Monday, May 26, 2025

Chasing Poems

 —Public Domain Art Courtesy of Medusa
* * *
—Poetry by Nolcha Fox, Stephen Kingsnorth,
Caschwa (Carl Schwartz), and Joe Nolan
—Public Domain Photos Courtesy
of Joe Nolan and Medusa
 
 
Words and words and words

race around the kitchen table,
spilling orange juice,

burning the toast,
talking so fast, my brain hurts.

As I tie my shoes,
words race out the door

and run into the street,
causing a five-car collision.

They hope I won’t catch them
and turn them into a poem.


—Nolcha Fox, Buffalo, WY
 
 
 
—Public Domain Art 
Courtesy of Joe Nolan


CHASING POEMS - REVERSE REPOUSSÉ
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales

Much verse I read is chastening,
rebuke, not in so many words;
between those lines of the observed
I sense absurdities of life
in understated, withered ways.

But here my term of chasing theme,
one drop of syllable incurred;
so is my scheme of chasing words,
or more the act of being chased—
which might resound as celibate?

Yet, being pressed, I think on sheets
of metal—copper, silver, gold—
or alloys—steel, bronze, pewter too,
but hammered to provide relief—
for such technique is being chased.

With simple tools, yet but without
the loss of precious metal stock;
a shape described —low, high relived,
repoussé as the French would have,
that being chased from other side.

I think as fitting in a verse,
without deposing valued words,
some mallet mould, or wallop work,
with whack and thwack or batter beat,
the pummel pound or bludgeon bash.

Who would not run from such assail,
save words, as tools within our hands,
that cannot turn tail, being chased?
But when the cudgel is laid down,
there is relief, the wrest complete.
 
 
 
Stephen is chasing poems by the sea this week
in his vacation on the lovely Isle of Anglesey, Wales
 
 
THIS PARTY LINE
—Stephen Kingsnorth
 
(in anticipation of Medusa's 20th "birthday")

My parents said, when I nineteen,
your twenty first, become a man,
for that’s the trad, maturity;
we’ll throw a bash, parade yourself,
for boy be now adult indeed.

My peers made clear for them eighteen,
their family had said the year
at which the new world recognised
that stage was reached, the age attained,
when gifts of note had been received.

That stance confirmed as twenty neared,
on dance floor, quickstep I recall,
as they conversed with other Dads
who all confirmed the worldview changed,
for no one waited, twenty-one.

So saver Dad - no spender he -
decided I had missed my cue
so duly cancelled party line
(a landline shared when I was five);
thus twenty, next, my special time -
when all can drink my health online.

Macbeth, Macduff, apostle Paul,
womb-ripped or least, untimely born -
what anniversary observed?
This twenty more than satisfied,
though blowing candles out, strange sign?

Eisteddfod, ode or rhyming slang,
that sonnet, elegy composed;
these voices heard, where none are void;
utensils of the kitchen maid
produced a cake all have enjoyed.
 
 
 
 —Public Domain Art Courtesy of Medusa


MEDICAL TERMS
—Caschwa, Sacramento, CA

(After an MK Seed of the Week,
Message in a bottle)


Years before my wife’s death, doctors
discovered a buildup of fluid in her belly
caused by cirrhosis. They called that fluid
ascites. From time to time they would
syphon out this ascites into several bottles
for analysis, in a procedure known as
paracentesis.

On one very slow day, doctors and scientists
got together to decide that the proper
pronunciation of ascites was:
Uh-Site-eez. 
 
 
 
 An Enhanced Fajita
Public Domain Photo Courtesy of Medusa



JUST AN ENHANCEMENT
—Caschwa

The Weather Services have developed
a way to measure the negative impact
a hurricane might have on what it hits,
named the Enhanced Fajita (EF) scale.
Presently the range is 1 to 6, with 6
being the theoretically highest level of
destruction, chaos, and turmoil.

Now we need our Congressional Budget
Office to step up and bring out their own
scale, aptly named the Enhanced Wealth
(EW) scale, also using the same numerical
range, with 6 representing the worst abuse
of public funds, by giving it to folks who
don’t need any financial help, while leaving
out everyone else
 
 
 
 —Public Domain Photo Courtesy of Medusa


FEEDBACK AND DISTORTION
—Joe Nolan, Stockton, CA

The common
Distorted hysteria
Of Modern Rock
Sounded out its
Static feedback
Into a common glen
From thousands of
Ages ago
Where no one knew
Such distortion
Was possible.

Its sound ran through
And across a meadow
Before it disappeared
Along the course of a brook
That ran a crooked course
Into a lake
Where trout would jump
To touch
The air
For just a moment
Before they
Returned to their broth
To continue their lives
As creatures of clear water.
 
 
 
 —Public Domain Photo Courtesy of Joe Nolan


LIFE AS A FISH
—Joe Nolan

To live life as a fish
And not a man
To have only a fin
And not a hand
To breathe through gills
Instead of lungs
To give birth to thousands
Instead of one

Such is the life of a fish.
Whether one is better,
Few would make the switch.
 
Oh! To be young in the sea
Without a single boundary—
Completely free.
 
 
 
 —Public Domain Photo Courtesy of Joe Nolan


THE SAUCE-MEISTER
—Joe Nolan

Two-thousand sauces
Must be mastered
Before you’re allowed
To hang the sign
That says,“Sauce-Meister"
Outside your sauce shop
That lies along a roadway
That snakes along
Through hubble-homes
Down into a hamlet
Where everyone knows
Everyone and
Also all their business.

Each hamlet-dweller
Has his favorite potion
Mixed up to flavor
This or that
Just so.

They talk about
The ones they like
And those that are
Less favored
For one reason
Or another
And so his business grows.
 
 
 
 —Public Domain Photo Courtesy of Medusa


HOW AND WHY
—Joe Nolan

She knows something you don’t know,
Like what makes
Brilliant blossoms grow
When Earth is moist in Spring.

She knows how you love her
And why
That your heart flies in different directions
Leading to indiscretions
Over which you lie.
She knows that you love her,
But not her, just alone.

She knows life is born to fly
Off into dreams
Into an azure sky.
She knows and is not betrayed.
Her little homing pigeon’s here to stay.

____________________

Today’s LittleNip:

THAT’S BETTER
—Caschwa

When a poem is
way too bitter, you can chase
it with a bubbly

____________________

Our thanks to today’s contributors on this Memorial Day, 2025. Our Seed of the Week was Chasing Poems, and it looks like our poets have caught a few. Be sure to check each Tuesday for our Seed of the Week.

Speaking of memories, the countdown is on! Medusa’s Kitchen will have its 20th anniversary this coming Thursday, May 29, and we will celebrate with poetry, of course. Send a poem that celebrates something—anything—form or free verse—and I’ll post it on May 29. (20 years! Amazing!)

If you’d like to submit poetry or stories for Lit Fest 5 which is coming up June 29 in Winters, go to https://www.winterstheater.org/lit-fest/.

____________________

—Medusa
 
 
 
 —Public Domain Art Courtesy of Medusa






















 
 
 
 
 
A reminder that
Sacramento Poetry Center
will feature readers from
The Hart Center Workshop
in Sacramento tonight, 7:30pm.
For info about this and other
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 


























Sunday, May 25, 2025

A Scent Like Anise

  Star Anise
—Poetry by Douglas Richardson, Santa Ana, CA
—Visuals Courtesy of Public Domain
 
 
WANDERING IN CVS

Wandering in CVS
after our time has passed
a brotherhood of shoppers
friendless and kind
hurtling through space
talking to ourselves
lingering
leafing through magazines
in the permanent light
dozing on the low-pile carpet
dreaming of rivers and fields
 
 
 
 

THE ONLY OTHER THING IS NOTHING

After months of desultory van life
I found myself in Palm Springs
parked on Belardo between
the American Legion and Catholic church
and in my deteriorating exile
their lives flashed before me
bygone soldiers and saints
not their good and bad deeds
or other matters for Our Lady of Solitude
but the totality
all and sundry
unreliable and pure
 
 
 
 

UNOPENED WALL CALENDARS

Unopened wall calendars
faulty smoke detectors
paintings in public storage
people in the home have lost my mind
evenings on the bank
the water so kind
 
 
 
 

BIKER’S LAMENT

The leather-vested biker
in the devil dog bar
spilled his beer across the pool table
and cried over the forty years of toys
he’s seen scattered on the roadside
 
 
 
 

OUTSIDE THE LAST BOOKSTORE

The homeless dance like Saint Vitus at
5th and Spring, like

the word “love” spelled backward
signifying everything

The ambulance on the sidewalk
is for the laughing man coughing

The buildings remain stone through it all
 
 
 
 

MY ARTIST FRIENDS

Oscar behaves like a pouty ballerina
his girlfriend chops kale on Formica
convinced that adulthood has little to impart
he enters his toy room and makes pediatric
    art
his glasswork brightens hospitals worldwide

Joanne is a lawyer, has a boa constrictor
called Sawyer who chases mice around a
    terrarium;
serpent-eyed and rich
her insomnia’s a bitch
she’ll paint dystopian cityscapes when she’s
    retired

Mike is adrift in the auto-part desert
he appreciates the Del Taco aesthetic
he drives alone on Mojave highways
taking photos with his eyes
the purple in his sunsets is astounding

Lorelei loves elephants and monkeys and
    France
rococo tapestries put her in a trance
she colors her hair and takes the children
to the zoo
she believes in hair dye
the children believe too

___________________

Today’s LittleNip:

HEARD BUT NOT SEEN
—Douglas Richardson

Distant trains and mission bells
have caused generations of philosophers
to wander off into the hills
to wonder among the buzzing insects
their troubled thoughts producing a scent
    like anise

___________________

—Medusa, thanking Douglas Richardson for his return to the Kitchen with his fine poetry!

Medusa’s Kitchen will have its 20th anniversary this May 29, and we will celebrate with poetry, of course. Send a poem that celebrates something—anything—form or free verse—and I’ll post it on May 29. 20 years! Amazing!
 
 
 
Painting the stars…

























For info about
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 



























Saturday, May 24, 2025

Alone in a Laundromat

 —Poetry By Keith Snow, Harrisburg, PA
—Artwork Courtesy of Public Domain
 
 
A GIFT

There are levels

of success.

This one is 

noteworthy,

to me.
 
I am alone 

in a laundromat.

With dreams of serenity,

with hopes of creativity,

with my phone.

To write,

to read

to reach my son.

Completely alone 

for the second time,

this time I won't waste it.
 
 
 

 
FOOD CIRCUS

Peanuts
In the shell
served by elephants
as the appetizer.

Chili, cheese dogs,
popcorn and fountain
blue cotton candy,
garnished with
acrobats.

Deconstructed banana split,
monkeys peel the fruit and
play on top of the ice cream.
 
 
 
 

RICH

An old man strolls through a flea market, pauses at a stand that sells comics, after seeing the prices. If only my mom hadn't thrown away my comics when I was at college. He tells the owner of the comics. As if his unbagged, boardless Richie Rich comic with wrinkled cover and a page missing is all that separated him from millions. As if the comic book guy hasn't heard this a hundred times. He didn't even get out of his chair.

 
 
 
 
 
I listen

as you
whisper,
between
the lines
of the day
to day.

I must
learn to
decipher,
differences
from what you
mean and what
you say.  
 
 
 

 
TYPOS AND OTHER GIFTS

Abbreviation O.T.
has been messing
with me, I’m
not sure why but
it became other
in a previous try

I have to look,
before I submit.
Auto correct is true
evil culprit.

I want you
to send your
voice to text
messages to me.
I'll find their poetry.

__________________

Today’s LittleNip:

The real lesson


I learned in seventh grade was
never refer to the teacher's
macramé shoes as burlap.

—Keith Snow

__________________

—Medusa, with thanks to Keith Snow for today’s fine poetry—and for the fine villanelle he sent us to help celebrate Medusa's 20th anniversary this May 29! Send a poem that celebrates something—anything—form or free verse—and I’ll post it on May 29 with Keith's and with the others I've gotten and, hopefully, yours too. (20 years! Amazing!)
 
 
 
 “…peanuts in the shell served by elephants…”















 
 
 
 
 
 
 
 
 
 
 
 
 
A reminder that
Chill Night happens tonight
in Old Sacramento, 8pm.
For info about this and other
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 



























 

Friday, May 23, 2025

Light Out of Dark

—Poetry and Photos by Taylor Graham,
Placerville, CA
—And then scroll down for
Form Fiddlers’ Friday, with poetry by
Nolcha Fox, Lynn White, 
Stephen Kingsnorth, and Caschwa 


MISTY MORNING

Waking.
It’s a dark sky misty at morning,
a frightfully blazing lamp.
Nobody knows what’s coming.
What about logic?
Should I run with go-bag?
Or is day promising illumination?
I’ll walk out anyway,
light out of dark
so much possibility—
summits and sloughs, portals, vistas.
Down with walls that block my passing.
Mind ajar,
I’ll follow inklings, instincts,
my imagination roving. 
 
 
 

 
STRANDED

in my own driveway, car idling while I
close our gate. Back to car. Door won’t open.
Locked, windows up. Dog in the car with key in
ignition, engine running. Spare key up
hill in house. House locked tight after reports
of some crazy woman knocking on doors,
trying to get in. Phone in pocket. Call
AAA. Iffy reception but I
have a tow truck coming. Watch dog in car
trying to bust through driver’s window to
chase neighbor’s free-range chickens in our field.
Dog locked me out. Nice guy from AAA
opens car door. All is well. He goes his
way. In driver’s seat, I reach for seatbelt.
It’s bitten through. I must contain Otis
more securely in his hatchback quarters. 
 
_____________________
 
IF I’D LET HIM

Quickery-slickery
Otis of ForestWild
never just journeying,
ever alert.

Prey is his fantasy
sensory-vigilant,
rabbit as main course with
hare for dessert. 
 
 
 
 
 
DUAS 3

nestbox 2, five blue eggs—box 3, four tiny beaks

box 5 had none, now full of wren-twigs & hope

**

wildflowers in lavish bloom along trail

someone’s garden rose trampled underfoot

**

an hour to lose & find myself in nature maze

man & 2 boys—do they know where they’re going? 
 
 
 

 
WHERE NOW?

Ghost pine leans over woodland posted “no trespass” where homeless would camp.

At the edge of canyon, woman with handicapped boy stand wondering.

Young man at dropoff looks down on green-shady ravine. His bike just waits. 
 
 
 

 
UNFORTUNATE SITUATION

Armed with motor-scythe I set out to cut the weeds
already turning brown and dead but rich with seeds
to propagate themselves another year, their deeds
daunting: against weeds, who in this battle succeeds? 
 
 
 

 
Today’s LittleNip:

AMONG ROCKS & WEEDS
—Taylor Graham

Behind strip mall, one
red poppy blooms—why here? it’s
Memorial Day.

___________________

That Otis is a real firecracker! A spirit as wide and as wild as all the Sierra forest! (And Taylor Graham’s patience is just as huge—) Our thanks to her for her poetry and photos today, and for her homage to Memorial Day.

Forms TG has used this week include a Double Dactyl (“If I'd Let Him”); some Duas (“Duas 3”); some Blank Verse that is also a Response to our Tuesday’s Seed of the Week, Stranded (“Stranded”); a Lipogram (no "e"s)  that is also a Response to last week’s Ekphrastic Photo (“Misty Morning”); an American Sentence Poem (“Where Now?”); an Awit (“Unfortunate Situation”); and a Haiku (“Among Rocks & Weeds”). The American Sentence and the Awit were last week’s Triple-F Challenges.

In El Dorado Country poetry this week, Lara Gularte will present a workshop, “Writing Words to Light the Way”, at the El Dorado Hills Library on Thursday, 5:30pm. Also, El Dorado County’s other regular workshops are listed on Medusa’s calendar (if you scroll down on http://medusaskitchen.blogspot.com/p/wtf.html/). For more news about such events and about EDC poetry—past (photos!) and future—see Taylor Graham’s Western Slope El Dorado Poetry on Facebook at www.facebook.com/ElDoradoCountyPoetry. Or see Lara Gularte’s Facebook page at https://www.facebook.com/groups/382234029968077/. And you can always click on Medusa's UPCOMING NORCAL EVENTS (http://medusaskitchen.blogspot.com/p/wtf.html). Poetry is Gold in El Dorado County!  
 
Medusa’s Kitchen will have its 20th anniversary this May 29, and we will celebrate with poetry, of course. Send a poem that celebrates something—anything—form or free verse—and I’ll post it on May 29. 20 years! Amazing!

And now it’s time for…  

 
FORM FIDDLERS’ FRIDAY! 
 
It’s time for more contributions from Form Fiddlers, in addition to those sent to us by Taylor Graham! Each Friday, there will be poems posted here from our readers using forms—either ones which were sent to Medusa during the previous week, or whatever else floats through the Kitchen and the perpetually stoned mind of Medusa. If these instructions are vague, it's because they're meant to be. Just fiddle around with some challenges—  Whaddaya got to lose… ? If you send ‘em, I’ll post ‘em! (See Medusa’s Form Finder at the end of this post for resources and for links to poetry terms used in today’s post.)


Check out our recently-refurbed page at the top of Medusa’s Kitchen called, “FORMS! OMG!!!” which expresses some of my (take ‘em or leave 'em) opinions about the use of forms in poetry writing, as well as listing some more resources to help you navigate through Form Quicksand and other ways of poetry. Got any more resources to add to our list? Send them to kathykieth@hotmail.com for the benefit of all man/woman/poetkind!



* * *
 
 

Last Week’s Ekphrastic Photo


Poets who sent responses to last week’s Ekphrastic photo were Nolcha Fox, Lynn White, and Stephen Kingsnorth:



MISTY MOMENT
—Nolcha Fox, Buffalo, WY

A locomotive light is all
that brightens up the day.
The smoke shakes hands
with fog and disappears
without a nod.
The locomotive doubles
in the puddles to the side.
Ghostly trees reach out
to grab the moment
as it leaves.

* * *

ALL THAT IS SOLID
—Lynn White, Blaenau Ffestiniog, North Wales


It seems too solid
to be held in a cloud
and the sun seems too bright
to descend from a cloud
and make a reflection
in the pool of dark
and the cloud seems too round
to hold the moon
in the gloom
and nothing looks right any more.

* * *

SOME SNAP
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales

Through fog suspense of sullen moist,
slow metal chugs, tank billows’ store,
low geyser outlets, pistons, fore,
top funnel roll that clouds the more.

Flat stagnant pools that might be oil
reflect that lone lamp in it all—
such winter murk, trees reaching tall,
undressed for months since autumn fall.

There’s rhythm beat in laid sound track,
despite that dull noise-muffling cloak
of hanging vapour clogged with smoke,
invading cab, trained drivers choke.

So which pervades, gives higher score,
predictable and regular  
chuff overture, joint rollover
or damp grey woolly pullover?

What swirls round heads of footplate crew
as peer ahead or concentrate
to gauge the pressures, dial rate,  
whether conditions make for late?
 
Delays for travel, air or road—
where speed reduced to pace of snail—
but few concerns, laid sleepers, rail,
less veil of tears shrouds red light tail.

See tracery of vaulted roof,
a branch line, clear scene if less drear—
a cold steam chest for atmosphere—
some snap (‘ensure the sun’s to rear!’).

* * *

TG posted some Duas today; here are some others from Caschwa (Carl Schwartz), with photos also from Carl:
 
 

 
Somewhere above me are keener eyes than mine
 
And they watch every move I make
 
 

 
A large waterfowl rests on the pond
 
Even its reflection is grand
 
 

 
Deer share their homes
 
Mine is double-locked
 
 
 
 
Here is the crew I hired to haul away rubbish
 
Far more efficient than humans

* * *

This Haibun from Carl is a Response to our recent Tuesday Seed of the Week, “Stranded”:
 
 

 
STRANDED, FIRST DAY OF SCHOOL
—Caschwa

Away from home, dearly missing the affection and
comforts of my parents, cat, dog, all my toys. I was
left on an island of strangers, assertive adults with a
new set of rules, denials, leaving us kids with the
quandary of can’t take part of home to school, but
must take part of school home. Forced to trade out-
door daylight discoveries for indoor tours of dark 
tunnels of knowledge. Back at home, everyone has 
a neck, here at school, no necks visible, just Eliza-
bethan collars.

It’s skulls and crosswalks
no sweet goodies as reward
only letter grades

* * *

A List Poem from Carl:
 
 

 
I WISH THEY’D JUST PRINT IT OUT
—Caschwa

On TV they showed some fellow from
an institution or committee or something
that had WAC in its name, but they never
divulged what they intended WAC to mean.
That leaves it to people everywhere to try
to postulate what it might mean. Here is
my attempt:


Warm And Cozy
Warm Apple Cider
Winston Apple Churchill
Wife And Children
Whittle And Curve
Worst Ad Campaign
Weep And Cry
Wipe Away Carefully
We Are Clones
Which Answers Count
Women And Children
Witches And Curses
Wobbly And Confused
Wars Are Chaotic


* * *

This poem is a variation on the Borrowed First Line form, in the it also has a Borrowed Last Line:
 
 

 
 LHD, ETC.
—Caschwa

“To find previous posts, type the name of the poet (or poem) into the little beige box at the top left-hand side of this column.” [Medusa’s footnote, bottom of each post] Kind of like British cars such as Rolls Royce and Bentley sold as Left-Hand-Drive (LHD), if the steering column is on the left-hand side:

The tradition of mounting a horse from the left side primarily stems from military practices. Soldiers, typically right-handed, would mount their horses from the left side to avoid their sword, worn on the left, from interfering with the mounting process or being accidentally struck. This tradition has persisted even though swords are no longer a standard part of equestrian attire.

* * *

And speaking of left turns, here is an Ars Poetica from Stephen Kingsnorth as he writes about what happens when a poem takes a left turn of its own:
 
 

 
NOWHERE
—Stephen Kingsnorth

How strange that,
destination planned and title given,
calamnus raised, the flow soon takes a stranger turn
and I am on an unexpected road,
falling into some unexpected pothole of conceit.
Where will this quill lead?

Who can obey the unities
when ouija musings' mutinies take charge,
and I am led I know not where,
a herring in the shoal,
or starling in a murmur.
I weep, then chuckle at the thought, flourish
oratorically,
then clichèd comment on the point,
count the feet, then freely speak, though
metre tries again, exert control.

In youthful art of plaster cast
on Wednesday afternoons
when rugby, cricket need avoid,
and speech through other medium explored,
though, as customary,
(false-prophet tutor to mature foretells)
elements need to be explained
to those who wish to understand.

Pedestrian when I share insight
though more I feel, may travel more,
rambling wayfarer with quickened plod,
variously vagrant drifter, vagabond
of trifles, purposed hiker.
I know because I was there,
the richest seam,
but sometimes I find nowhere.

__________________

Many thanks to today’s writers for their lively contributions! Wouldn’t you like to join them? All you have to do is send poetry—forms or not—and/or photos and artwork to kathykieth@hotmail.com. We post work from all over the world, including that which was previously-published. Just remember: the snakes of Medusa are always hungry!

__________________

TRIPLE-F CHALLENGES!

See what you can make of these challenges, and send your results to kathykieth@hotmail.com/. (No deadline.) Play around with the Lipogram like Taylor Graham did (see above), or jump in with both feet and write a Pangrammatic Lipogram:

•••Lipogram/Pangrammatic Lipogram: https://en.wikipedia.org/wiki/Lipogram

•••AND/OR take a cue from Taylor Graham and write a poem in honor of Memorial Day—Ode, Elegy, Memoir—or no form at all.  Pretend you’re a Poet Laureate and have to write something for your city.

•••See also the bottom of this post for another challenge, this one an Ekphrastic one.

•••And don’t forget each Tuesday’s Seed of the Week! This week it’s “Chasing Poems”.

____________________

MEDUSA’S FORM FINDER: Links to poetry terms mentioned today:

•••American Sentence (Allen Ginsberg): https://poetscollectivepoetryforms.wordpress.com/2014/12/21/american-sentence
•••Ars Poetica: www.poetryfoundation.org/learn/glossary-terms/ars-poetica
•••Awit (Philippines): https://poetscollectivepoetryforms.wordpress.com/2014/03/03/awit
•••Blank Verse: literarydevices.net/blank-verse AND/OR www.masterclass.com/articles/poetry-101-what-is-the-difference-between-blank-verse-and-free-verse#quiz-0
•••Borrowed First Line: Just what it says.
•••Double Dactyl: www.poetryfoundation.org/learn/glossary-terms/double-dactyl
•••Dua (devised by Ai Li): a two-line poems with two spaces between each line, no periods and no titles
•••Ekphrastic Poem: notesofoak.com/discover-literature/ekphrastic-poetry
•••Elegy: https://poets.org/glossary/elegy
•••Haibun: www.writersdigest.com/write-better-poetry/haibun-poems-poetic-form
•••Haiku: https://www.poetryfoundation.org/learn/glossary-terms/haiku-or-hokku AND/OR www.shadowpoetry.com/resources/haiku/haiku.html
•••Lipogram/Pangrammatic Lipogram:  https://en.wikipedia.org/wiki/Lipogram
•••Memoir: www.merriam-webster.com/dictionary/memoir (may be written in poetry form)
•••Ode: www.poetryfoundation.org/learn/glossary-terms/ode
•••Response Poem: creativetalentsunleashed.com/2015/11/18/writing-tip-response-poems
•••Tuesday Seed of the Week: a prompt listed in Medusa’s Kitchen every Tuesday; poems may be any shape or size, form or no form. No deadlines; past ones are listed at http://medusaskitchen.blogspot.com/p/calliopes-closet.html/. Send results to kathykieth#hotmail.com/.

__________________

—Medusa
 
 
 
  Today's Ekphrastic Challenge!
 
 Make what you can of today's
picture, and send your poetic results to
kathykieth@hotmail.com/. (No deadline.)

* * *

—Photo Courtesy of Public Domain
 
 
 
 
 















 
 
 
 
 
 
For info about
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 






























Thursday, May 22, 2025

Waiting . . .

 —Poetry about Revolutions by Lynn White,
Blaenau Ffestiniog, North Wales
—Public Domain Photos
 
 
NINETEEN FIFTY SOMETHING

It was the time when teenagers were born
to parents who had given up their shape
to fit into old people’s clothes
so they could hold the line,
to try to stem the flow
of the coming revolution.

It was the time when music became dangerous
and could no longer speak across generations,
a time when new alliances were formed
and old ones forgotten or misremembered.
New friends, new foes,
new fears alongside the old.

Such was that time
back in the beginning,
back in the beginning of our time
the time when we began
to make ourselves up
and run free
for a time.

(First published in
Mocking Owl Roost, 2024)
 
 
 

 
A TIMELY REVOLUTION


“I’m late,
I’m late again”,
said the White Rabbit
staring at his pocket watch
with exasperation.
He turned the minute hand back a little
and perused the new time
with satisfaction.
He knew the effect would be limited,
that there would be no revolution
in time
unless he could turn back the hands
on all the clocks everywhere,
but it made him feel better
briefly.
He had pondered this issue many times.
He knew that the revolutions of clocks
and watches were irrelevant
to its passing,
which made him feel better
about his manipulation.
Philosophically speaking,
he knew that he could change the time.
He could break the watch and freeze it.
Break all the wheels that revolved inside.
Smash them to smithereens.
But even then,
even when
broken,
he knew
the wheels of time would keep turning,
that even, given time,
there would be no timely revolution.
The wheels would still turn
time after time.



(First published in
Lothlorian Review, January 2021)
 
 
 

 
CAROUSEL

Round and round,
go the galloping horses
round and round and up and down
with smiling faces on the merry-go-round.

But as time passes
and smiles fade,
gaudy colours
become drab,
faces pale
and worn.

look,
they’re
all
disheveled
now
lurching
and
staggering
round and round
on the
treadmill
of the merry-go-round.

Round and round.
Round and round.
One more revolution
and they may be ready.
Ready to bite the hands
that refused to feed them.

Round and round.
Round and round.
Only one more revolution,
to sharpen up the teeth.
Round and round,
just another revolution
on the not-so merry-go-round.


(First published in Alternate Route, October 2022)
 
 
 
 
 
 I AM A CHILD

I am a child of the revolution
created by the wake of
fascism and imperialism,
that sought to construct
a more just society.

I am a child numbed by poverty,
stultified by working class conformity,
of a mother who wanted better for me,
but also wanted to keep me the same.

I am a child of these contradictions
who became a rebel
in the cultural revolution
of the rock-and-roll generation.
Who was liberated by student life,
by control of fertility,
by other places,
by the music and art
all parents hated.

I am still that child.
This is what made me.
This is what shaped me and
became part of my present,
became part of my future.

Sometimes I have tried to escape it.
Sometimes I still do.

(First published by Ealain, My Heritage, May 2015)
 
 
 

 
JUST HAIR

First came the flowers,
then the song.
Then, in time
many songs
of hope
and love and peace
becoming
intertwined
in Hair.
A revolution.
Time passed.
Then came the spikes
and streaks and shaves
of grungy aggression
and despair.
A revolution.
Time passed.
Now there’s a medley
of coloured words.
The dark and bright
past
intertwined.
Revolutions dying
and being born.
Pasts intertwined
in the words
and in the hair.



(First published in
Vox Poetica, August 2018)
 
 
 

 
THE REVOLUTION IS POSTPONED

The revolution is postponed
until the towels are on,
so they once said.
Until
last orders had been called
and the beer pumps
covered
with towels
to make it clear
that they would be pulled no more
that night,
ten minutes drinking-up time
then it was,
“do your talking
while you’re walking”,
we’ve had your money, now piss off,
and a beery smokey exit.
Unless
there was a lock-in
in which case the revolution
would be postponed again.
Now they’re open all hours.
There’s no last orders,
no need of towels
to cover the pumps.
No ten minutes
allowed to drink up.
They’re open all hours
and the revolution is postponed.
Again.


(First published in
Literary Yard, May 2018)
 
 
 

 
WAITING, STILL WAITING

I’m still waiting for the revolution
in thinking,
in acting,
in feeling,
to happen.

I’m still waiting for it all to collapse
so we can reform
reshape
remake
it from the ruins.

Still waiting, waiting
it’s too long
to be waiting
for growing,
restoring,
recreating
rethinking

and then to watch
them rebuild it the same.
Only the masks are new.

I’ve not waited for that.
No, I’ve not waited for that.


(First published in
Stripes Magazine, Spring 2021)

___________________

Today’s LittleNip:

Art is either plagiarism or revolution.

—Paul Gauguin

___________________

—Medusa, with thanks to Lynn White for today’s fine poetry from across the sea!

Medusa’s Kitchen will have its 20th anniversary this May 29, and we will celebrate with poetry, of course. Send a poem that celebrates something—anything—form or free verse—and I’ll post it on May 29. 20 years! Amazing!
 
And Peter Spencer writes on Facebook: The closing ceremony for Viola's and my collaborative art project, The Ghosts of Electricity, will be held from 4-6pm tomorrow (5-22). The art is on display at the SMUD art gallery located in their building at 6201 S Street in Sacramento. It will be a casual event where I will talk about the project and read a couple of Viola's poems written in response to art (known as ekphrastic poetry). In addition, ten excellent local poets responded to photos of mine and some will read their poems. Hope to see you there!
 
 
 

 
















 
 
 
 
 
 
 
 
 
 
For info about
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!