—Poetry and Photos by Carol Louise Moon, Placerville, CA
MEMOIRS OF A LONELY EAR
A house cast in shadows
A stuck door
A cold doorknob
A sad dove song
Molded memories linger
in my inner ear
Your voice whispers
through satin cobwebs
I long for your
mournful embrace
And fall inward toward
a mantel of dusty bricks
(prev. pub. in Poetry Now, 2008)
A house cast in shadows
A stuck door
A cold doorknob
A sad dove song
Molded memories linger
in my inner ear
Your voice whispers
through satin cobwebs
I long for your
mournful embrace
And fall inward toward
a mantel of dusty bricks
(prev. pub. in Poetry Now, 2008)
LUCK-OF-WELSH BLUE
I wonder how a painted sky
remains a see-through mist
reflecting luck-of-Welsh blue.
And pillow clouds that seem
to bob in crystal porcelain.
I wonder how a painted sky
does not explode in daystars,
with splash of periwinkle down
and luck-of-Welsh blue
retaining such a vibrant tone.
Looking up past woodland trees
I wonder how a painted sky
recoils into nighttime black,
to be reborn in morning light
with luck-of-Welsh blue—
to welcome birds and scores
of Cardiff rainbow kites.
No wonder the painted sky
reflects a luck-of-Welsh blue.
I wonder how a painted sky
remains a see-through mist
reflecting luck-of-Welsh blue.
And pillow clouds that seem
to bob in crystal porcelain.
I wonder how a painted sky
does not explode in daystars,
with splash of periwinkle down
and luck-of-Welsh blue
retaining such a vibrant tone.
Looking up past woodland trees
I wonder how a painted sky
recoils into nighttime black,
to be reborn in morning light
with luck-of-Welsh blue—
to welcome birds and scores
of Cardiff rainbow kites.
No wonder the painted sky
reflects a luck-of-Welsh blue.
HERBAL SYMBOLISM
Bright poppy is a note of consolation.
Hollyhock inspires us to ambition.
For me, chamomile speaks of patience,
Rosemary gives me some remembrance.
Goldenrod I’ll share for bonds to strengthen,
while green mint tea is given to enliven.
Violet is, of course, for loyalty.
Valerian says I’m ready and alert.
Aloe for my healing and protection.
Angelica, alas, for inspiration.
Bright poppy is a note of consolation.
Hollyhock inspires us to ambition.
For me, chamomile speaks of patience,
Rosemary gives me some remembrance.
Goldenrod I’ll share for bonds to strengthen,
while green mint tea is given to enliven.
Violet is, of course, for loyalty.
Valerian says I’m ready and alert.
Aloe for my healing and protection.
Angelica, alas, for inspiration.
TIMELINE
The calendar date, red-inked into alpine
white vellum, a blood-letting, a quilled line.
Old ducks (politically incorrect) featherless,
waddling like myself, fall neatly into line.
It is time, I say to my left-brain, my right-
hand, to auto-write in couplet line.
In my excitement I look toward newborn
paper, and begin reworking a new line.
My face softens, my fingers relax. Another
deception blotted off the eternal timeline.
Time marches on… or, onward and upward!
Upward? the poet asks. Oh, what a line.
The calendar date, red-inked into alpine
white vellum, a blood-letting, a quilled line.
Old ducks (politically incorrect) featherless,
waddling like myself, fall neatly into line.
It is time, I say to my left-brain, my right-
hand, to auto-write in couplet line.
In my excitement I look toward newborn
paper, and begin reworking a new line.
My face softens, my fingers relax. Another
deception blotted off the eternal timeline.
Time marches on… or, onward and upward!
Upward? the poet asks. Oh, what a line.
BLUEBIRD BLUE
I will not mention a bird
although you know I have
just mentioned a bird, but not
a blue jay—until now.
It’s a lighter shade of blue,
but I’ll leave that up to
your imagination
which is a very odd
sort of light,
not unlike a bluebird
in flight.
(prev. pub. in Brevities and Medusa’s Kitchen)
I will not mention a bird
although you know I have
just mentioned a bird, but not
a blue jay—until now.
It’s a lighter shade of blue,
but I’ll leave that up to
your imagination
which is a very odd
sort of light,
not unlike a bluebird
in flight.
(prev. pub. in Brevities and Medusa’s Kitchen)
Today’s LittleNip:
BEYOND
—Carol Louise Moon
Blood-red as if the ears from
Barn owl eyes. These large onyx
Black eyes are penetrating—
Beyond—through your soul. Best not
Beseech him, this owl with his
Blank stare. A barn owl perching
Beside you, snow white, round-faced.
(prev. pub. in Brevities, Vol. 97)
_______________________
On Fridays we feature poetry forms, but Carol Louise Moon is well-versed in such things, also, and today she sends us a Ghazal/Ars Poetica (“Timeline”); a Free-Style (also known as Unrhymed) Villanelle (“Luck-of-Welsh Blue”); some Trochaic Couplets (“Herbal Symbolism”); and a Pleides (“Beyond”). On tomorrow’s post, you’ll see two of her Tankas. Thank you, Carol Louise, for your poetry and photos!
_______________________
—Medusa
BEYOND
—Carol Louise Moon
Blood-red as if the ears from
Barn owl eyes. These large onyx
Black eyes are penetrating—
Beyond—through your soul. Best not
Beseech him, this owl with his
Blank stare. A barn owl perching
Beside you, snow white, round-faced.
(prev. pub. in Brevities, Vol. 97)
_______________________
On Fridays we feature poetry forms, but Carol Louise Moon is well-versed in such things, also, and today she sends us a Ghazal/Ars Poetica (“Timeline”); a Free-Style (also known as Unrhymed) Villanelle (“Luck-of-Welsh Blue”); some Trochaic Couplets (“Herbal Symbolism”); and a Pleides (“Beyond”). On tomorrow’s post, you’ll see two of her Tankas. Thank you, Carol Louise, for your poetry and photos!
_______________________
—Medusa
—Public Domain Photo
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world, including
that which was previously-published.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world, including
that which was previously-published.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!