Tuesday, August 12, 2014

The Long Remembering

—Poems and Photos by Joyce Odam, Sacramento


WANTING TOYS

Am I a child now,
wanting toys?

I look at dolls on shelves.
I wish for China clowns
in satin hats,
ornately dressed.

I stare at mobiles
and touch at bells
and wind-chimes when I pass.

_______________________

ONLY CHILD

Your hands are too small
to hold all that you desire.
The live butterfly
caught in your hair
will not love you for long.
The tethered swallow
you keep on a string
will escape
back to the wall paper.
The beautifully feathered bird
you hold on a stick
will lose its will to fly away.
You are too innocent
for such power—
to keep all that life as yours,
to possess and try to tame—
standing there in all your defiance,
as if you dare not believe me.






THE DOLL

I hated this one immediately : bisque with
painted-on marcelled hair and fixed brown eyes. 

It looked at me, its blond face featureless.

But I said thank you and sat it on a chair where it
slipped sideways and went rigid with not belonging. 

I don’t remember ever touching it again.

_______________________

THE PORCELAIN DOLL

The other doll—
the rich one—looks like a real child,
has a velvet dress and carefully coiffed hair,

even walks on her stiff, plump legs.
She is told to be good; so she is.
Her face is a secret face.

She belongs to an old woman
who loves dolls—especially this one.
They are the same age.

Her dress is often brushed
and is never dirty.
She has no bad manners.

She stands where she is put,
holding a doll of her own, which holds
a doll of its own, which holds a smaller doll,

which holds an even smaller doll—
all part of the genealogy
of cloistered love.






THE LITTLE TOY FIGHTING MEN

The little toy
fighting men
die on the bedroom floor,
knocked over by
the death-fingers
of the boy
who decides
the statistics
of their war;

and they lie
in the frozen positions,
their molded green faces
holding the battle-yell—

awkward and bloodless
except
in the mind of the boy
who decides
the reverses
of this war
and who
can make them
come alive again
if he wants to.

           
(first pub. in The Lace Review, 1969)

____________________

THE TOY SHELF

In the cavern of toys live the blue horse,
a pig, a pink giraffe and a tiny elephant,
holding its pose on a small round tower.
They live in the dark shelves of storage
under the low arch of darkness and
the gloom of surrender, all singular to
each other. Childhood no longer lives
here; these are the remnants, along with
the favorite shadows and certain river
stones that line the floor. How patient
they are in their darkness—in the long
remembering—the thin sleep of shared
environment. Who mentioned this before—
with simulated reverence—as if letting out
a secret that will make everything vanish.






LULLABY TO AN OLD BEAR

Rock in my arms, old toy, all ragged and
worn, all trite with loving. How many tears

can drown you?—how many absences
can you endure?—old reincarnated thing,

ghost of my wanting, toy I never had.
Only the doll—rigid and nameless—

not like you, old Teddy, fuzzy and plush,
and so obedient, waiting like a dog

for me to find you in some perfect store,
your price tag hidden, your sad expression 

fastened to my passing glance. Let me
prop you by my pillow now where we can

comfort each other and listen to the rain
and reminisce on all our years together.

___________________

DOLL
(after "Old Woman and Doll",
a photograph by Kate Barton, 1974)

 
This is my child.
I am its mother.

She needs to be held
and I need to have the holding.

Now go away and let us rock and sleep
in this old rocking chair together.


(first pub. in Mini-Chap: Vignettes, 2002
Choice Of Words Press, Brevities Series)






Today's LittleNip:


FAVORITE TOYS

My dear love,
we keep
breaking each other
and fixing each other
as if we were
favorite toys.

We don’t ever learn
how breakable
we are—

and still we go on
loving—
isn’t that remarkable?


(First pub. in Mini-Chap:
The Third Leaf Has Fallen, 1968)
 
______________________

Our thanks to Joyce Odam for today's fine fare, sending us some poems and pix from her Toy Box, our recent Seed of the Week. Our new SOW is What My Camera Sees. Send poetry, photos and artwork about that or any other subject to kathykieth@hotmail.com/. And note that some new workshop and submission opportunities are listed over on the green board at the right of this column. Check 'em out!

—Medusa




Bedtime Babies