DILATED
Eyes can be confined but
not tamed.
They pace behind barriers,
paw at glass.
You only think they
want to play.
Eyes can be confined but
not tamed.
They pace behind barriers,
paw at glass.
You only think they
want to play.
Come in here,
they say.
It is feeding time, and you
are appetizer,
entree and dessert.
Look away while you can.
Too late.
FLIGHT INTO
One firefly blinks in the dusk, the sun just down.
Tomorrow is summer’s first day, and then begins
the slow descent—first to equinox, then toward
brittle December sunshine and the deepest night
of the year.
Then again, all darknesses must seem too long to
Then again, all darknesses must seem too long to
those alone, the ones who wait in falling shadows
for a flash of hope.
Shelter and Sky
lullaby
morning rainstorm;
I sit alone, surrounded
by persistent ghosts
who are not ready
for curfew, for
a good day's rest,
not without one
more story, told to
shadows and walls
They come?)
when sleep will not: dozens
upon themselves of voices
chattering over each other,
animated and earnest and
incomprehensible beyond
the odd scattered phrase.
There is no band, no rattle
and clink of ice and glass;
somehow, this makes me
feel I could be a better host.
Even so, the joint is always
packed; it’s an after-hours
bash at the Mind’s Ear Club,
and try as I might I cannot
summon either Morpheus
or a mental fire marshal.
I am invited yet excluded,
both guest of honor and
the weird kid in the corner,
the weird kid in the corner,
hoping just once to hear
Glad you made it
or for my ride to show up.
_____________________
RE: PERCUSSION
_____________________
RE: PERCUSSION
Bag of kettle corn in her
hand, salted caramel shaker
anchoring the polyrhythm of
old-school dirty funk; she
bobs, nods, pops a kernel
into her mouth in perfect
time with music the rest of
us only hear at the fringes
of bar chatter, the shuffle
and flip of aces and eights.
She is the queen of groove,
eyes squeezed tight against
all square intrusions, all words
and worlds save her own.
____________________
READY BAGGAGE
There is something to be said
____________________
READY BAGGAGE
There is something to be said
for keeping a worst-case packed
and at hand.
At the least, it should keep one
At the least, it should keep one
from being caught unprepared
for endings: a
Have a seat and close the door
Have a seat and close the door
summons, that grim mouth-set
of cutbacks;
late dinner turned Last Supper,
late dinner turned Last Supper,
with protestations for dessert
(It’s not you …);
a second opinion that confirms
a second opinion that confirms
the first but cuts a month off
your allotted remnant.
Optimists must buckle at that
Optimists must buckle at that
sort of thing, the sudden snuffing
of last hope;
better to shrug, smirk, blow cool
better to shrug, smirk, blow cool
smoke in Doom’s eye and say:
I figured as much.
___________________
Today’s LittleNip:
countless
—Steve Brisendine
___________________
Today’s LittleNip:
countless
—Steve Brisendine
truth’s sting: each
poem is a grain
on a beach—and
yet we grind on,
cast and scatter
against all winds
and tides, hope
for catchful glints
___________________
Steve Brisendine lives, works and remains unbeaten against the New York Times crosswords in Mission, KS. He was recently seen on Medusa’s Form Fiddlers’ Friday with his original poetry form, the Dividita. A 2024 Pushcart Prize nominee, he has appeared in Modern Haiku, Flint Hills Review, I-70 Review and other publications and anthologies. He has no degrees, one tattoo and an unironic fondness for strip-mall Chinese food. Write to him at steve.brisendine@live.com. Welcome to the Kitchen, Steve, and don’t be a stranger!
___________________
—Medusa
___________________
Steve Brisendine lives, works and remains unbeaten against the New York Times crosswords in Mission, KS. He was recently seen on Medusa’s Form Fiddlers’ Friday with his original poetry form, the Dividita. A 2024 Pushcart Prize nominee, he has appeared in Modern Haiku, Flint Hills Review, I-70 Review and other publications and anthologies. He has no degrees, one tattoo and an unironic fondness for strip-mall Chinese food. Write to him at steve.brisendine@live.com. Welcome to the Kitchen, Steve, and don’t be a stranger!
___________________
—Medusa
Steve Brisendine reading
For upcoming poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
during the week.
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
to find the date you want.
Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
during the week.
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
to find the date you want.
Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!