Tuesday, October 22, 2019

Time Is A Long Blue Shadow

Her Eyes
—Poems and Photos by Joyce Odam, Sacramento, CA



PSYCHIATRIC TECHNICIAN:
HIS STORY

Now his madwoman still is mad in her jail,
scratching at eyes and sobbing, “I’m sorry,
I’m sorry, I’m sorry . . .”

But she made a cry one-day (when they had
to put her away again, in a room alone) that
he can’t forget.

“If I let you out,” he had to demand, “will
you do that again?”

“I won’t… I won’t… I won’t…” she
promised.

“And will you be good?” he asked her.

“Yes!  Yes!  Yes!” she answered.

So he let her out, and she scratched at eyes
again.

And he shows us his scratched arms and
his haunted eyes, and he ends his story,
shaking his head, “It was sad and funny . . .
funny and sad.”



Sibylline



IN CHINA THERE ARE NIGHTINGALES

In China there are nightingales,
or so they say,

that live in golden cages of emperors
and live obedient lives.

I heard of one who was mechanical,
perhaps to take the place

of one who could no longer sing
on cue—

and if the emperor knew the difference,
I don’t remember—

although something grieved him, that much
I can recall.



 Golden Kiss



SUBJECT MATTER

water
is glass,
imaged by night

night
is part glass
and part river

each night a small boat
drifts dreamward,
carrying its sole passenger

each night
the passenger
is prison to the dream

each night the depth
pulls the dream
downward

each night
the boat
is prison to the river

_______________

LICENSE TO LEAVE    

You have to become the door.
This house is not solid.
You may leave.

The walls will flutter down
like old rose petals.
The roof will lift off
like a hymn.

Your anxieties will no longer
matter to you . . .
open their cages . . .
let them fly from your possession.

Your house will dissolve
in your mind
like an old repetition
finally resisted.

The world is holding out
its carpet for you.
Time is a long blue shadow
that wavers ahead of you
in the brimming moonlight.


(first pub. in Mockingbird, 1999)



 Luv Red Roses



ONCE WHEN THE BIRDS       

Once
when the birds
were young as spring
before
they grew gray feathers
and their eyes went dim
they brought love to my window
in little diamonds of singing

That was the season of my joy

Now in
the loose cages
of the trees
the birds are older than
all reflective distances
their song is broken glass
the bloodless leaves turn gray
and are heavily falling

       
(first pub. in Broccoli, 1970)



 Thinking Back



WHAT I SEND FROM ME

Gone . . .
gone from
the prison
of my heart.

Now you belong
to air.
You take my sadness
in the beak of love.

There is a far tree
shimmering
in the mind.
Go there.

You will be feathered
in leaves
and learn to wear
the silence of my search.

O, do not sleep
in your deep eyes;
I gave you rivers to reflect
my coming . . .

O, never sleep
again
lest you awaken
where you were.

                 
(first pub. in Legend, 1973)

_______________

OF HUMAN CRIES

Lest I let my heart be broken by too many truths
my spirit sullied by lies of the soul
bewildered by my darkness’s

how let the terrible light be a blinding fact
to my groping—body is proof—
it gropes and limps

through years and centuries
forward and backward
into myths and superstitions—

native to nothing but Self—a nomad
of every homeless thought to bless the wondering
that cannot free the mind of murkiness

or clear the eyes from sadness and terror
in such a prison
as one can stay imprisoned in.



 Artiste



NOT QUITE SO
After Young Girl Writing at Her Desk with Birds
                     —Painting by Henriette Browne

Let not the cage
confine the thought, door open,
bird released, much like a poem, uncaught.

To trick the word, prepare another word.
Coax it. Let it surprise.
Say thank you.

Begin with daydream. Begin with stare.
Begin with pen raised over page.
Wait for page to rustle with excitement.

The page lies flat. Refuses. Songbird  
becomes Muse—pulls your attention
to its nearness—does not sing.

The cage hangs on the wall,
shares its emptiness with the quiet room.
Song waits. Poem waits. They will happen.

____________________

Today’s LittleNip:

UNDER THE SLOW BEGINNING OF THE RAIN
—Joyce Odam

Caged moment.  I lie like an invalid.
Sounds carry now and I am their listener.
The rooster in the cage crows just the same.
The sound is round.  I look through sound
and become hollow.  Fever must be like this.

____________________

Today Joyce Odam sends us poems about cages (our Seed of the Week), but also about sounds, and a big thank-you for that. Sometimes sounds get neglected in our poetry. Last Sunday I posted the John Clare poem which is packed full of autumn sounds and sound-words. Give it a try: Our new Seed of the Week is Autumn Sounds. Send your poems, photos & artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from.

—Medusa (“Sounds carry now and I am their listener.”)

 


 Young Girl Writing At Her Desk With Birds
—Painting by Henriette Browne












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