The Portioned Air
—Poetry by Joyce Odam and Robin Gale Odam,
Sacramento, CA
—Photos and Original Art by Joyce Odam
—Poetry by Joyce Odam and Robin Gale Odam,
Sacramento, CA
—Photos and Original Art by Joyce Odam
FIRST SHADOW
—Joyce Odam
I am the one your heart cannot recall.
See how pale I am against the moving wall,
my shadow glancing past the glazing mirror
to become the faintest image there—
the way it falters. as though caught,
and maybe held by memory—or not.
I was the one, alas, who entered where
you were—the one who stayed—
who stayed—
you welcomed me awhile, the years
like sand, and, they were, alas.
—Joyce Odam
I am the one your heart cannot recall.
See how pale I am against the moving wall,
my shadow glancing past the glazing mirror
to become the faintest image there—
the way it falters. as though caught,
and maybe held by memory—or not.
I was the one, alas, who entered where
you were—the one who stayed—
who stayed—
you welcomed me awhile, the years
like sand, and, they were, alas.
IF THEN
—Robin Gale Odam
What if you meant to say a thread of
uncertain synonyms for if and then,
and then I looked away—a fine strand
of twisted fibers—
I tried to write this letter, I thought
I heard you say,
for if and then, as statement of fact—
and then you looked away
—starlings in the sky again, the flurry
of startle—
evening divides into two evenings.
If you arrive then I shall go.
The Flight
THERE IS MORE TO NOW THAN NEVER
—Joyce Odam
—oh flowing time—oh moving river
made of tears
take the word away
and nothing changes
the count is nil
time is held in every moment
all now,
not when,
thought knows
how this
is so
life cannot hold you
it moves on
and you move with it—
saying yes
saying no
saying oh,h,h
WOMAN FLOATING ON A BED OF LEAVES
—Joyce Odam
In a floating soliloquy of leaves, among flicker-
ing water-lights, among vanished sound of ripples;
among the sweet and carrying sounds of birdsong,
and the complete, stunned, listening of the bright
air, and the vast, prolonging sound of time stand-
ing still, and the powerful bunched feel of the
shoulders of the shoreline as it suspends its own
breathing—among the great forces of waiting at the
end of this sentence—among all these—the woman
floats—asleep on the eddying surface of the water
(her floating arms stroke the water in assistance)
slowly following the buoyancy of its own motion,
her eyes closed forever and her mind tuning
inward—
not here to remember or forget—not here to sink
into death’s oblivion—but here to shine against
the sweet instant—the imagined something caught
in a flash of someone who glances up, or someone
just staring to see if she is real—or just another
glittering illusion of this sun-lit, moving water . . .
(prev. pub. in Medusa’s Kitchen, 9/14/21)
not here to remember or forget—not here to sink
into death’s oblivion—but here to shine against
the sweet instant—the imagined something caught
in a flash of someone who glances up, or someone
just staring to see if she is real—or just another
glittering illusion of this sun-lit, moving water . . .
(prev. pub. in Medusa’s Kitchen, 9/14/21)
THE ANGEL THAT WILL TAKE ME
—Joyce Odam
(for my mother: “I’ll just let the angels take me…”)
Each morning the angel wakes her
with its supporting arm and guides her
through her day’s small chores
though she is not aware of the presence
of the assisting angel—ready
to lend her its very own wings
at the moment she needs them.
Obedient to the rising, she goes,
dream-like, through the rituals she
measures by as she strengthens and
leans into the heart of the angel
which even now is moving inside her.
(prev. pub. in Medusa’s Kitchen, 12/10/13)
DRIFTING BACK INTO SLEEP
—Joyce Odam
Let sleep appease me like the comforting
mind-wander of a daydream
as I lean against a pillow
with my finger in the pages
of some book I’ve read before
and read again because I love the words.
Let some soft sleep just overtake me
while I rest within its wings
and drift in the sounds and light
of some quiet morning—
the house at rest
and the bedside lamp still burning,
though the sun is on the wall,
moving across my mother’s picture
and the face of the uncaring clock.
Such a sleep—
completely restful,
my glasses on,
the book holding its place,
and the little urgent map of time
folding back against my need of it.
Today’s LittleNip:
INSOMNIA XXXIV
—Robin Gale Odam
the birds in the third shift,
the moving prelude of a season
changing overnight
the long train leaves the city
the metronome of the second hand
measures the spell
(prev. pub. in Brevities, September 2018;
and in Medusa’s Kitchen, 9/19/23)
__________________
Joyce Odam and Robin Gale Odam have sent us fine poems and fine pix today, and we're grateful to them for their on-going support.
Our new Seed of the Week is “Exasperation”. Send your poems, photos & artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from. And see every Form Fiddlers’ Friday for poetry form challenges, including those of the Ekphrastic type.
Be sure to check each Tuesday for the latest Seed of the Week.
___________________
—Medusa
Our new Seed of the Week is “Exasperation”. Send your poems, photos & artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from. And see every Form Fiddlers’ Friday for poetry form challenges, including those of the Ekphrastic type.
Be sure to check each Tuesday for the latest Seed of the Week.
___________________
—Medusa
Bird of Paradise
“. . . the birds in the third shift . . .”
—Public Domain Photo Courtesy
of Joe Nolan, Stockton, CA
“. . . the birds in the third shift . . .”
—Public Domain Photo Courtesy
of Joe Nolan, Stockton, CA
For future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
during the week.
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column at the right
side of this column to find
any date you want.
Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)
Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
during the week.
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column at the right
side of this column to find
any date you want.
Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)
Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!