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Sunday, July 27, 2025

Out the Train Window

 
Norma May Kohout, 1922-2025
—Poetry by Norma Kohout, Sacramento, CA
 
 
OUT THE TRAIN WINDOW

fluent white poetry of egrets
in flight,
explosion of mallards alarmed
by the train,

moored tankers, freighters loading,
unloading
below Benicia Bridge, visible
from the train,

across Suisun Bay—a moving sheet
of chipped slate—
the soft-green hills of Vallejo roll
by the train;

convolutions of pipes, metal stairways,
orange tanks,
futuristic oil-refineries grow
beside the train;

snow-feathered egrets on black-stilt legs
watch for fish
in the marsh’s bright channel,
near the train.

And more, and more—strange, ugly,
natural, beautiful—
waits to be discovered
on the train.


(prev. pub. in Medusa’s Kitchen, 8/4/06)
 
 
 

 
THE ZEN OF GRAPEFRUIT

Larry brought me grapefruit from his
    tree-filled
place in the country.
I've begun cutting the peels
with a knife,
rather than removing them with my
    fingers;
which leaves
a sticky crowded feeling under my nails.

The yellow covering cuts away nicely
with a few curving motions; so does
    the white layer
that I rather like, and
purposely keep a bit of,
remembering my neighbor in
    Los Angeles
said it had lots of Vitamin K.

The bitter-mellow smell comes up; and
my mouth begins salivating when
    the serrated blade
cuts through the naked fruit, making
    cubes
of the natural sections
where little cells of juice glisten.
I put the grapefruit in a glass dish,
licking the citric sweetness from my
    fingers.

But I miss the comedy routines about
    grapefruit
from my distant girlhood:
grapefruit juice squirting from the spoon
into people's eyes,
and movie incidents like James Cagney
famously squashing
one in his blonde gangster moll's face.


(prev. pub. in Medusa’s Kitchen, 11/24/07)
 
 
 
Norma with Bob Stanley
—Photo by Katy Brown
 

WINTER SUNSET

Last night . .
just before dark, the leafless trees
reared assertively—
black detailed silhouettes,
sharp against the yellow light of sunset.

Tonight. . .
the western skyline dominates:
salmon-colored glory streaks
the purple clouds,
seemingly the last light.

Yet to the south, a jagged piece of white
strangely vivid,
like an alien substance
unnaturally pinned on a black sky.


(prev. pub. in Medusa’s Kitchen, 3/6/09)
 
 
 
 

FROM THE TRAIN—THE GREENING

The valley fields are resting;
grasses are pushing up
under the black arms of plum trees;

broad strokes of green show pasture
for a herd of Black Angus,
mingling with red and white Herefords.

Old-green contrasts with
mottled brown on barn walls
and cinnabar on their rough timbers.

Patches of new green are starting up
alongside winter-soaked
marsh plants and flaxen reeds . . .

the train rolls west to peopled Martinez;
there green is growing only in mowed
    lawns
and weeds along the track.


(prev. pub. in Medusa’s Kitchen, 3/6/09)
 
 
 
Norma with Laverne Frith
—Photo by Katy Brown
 
 
EVENING WALK IN THE WINTER

all along my route
sidewalks give off the dusty-damp smell
of concrete and on this block

beyond the magnolia trees
that gather up night
and beyond their velvet shadows

fish is frying
that smells delicious
and around the corner

winter reveals secrets in leafless trees
and the glistening evening star
is so constant in its dark setting

it seems a benediction


(prev. pub. in Medusa’s Kitchen, 3/6/09)
 
 
 

 
THE NIGHT FOR FROG LEGS

Tonight, after a day of hauling freight,
he sautéed frog legs—
standing solid, still neat in the army-
    style
twill pants and shirt.

Hot butter perfumed the kitchen; the
    white meat
sizzled, and Mother
drained string beans at the zinc counter,
stepping around
our German shepherd, Frieda.

Even to a daughter's eyes, he was hand-
    some:
ash-blond hair and clipped mustache—
turning frog legs
the way he learned in France in the war.
No other kids in the neighborhood
had frog legs for dinner.

We watched from the dining room table,
past Mother's cooking cabinet,
past the scar on the stove's white
    enamel,
where he'd hurled the spinach
in Grandma Lindholm's heirloom dish.


(first pub. in
Rattlesnake Review #14
and in Medusa's Kitchen, 11/24/07)


_________________

Today’s LittleNip:

AT NIGHT
—Norma Kohout

Turning off the bed lamp
filled my room with soft dark.

The night sky came into view.
An oval pearl shone fiercely
on its cushion of indigo velvet.

I was glad the moon
was not yet round;
this perfection was all I could bear.


(prev. pub. in Medusa’s Kitchen, 11/24/07)

________________

NorCal poets were saddened to hear of the passing of Norma May Kohout recently at the age of 103. Norma Kohout played tennis in her San Francisco years, was counselor for The San Francisco Boys Chorus, a secretary, and a student at San Francisco State College. In Modesto, she taught junior high school English and participated in three teacher organizations. Norma said that highlights included receiving the Chaparral Golden Pegasus Award in 2001, being published in Senior Magazine, Tiger's Eye, Rattlesnake Review, and Song of the San Joaquin, plus California Federation of Chaparral Poets and Ina Coolbrith wins and publications. Also, Norma co-facilitated the Hart Center Wednesday Workshop with Joyce Odam. In publications, Norma had a littlesnake broadside,
Out the Train Window, from Rattlesnake Press, as well as a chapbook from RP, All Aboard! Thanks for your poetry, Norma, and we will miss you.

For a lovely presentation of Norma reading her poetry, go to https://chaparralpoets.org/Member-profiles/NormaKahout.html/. For information about her work at All Saints’ Episcopal Church, go to https://www.allsaintssacramento.org/post/celebrating-our-all-saints-stories-norma-kohout/. For her obituary, go to https://www.dignitymemorial.com/obituaries/sacramento-ca/norma-kohout-12448897/.

________________

—Medusa
 
 
 
 Norma's Sidekick, Oliver













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