Friday, February 21, 2025

Somewhere, Daffodils~

 
—Poetry and Photos by Taylor Graham,
Placerville, CA
—And then scroll down to
Form Fiddlers’ Friday, for poetry by
Stephen Kingsnorth, Nolcha Fox, 
Tejendra Sherchan, and Caschwa
—Public Domain Photos Courtesy of Medusa 


CORNU ASPERSUM   

So rudely deported from your
cool damp sheltered maze of alleys-
as-you-find-them, paths on mossy patches
of randomly heaped cordwood waiting
to be hauled to woodshed behind
the house, innocent snail—
I’m sorry I evicted you, not expecting
to find a snail among the firewood.
Cold-blooded creature, you’ll freeze
unsheltered in February, another storm
coming. Daffodils aren’t blooming
yet, just short green spears pushing up
through frost. Where shall I put you now?
 
 
 

 
FEBRUARY BLOOMS

You want yellow daffodils? I’ll give you
brittelstems in gold and bronze, in a bed
of emerald grass and crystal dew. No,
I think fungi don’t fit well in a vase.
 
 
 
 
 
BETWEEN STORMS   

The world is washed & scoured, it’s thundered,
lightning’d, everything’s bright this morning
for still more rain. Nature’s jubilant.
On bare oak branches, lichen opens
its pale green pores, and berry brambles
winter-dead are red as life-blood thorn’d.
Somewhere daffodils may be blooming,
the patient heron blue-gray as sky.
 
 
 

 
INSIDE THE GALLERY
After
Portrait of South Fork by Fab Sowa

Where does water stop and sky begin?
This wash in imperceptible
gradations of gray into black—birds
in silhouette, how can they fly,
their songs so full of wet?
And the closer trees clinging
to their banks, farther ridges eroding
in mist, high points softening,
contours relenting
into hill and hollow in time
becoming waterway replacing this
present river filled up with sand
and soil. A picture in a gallery
not far from home, where today
our small seasonal creek
is emulating art, washing its banks
with a fearsome brush.
 
 
 
 

UPROOTED

So hard for an immigrant child—
this small sapling transplanted
from southland to its new home,
our hope for the future of oaks
in time of climate change.

Can it survive without its native
soil, its bed under comforters
of familial leaves merging
with earth, cozy as a patchwork
quilt passed down generations?
 
 
 

 
TRAINING DAY FOR OTIS   

You’d think him destitute of friends
and human contact—his countenance a droop-
face clown waiting for me to let him out
of the car. It’s been two whole weeks since
he saw our training partner. There
she is! He goes haywire, leaping, wrapping
his foreleg like a human arm around her,
not quite knocking her down.
She’s prepared for this, she knows him.
She’s set up a training problem, a tough one,
for him. She knows he’ll have her
exclaiming Bravo! when he solves it.
 
 
 


Today’s LittleNip:

OLD AS HER TYPEWRITER
—Taylor Graham

She sat at her old typewriter
urban verse composing—
singing of keys slighter,
her drowsy muse dozing.

_________________

Somewhere, daffodils are blooming—we’re all impatient for the season, and Taylor Graham has written about impatience today, including Otis’s impatience for training school. Our thanks to TG for fine poems and photos! Forms she has used include an Ekphrastic poem (“Inside the Gallery”); some Blank Verse (“February Blooms”); our Irish Decnad Mor challenge (“Old as her Typewriter”); some Normative Syllabics that are also Medusa's Ekphrastic challenge from last week (“Between Storms”); and a Word-Can Poem (“Training Day for Otis”).

In El Dorado County’s poetry events this week, Poets and Writers of the Sierra Foothills features the launch of a chapbook,
The Way Back, by Mike Owens, presented by Bob Stanley in Camino on Sunday, 2pm. Plus, El Dorado County’s regular workshops are listed on Medusa’s calendar (if you scroll down on http://medusaskitchen.blogspot.com/p/wtf.html/). For more news about these events and about EDC poetry—past (photos!) and future—see Taylor Graham’s Western Slope El Dorado Poetry on Facebook at www.facebook.com/ElDoradoCountyPoetry/.  Or see Lara Gularte’s Facebook page at https://www.facebook.com/groups/382234029968077/. And you can always click on Medusa's UPCOMING NORCAL EVENTS (http://medusaskitchen.blogspot.com/p/wtf.html). Poetry is Gold in El Dorado County!  
 
And now it’s time for…  


FORM FIDDLERS’ FRIDAY!
  
It’s time for more contributions from Form Fiddlers, in addition to those sent to us by Taylor Graham! Each Friday, there will be poems posted here from our readers using forms—either ones which were sent to Medusa during the previous week, or whatever else floats through the Kitchen and the perpetually stoned mind of Medusa. If these instructions are vague, it's because they're meant to be. Just fiddle around with some challenges—  Whaddaya got to lose… ? If you send ‘em, I’ll post ‘em! (See Medusa’s Form Finder at the end of this post for resources and for links to poetry terms used in today’s post.)


Check out our recently-refurbed page at the top of Medusa’s Kitchen called, “FORMS! OMG!!!” which expresses some of my (take ‘em or leave 'em) opinions about the use of forms in poetry writing, as well as listing some more resources to help you navigate through Form Quicksand and other ways of poetry. Got any more resources to add to our list? Send them to kathykieth@hotmail.com for the benefit of all man/woman/poetkind!



* * *
 
 
 Last Week’s Ekphrastic Photo


Poets who sent responses to last week’s Ekphrastic photo included Stephen Kingsnorth, and Nolcha Fox:


MARRIAGE OF CONVENIENCE
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales

In atmosphere, pollutant free,
we like our lichen stuck by scree,
as much as lichen, stitchery,
attached as patches to that tree.
A life form draped as ragged swag,
promoting freebie, from thin air,
sustained by moisture all around,
with many species branching out.

Where water rests before it drains,
the grey-green granite itself glazed,
concavities with propagules,
but pinprick deep in fissures, pits.
No roots, leaves, flowers to make their mark,
though rock tripe ruffles, brown through green
have known to stretch a two foot spread,
with tattered thallus, scrap like suede.

Both fungus, alga, two in one,
but also partners, other plants,
these symbiotic valentines,
in marriage of convenience.
With rhizines, prickly holding on,
a coal black hairpiece, lichen style,
admire these guardians of our air,
barometer of purity.

* * *

Nolcha Fox was a bit confused by the photo, so she wrote about her new bras, instead—which is fine. There are no rules about Ekphrastic responses; they shall not be confined to an exact replication of the photo. (Later she said they were cross-your-heart-bras...)


DISAPPOINTING MY BRAS
—Nolcha Fox, Buffalo, WY

Welcome to your first wash, ladies.
Don’t expect the special treatment
you asked for on your tags.
Warm water wash went out in the 80s.
Unless you’re a towel. Which you aren’t.
It’s cold water, even in the winter freeze.
You can shiver like everyone else.
You can fray around the edges like me.
You’re no more special than the rest of us.
We’re all just trying to get by.

* * *

Here are some short poems from Newcomer Tejendra Sherchan of Kathmandu, Nepal. Watch for more from Tejendra in days to come:
 
 
Tailorbird


far below Venus
the waxing crescent moon
hopes to catch it fallen

* * *

winter morning
a tailorbird's hopping
takes away my illness

* * *
 
marigolds
so unfazed to outlive
the winter


* * *


Caschwa (Carl Schwartz) say he “borrowed just the syllable count from the Dechnad Mor, and broke all the other rules”:
 
 

 
 PROUDLY OLD SCHOOL
—Caschwa, Sacramento, CA

my desktop holds a digital
Personal Computer
and close by I keep a set of
nice Paper Calendars

Found out by trial and error
that when I entered a
calendar notation on my
personal computer,

for example to preheat my
oven before cooking
a special meal, made me subject
to having Google send

a gang of telemarketers
to flood my digital
PC with ads for expensive
kitchen remodeling

instead, I make a notation
on paper calendar,
the whole communication stays
private between me and

the calendar, and I don’t need
to spend any money
on a subscription for programs
that will block out those ads

* * *

Carl was very productive this week. Here he has a Complaint Poem for us:
 
 

 

THEN AND NOW
—Caschwa

this is what streaming was, before
marketing agents assigned higher
salaries to ball players and other
entertainment workers than to our
first responders who save lives

“Whose broad stripes and bright stars
Through the perilous fight
O’er the ramparts we watched
Were so gallantly streaming . . .”

* * *

A List Poem:
 
 

 
THEY MADE A FEW CHANGES SINCE
MY LAST VOCABULARY TEST
—Caschwa

Aberrant
Bogus
Corrupt
Dirty
Eavesdrop
Forgery
Grift
Heist (forget about i before e, except after c)
Insurrection
Junk
KKK
Loaded (like a firearm, not a Pez dispenser)
Misconduct
Nuisance
Outlaw
Pry
Questionable
Rigged
Sham
Tyranny
Usury
Vendetta
Woke
X-rated
Yokel
Zealot

* * *

And a Monorhyme poem named Zita (Seeker):
 
 

 
 ZITA
—Caschwa

this poem seeks to:
cover your head in the rain
explore the scenery in Maine
drive you batty, totally insane
shelter your life from the pain
take you away to another plane
entitle you to use the HOV lane
hoist up your ego on a shaky crane
remove weight to leave room for gain
double-check correct spelling of feign
unlock your cage, but leave you on chain

____________________

Many thanks to today’s writers for their lively contributions! Wouldn’t you like to join them? All you have to do is send poetry—forms or not—and/or photos and artwork to kathykieth@hotmail.com. We post work from all over the world, including that which was previously-published. Just remember: the snakes of Medusa are always hungry!

____________________

TRIPLE-F CHALLENGES!  

See what you can make of these challenges, and send your results to kathykieth@hotmail.com/. (No deadline.) Here’s another Irish form, the Snam Suad:

•••Snam Suad: https://www.writersdigest.com/write-better-poetry/snam-suad-poetic-forms

•••AND/OR follow Caschwa’s lead with a Monorhyme:

•••Monorhyme: www.shadowpoetry.com/resources/wip/monorhyme.html

•••See also the bottom of this post for another challenge, this one an Ekphrastic one.

•••And don’t forget each Tuesday’s Seed of the Week! This week it’s “Too Expensive”.

____________________

MEDUSA’S FORM FINDER: Links to poetry terms mentioned today
:

•••Blank Verse: literarydevices.net/blank-verse AND/OR www.masterclass.com/articles/poetry-101-what-is-the-difference-between-blank-verse-and-free-verse#quiz-0
•••Complaint: https://www.poetryfoundation.org/education/glossary/complaint
•••Decnad Mor: https://www.writersdigest.com/write-better-poetry/dechnad-mor-poetic-forms
•••Ekphrastic Poem: notesofoak.com/discover-literature/ekphrastic-poetry
•••Haiku: https://www.poetryfoundation.org/learn/glossary-terms/haiku-or-hokku AND/OR www.shadowpoetry.com/resources/haiku/haiku.html
•••List Poem: clpe.org.uk/poetryline/poeticforms/list-poem
•••Monorhyme: www.shadowpoetry.com/resources/wip/monorhyme.html
•••Normative Syllabics: hellopoetry.com/collection/108/normative-syllabic-free-verse AND/OR lewisturco.typepad.com/poetics/normative-syllabic-verse
•••Snam Suad: https://www.writersdigest.com/write-better-poetry/snam-suad-poetic-forms
•••Word-Can Poem: putting random words on slips of paper into a can, then drawing out a few and making a poem out of them
 
__________________

—Medusa
 
 
 
  Today's Ekphrastic Challenge!
 

 Make what you can of today's
picture, and send your poetic results to
kathykieth@hotmail.com/. (No deadline.)

* * *

—Photo Courtesy of Public Domain
 
 
 
 
 















 
 
 
 
 
For future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 



















 
 
 

Thursday, February 20, 2025

Trodding the Treads Ahead

 —Poetry and Visuals By Smith, Cleveland, OH
 
 
No light in sky
small spark in me
another day of chasing why
cuz life is never free

I trod the treads ahead
carry past on back
no idea what to spend
getting back on track

Every day is starting over
every day is just the same
every day is 4-leaf clover
every day is blame

Is it all a game?

Don't make no difference
what they say
still gotta play

But what the hey
 
 
 
 Bombom


Got my rage on
read the news
amped my inner anger with coffee
mellowed that a bit with weed
so sun's coming up
and I'm wound
with nowhere to go
and I ain't going slow, Moe
ain't going slow
but I'm going
I'm going to be a better person
someday
going to raise rationality
someday
lower nationality
someway
and actually
I lie
won't even try
gonna keep stumblebumbling why
crashing through the course
raising rants and crying curse
and worse
ain't gonna close my eyes
in possum try
will crawl on through the hurt
and work
to help move more mellow plan
be more in the am
junking my jerk
losing smirk
irk

lot of murk
 
 
 
 Alarm Will Sound


Sum folk know
ain't safe place
here there down the line

What is is
small pockets of plus
in large plops of puss

That makes us
tummy thumper or flesh filler
grab 'n snatch down the hatch

So much gloom
in poem and room
bill coming due after

But earth goes on
some stay some gone
me? I offer Gods laughter

And they slow soften
my slaughter
 
 
 
 Nope


You can pause
but you can't stop
sharks know this

Flounder abounder
flubber a'do
I can run much slower than you

Things may be happening
we may be here
I'm not entirely clear

Until resolution
you can keep your absolution
continuing is my only solution

Keep up hope
maybe smoke some rope
dance about in the Holy Smoke
 
 
 
 Treasure


I watch the cat clean herself
in my black denim lap
red tongue licking black fur
green eyes glowing in dusk
she's at one
in the now
no fear
no hunger
no shame
in love
of love
with love

were I her
and also me
sitting petting myself
safe in my own lap
purring mine to me
ahhhh, that'd be something
me liking me
me licking me
clean
finally
inside and out
 
 
 
 Inkpen


I been thinking
and it seems to me
"Be here now"
must be a typo

Sposed to be
'Be here. Know'

I know
seem similar
but 'you in now'
don't mean 'you know'
while in the know
includes the now
somehow

Know now be here
beware false there

I find that fair
 
 
 
3some


If mirror life looked into their mirror
would we be what they see?

"Scientists Say Mirror Bacteria
Should Not Be Created'"

it doesn't end, does it?

friend sez
"we're rollin down hill
and pickin up speed"

heck
can't even say
that was yesterday
and yesterday's gone
cuz the future's waving at us
in the rearview mirror

they talkin'
o boy they talkin
talkin
growing mini-brains with eyes
time crystals in quantum computers
reviving 24,000 yr-old permafrost zombies
making mutant daddy shortlegs
reversing age
talking zero with crows
bringing back wooly mammoths
seeding the sky to scare the sun
bleeding sea for electricity
freeze drying the arctic
ignoring the scars
fleeing to Mars

putting Liberty behind bars

gonna ban the tran, be The Man
what a bloodsucking end
from small-handed men

a bit disappointing, my friend
 
 
 
 Supple


Lilac dawn gone
I made it through the day

night cushions me
from reality

soon sleep
re-ravel sleeve of care

adding up my brownie points
and used-Camelots

subtracting shudda-beens
from Karma plots

leaves me somewhere twixt
shoe and leather

maybe okay
maybe bad whether

but who am I to judge?
 
 
 
 Art Crimes 8


Today’s LittleNip:

O woe is man, for I am omen
"Sounds like Shakespeare"
No, just me in shaky peer down history

—Smith

____________________

—Medusa, with get-well-soons to Smith (Steven B. Smith), who took a nasty fall (face-plant, as he calls it) last week and messed up his face, as you can see on his Facebook page. Turns out he also has a damaged disc in his neck, most likely from lifting his dying dog for a trip to the vet. Ouch. Not fun. Not fun at all. For now, though, his bruised and battered body is on the road to healing. Send him good wishes!
 
NorCal residents will be sorry to hear that Sacramento Poetry Center Volunteer Alexander Antonio Cortez passed away suddenly yesterday. Rest easy, Alexander.
 
 
 
 Flowgo
—Photo by Smith




















 
 
 
 
 
For future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
Ouch!
 


















 
 
 
 
 
 

Wednesday, February 19, 2025

Where the Woods Begin


 Woodland
—Poetry and Original Artwork by
Freya Pickard, North Devon, UK



IN-BETWEEN PLACE

Grass tussocks flow with bramble
Field vetch spreads her purple blooms
Entwines stubs of might be hawthorn
(Won’t be if Devon Rubies graze).
Soft moss swathes steep incline
Deep velvet, emerald green
This, the in-between place
Field ends, wood begins
 
 
 
 
Wode Hills
 

YOUNGWOOD

Slender saplings sway
Upward reaching arms bend
Before Summer’s strong breath
Leaves flicker, writhe—
Around slim roots the grasses grow
Blackbird and thrush cling
To fragile branches too young to bear
Flighty squirrel’s weight,
Sing in gloaming where
Night meets day
And light succumbs to dark
 
 
 
 
Wode Autumn Holway
 

OPENWOOD

Grassy sward ascends to ridge
Cherry, apple, hazel, thorn
Thickened trunks bespeckled
White and yellow lichens cling
Sun casts lengthening shadows north
As his arc reduces
Hunched and huddled young trees lean
Away from prevailing wind
Solitary grasshopper chirps
Rustles in fallen leaves
Autumn now descends
 
 
 
 A Winter Tree


TANGLEWOOD

Long past the Solstice
Winter’s grip tightens
Tangles dead undergrowth
Makes traps of briar and thorn
To snag those unwary
Striving to escape proliferation
Of sleeping tree and dying vegetation
Push past the snarls, occlusions and sharp
    pain
Discover the cusp of Winter
Becoming Spring
 
 
 
 Tor Hill
 

ANCIENT-WOOD

Here the trunks grow green
With beards of moss
Long, trailing streamers
Agate, jade and emerald
This verdant forest
Even in Spring’s barrenness
Is always alive
Ever dying, ever living
Without death, no life
Living onwards and upwards
Seeking sunlight and rain
 
 
 
 Two Trees
 

HEARTWOOD


The heartwood, a whole wood
Forest as it was meant to be
A healing time, a wholesome breath
True nature revealed
Calmness from outer storms
Sanity restored
Forever changed, forever changing
Embracing both chaos and order

___________________

Today’s LittleNip:

The heart of another is a dark forest, always, no matter how close it has been to one’s own.

—Willa Cather

___________________

Newcomer and Pushcart Prize nominee (2022) Freya Pickard is the author or four poetry collections, plus
Vampirical Verse and The Kaerling series. Vampirical Verse is her expression of life after cancer and chemotherapy, using vampires and other dark monsters to speak her dark thoughts. The Kaerling is an epic fantasy set in the strange, uncompromising world of Nirunen. 

Freya’s aim in life is to enchant, entertain and engage with readers through her writing. She finds her inspiration in the ocean, the moors, beautifully written books and vinyl music (particularly heavy metal and rock). She enjoys Hatha Yoga, Bhangra and Yogalates and in her spare time creates water colours and pastel drawings of the worlds in her head. See more bout Freya at https://dragonscaleclippings.wordpress.com/about/. Welcome to the Kitchen, Freya, and don’t be a stranger!

___________________

—Medusa
 
 
 
 Freya Pickard










 
 
 
 
 
 
 
 
 
 
 
For future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 























Tuesday, February 18, 2025

The Dark Edge of Winter

 We Talk Of Dark
—Poetry by Joyce Odam and Robin Gale Odam,
Sacramento, CA
—Photos and Original Artwork by Joyce Odam
 
 
WINTER PAGES 
—Joyce Odam

I pull on another layer.
A cold morning.  Chill upon chill.
A cold wall behind my pillow.

I am so cold.
I put on socks.
Bunch a sweatshirt behind my head.

Try to read
Try to wrap my hands inside my sleeves
and still turn pages.
                                   

(prev. pub. in
Chrysanthemum, Spring 2001) 
 
 
 
Urgency
 
 
CROWS COME IN LIKE WAR
—Joyce Odam

And now there are crows in the city,
cawing upon the telephone wires.
I can accept all birdsong
that comes trilling
to my morning windows,
easing nature into mind,
soft against the hard,
like sudden things I like to find
in strangeness.
I can accept all lilac-guise
in winter.

But crows come in like war,
startle of dark
that makes a ragged scratch
upon the clock,
that makes a frantic waking
into fright.
Crows break the flimsy cages
of the night,
half-lifting their black wings
against the thudding
of the heart.

                           
(prev. pub. in Imprints Quarterly, Summer 1968;
and Medusa’s Kitchen, 6/14/22)
 
 
 
Turning To Gold
 
  
DARK SOLSTICE
—Robin Gale Odam

. . . after the night
out of the shortness of
days into the length of time . . .
                

(prev. pub. in Medusa’s Kitchen, 12/27/22) 
 
 
 
To Wait For You
 
 
SHIFT OF MEMORY
—Joyce Odam

Past the dark edges of night,
which is made of memory,
I go in my own darkness,
which is secret—
past the moon-lit gardenias,
that glow,
and the night-blooming cereus,
which insinuates—
past all these shadows
that still reach out to me
as if they were human presences.

All I can see of this
is silenced
in a shift of memory
that wants to rhyme with itself,
wants to hear again its old laments—
long since forgotten,
or only silenced—
like leaf-fall,
or after-echo
that follows behind me
as I walk this dark place—
afraid, and unafraid.
It is only memory.

Why is no one there,
though I feel many presences?
Who am I looking for, yet dare not find,
as if finding might change me?
And how can I still envision gulls
out of this darkness—
black gulls
with black cries
that listen for my answer?
I answer and they disappear,
not sure what they mean.

I write this for a way through
the immeasurable years
that seem like tides
that bring back such gulls
through the darkness—theirs and mine,
which still connect with hauntings.

Who might I have been other than this self
with so many questions,
answers hiding where they always hide—
useless answers that change
as the questions change.

I let myself drift back,
through this place that is so familiar,
as if I want to be there again—
without
me.

Why is it filled
with such love—
such stubborn, lonely love—
someone I yearn for
who never was.
                                         

(prev. pub. in Medusa’s Kitchen, 6/7/16) 
 
 
 
 Truth And Lies
 

three phantom songbirds
minor triad, evening light
three silver shadows

    —Robin Gale Odam 


(prev. pub. in Medusa’s Kitchen, 8/29/23)
 
 
 
When It Rained
 

THE WINTER LOVE
—Joyce Odam

That day there was a storm—a quarrel
of sky and sea—a division of force.

The clouds broke, the rain blew down,
churned under, and belonged to the sea.

The sea gathered and rose into the sky,
but there was no taming of either.

We walked along that shore to feel the
fury—answer our moods—our silence,

building now to the clash of power :
one fed the other, the whole winter of us,

daring—and uncaring of outcome.
This was a love to the finish.

                                          
(prev. pub. in Medusa’s Kitchen, 02/19/13;
11/26/13; 12/13/16)
 
 
 
What Now, Rain?
 

SHOULD I BELIEVE IN SPRING
—Joyce Odam

I heard the birds singing today
under my sadness
and I said,
Should I believe in spring?
Permit feeling?

And the birds were oblivious
to my thought
and they sang in the tree
by my house
where I hung clothes
under a cloudy sky
and I said,
Should I believe
in possibility?
This singing is so pleasurable.

And the birds
sang through my reluctance
to permit joy to enter my heart
and I said,
Should I permit my heart to
open to anything again?

And the birds
continued singing
in the tree by my house
and I said,
Should I linger at this chore
and enjoy the singing?
And the birds continued,
oh, continued, singing.

                          
(prev. pub. in Acorn, 1996; Senior Magazine, 2002;
and Medusa’s Kitchen, 5/1/12; 3/25/14;
2/28/17; 9/26/23)
 
 
 
To Sing At Dawn
 

THROUGH THE TREES
—Robin Gale Odam

lacy nest of eggs
filled with fragile promises
bird of cliché blue
holding heaven in its beak
the sigh of wind—the dreaming girl
                       

(prev. pub. in Brevities, May 2018;
and Medusa’s Kitchen,  6/25/24)
 
 
 
 We Are Ours
 

THE METHODS OF EACH OTHER
—Joyce Odam

We are down to
our nitty gritty now
hands deep in the soil of decision
crumbling the earth
and saying it is
good soil
suitable for our avid weeds and
bitter radishes.

We work the stones
to where we want them :
I leave mine where they are
to conduct sun-warmth;
you throw yours in a path
to walk upon.

We are difficult farmers
ever at odds with
the methods of each other,
never in rhythm with the crop,
watering when it rains,
harrowing the cracks in drought.


(prev. pub. in
Coffee and Chicory, 1994;
and Medusa’s Kitchen, 5/31/16; 8/6/24)
 
 
 
Thoughts
 
 
SIGNS OF LIFE AT THE EDGE OF WINTER
—Joyce Odam

I wait for spring at this sad edge of winter—wait
like a leaf that has no metaphor but me—I am
the thought that made it real, it was never there.

I needed its symbolic presence saved from what I
knew was not enough—just some thought to chew
upon. This is the time of year such thoughts intrude.

Insomnia. Regret. All those reasons. I wait for birds
to sing at my dark window—wait for the light to
lengthen—wait for signs that all is well with me.

This is the stubborn edge of one more winter,
counted, hoped upon, and gotten through. And 
    spring
is what I want to transfer to, as if I, too, deserved

another crack at life’s old metaphor I have yet
to figure out. But still I watch for signs—first
swellings on the trees—first blossoms—first sigh

not a sigh of sadness, regrets to lay aside and not
sort through. I feel the slow year turn in my
direction—bud by bud—and clue by subtle clue.

                                                              
(prev. pub. in Medusa's Kitchen, 1/26/16; 3/23/21)
 
 
 
Valse Des Fleurs


WHEN LIFE IS GOOD
—Joyce Odam

Lest I regress to some old meaning
less desired
old scriptures lost

burdens of cost
old blunders
redefined

poor rhyme not wanted here
slant or pure
all layers intertwined

but my heart and soul can overflow
at the sight of pink blossoms
in the moody month of spring

how the quickened feeling
of hope
can change the air—

but more like the close call
of some gentle creature
that got away from death

or the final unwinding of
the endless ball of tangled string
that life depends upon…

                                   
(prev. pub. in Medusa’s Kitchen, 8/8/23; 3/12/24)
 
 
 
Unresolved
 

Today’s LittleNip:

POST SCRIPT
—Joyce Odam

When I am obsolete
I will remember all perfection
as an answer shattered
by a question.


(prev. pub. in
Brevities, September 2016;
and Medusa’s Kitchen, 9/5/23)


___________________

Should we believe in Spring? The daffodils do, and the lilacs, and even the cynical crows. Joyce and Robin Gale Odam have written to us today about the dark edges of spring, soon to be peeled away for sun and early mornings and birds, birds, birds. Thanks to them for fine poetry and fine visuals!

Our new Seed of the Week is “Too Expensive”. Send your poems, photos & artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from. And see every Form Fiddlers’ Friday for poetry form challenges, including those of the Ekphrastic type.

___________________

—Medusa
 
 
 
 —Public Domain Photo 
Courtesy of Medusa











 
 
 
 
 
 
 
 
 
 
 
 
 
For future poetry happenings in
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