapbook on Amazon, Mourning the Petals (https://www.amazon.com/Mourning-Petals-Poems-Richard-LeDue-ebook/dp/B0DNN5WL7P/). Congratulations on your new project, Richard!
__________________
—Medusa
For future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
during the week.
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.
Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)
Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
during the week.
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.
Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)
Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!