Tuesday, August 24, 2021

Fire of Truth

 
Filigree
—Poetry and Photos by Joyce Odam, Sacramento, CA



ENVIRONMENTAL

The fake owl sits on the service station over-
hang above the gas pumps on the corner of
Franklin and Florin watching the city birds
that would test his imposing presence—he
never ruffles a painted feather or closes his
fierce eyes from the daunting position . . .

                 —o—

Underneath the bird-chattering tree, a large
Calico cat leisurely inspects his paw, seems
unperturbed at the ruckus above him, looks
anywhere but toward the noise and stations
himself against the old leaning fence
in the morning sunshine . . .

                 —o—

Perched on the long telephone wire going to
the house, one tiny red-crested bird lets go a
burst of song so beautiful it seems too much
for its size . . . it waits a listening moment . . .
then sings again before flitting to another
wire, all but invisible against the sunset
sky stretched out in the long smoky
strands of red behind him . . .
 
 
 
Fragile
 


WHERE THE RIVER FLOWS

how deep the red sunset water
how steep the blue images of trees
how smoky the sky in the reddened water

how blind the place where the river turns
and you want to turn there
though the blue trees shudder
and the red goes deeper
and the slippery bank is too dark to grasp

but you turn with the water
the redness folds you in
and the clouds continue
and even then you want to grasp at texture
 
 
 
The Fringe of Shadow
 
 
 
SISTERS OF MEMORY

slithering
        serpentine
                dancers made of pattern

moving like smoke
       after flame is smothered
               featureless dancers

weaving together as one
       as from a subtle breeze
              suggesting harmony

arms waving effortlessly
       toward each other
              directive and directed

soothing themselves
       in uniformity of movement
              fastened to a root of memory

that will not release them
       no matter how they reach
              upward and upward tirelessly
 
 
 
Wound 

 
 
BLUE SONG COLLAGE
After Man in Blue by Francis Bacon

When he sings, he sings blue,
sings to the black piano,

sings to the hushed audience
of his memory.

Soft smoky light swirls through him
and away—

diffuses into
the surrounding darkness.

Beyond the aura of his tragic face,
the stale dark listens—

leaning forward with admiration.
He braces for the applause.

                                 
(prev. pub. in Red Owl, 2006)
 
 
 
Much A-Do
 
 
 
STEPPING UP TO THE MICROPHONE

another sad singer
                             steps up to another microphone
and stands there amid the music
                             and sings his song
and sings his song
                             and sings his song
to the microphone
                             and the smoky spotlight
turning on for him
                             he stands there
in the lonely light
                             his face so tense and haunting
and the music knows
                             all that he sings
and harmonizes back to him
                             the musicians all but hidden
in the background of it all
                             the musicians hidden
while the lonely singer stands in the smoky light
                             and sings his song


(prev. pub. in Nanny Fanny)
 
 
 
Stem
 
 
 
LADIES IN VEILS, THE OLD MOVIES

Ah, the old movies, mysterious ladies with
smoky eyes and black lips, usually with
tears building behind the veils, and secrets
in their secret eyes. Tragic ladies—ever at
risk—ever in need of rescue—the hero who
would always blur into being, as undeci-
pherable and fascinating as were the ladies
behind the veils—the shadow-heavy veils
always symbolic at the point of peril—true
danger, or trap—always with more exhaus-
tions of dilemma to fathom through with
mood music. Deeper and deeper the drama
if the hero could not solve, in time, the in-
tricate tribulations of the script—the come-
dies of life with their fatal predictions. Happy
endings were never for ladies with veils who
were to stay mysterious to the meaning of end-
less scriptwriters who wrote them into their
predicaments. And who was to say if the cliff-
hanger movies were true to reality, or only
fantasy—the preconceiving, plot-making,
writers of movies to their guessed-at endings.
 
 
 
Shining Through
 
 
 
PLIABLE AS I WAS

In haze-light—
reflected from my years—
under dark time,
always within me,
flitting about my dying
as if in a hurry—
golden, golden, everywhere,
I entered, believing,
I was a child—
as young as envy,
climbing the very light,
I was demanding, everyone loved me.
I played under smiles all my life,
they closed above me, frozen,
they were not mine—
long whispering words
lisping everywhere—
asking around me—
but never directly at me—,
as if I was never there.
 
 
 
Tried and True
 
 
 
SMOKE AND FIRE

We squander the light with our dull eyes.
How can we bear the result of shadows?

Shadows are part of the ruse : you at the window
with your cape on—with your spread arms.

Arms hold and carry, now convey weariness
by hanging limp—have their own messages.

Messages rustle—they whisper—they nag,
so smug with being right, what they believe.

Belief is where there’s smoke, there’s fire—
fire of truth—in the smoky air of the believers.

_____________________

Today’s LittleNip:

MONTAGE
—Joyce Odam

All night, the unseen mockingbird
       shared its lyric singing,
               making sleep impossible.

All night, the slow red moon
       rose through the smoky sky
               and became a white moon.

Now morning bristles
       with raucous bursts
              from the numerous crows.

______________________

Here we are with another welcome  visit from Joyce Odam, smoke and shadows lurking around every corner in keeping with our Seed of the Week, “Smoke”. Joyce’s “Montage” is a Triversen, which means it does this:

TRIVERSEN: Triple verse sentence of variable accents—each stanza is one complete sentence, broken into three phrases: three lines of three phrases equals one stanza.

If you’re interested in forms, please check out the Kitchen every Friday to watch (and maybe play along with) the Form Fiddlers! Joyce is a frequent contributor.

Our new Seed of the Week is “Escape”. Send your poems, photos & artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from.

For more about Francis Bacon’s painting series,
Man in Blue, go to www.dailyartmagazine.com/man-in-blue-by-francis-bacon/.

______________________

—Medusa
 
 
 
 —Photo Courtesy of Public Domain
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.