Thursday, October 26, 2023

Cats Are Poetry

 
—Poetry by Donal Mahoney (1938-2017)
—Photos by Carol Ann Bales, St. Louis, MO



WHEN MY WIFE IS IN HER GARDEN

When my wife is in her garden,
she becomes a ballerina
moving with the morning breeze
through hollyhocks and roses,
peonies and phlox.
There is music only she can hear.
It's been that way for 30 years.
I never interrupt her dance

not even when the house caught fire
early in the morning. I didn't holler out
the way another husband might
if he had never had a gardener for a wife.
Instead I called the firemen,
and while they were on their way,
I poured water from the sink
on the growing conflagration.

My efforts proved to be in vain.
The firemen arrived too late and so
the house is now a shell of smoke.
The garden still looks beautiful
yet I have no idea what I'll say 
when my wife comes back inside.
But if she's toting roses to arrange
she may not notice any change.
 
 
 
 

THE LOVELY WOMEN OF MY LIFE

If I met the same women now
I probably wouldn't know them.
They're missing teeth, I bet,
and have gray Medusa hair.

Their eyes no longer dance, I'm sure,
and they have liver spots everywhere.
They likely wobble in their flats
and haven't worn heels

since adding fifty pounds.
Some of them, I'm certain,
wouldn't recognize me, either,
despite thick spectacles.

They can't recall the picnics
we enjoyed with wine and caviar
under oak trees in Grant Park,
never mind the nights that followed.

Who needs a woman that forgetful?
I need a younger woman now,
someone I can finally marry,
a girl with a figure like Monroe,

Hepburn's eyes and Hayworth's hair,
someone lithe, slim and graceful,
someone strong enough to push
my wheelchair up the ramp.
 
 
 
 

THREE WAYS OF LOOKING AT A FATHER

Dead these many years,
Dad's still there for me
every day, pointing

from a star
toward excellence,
the goal we shared.

I missed two free throws once
at the end of a high school game
and we lost by a point.

On the way home
after the game, he said,
"Why did you miss

those free throws?"
Years later in college
I came home with all A's

and one B. I showed him
my grades and he said,
over his newspaper,

"Why did you get the B?"
After graduation I was thinking
about getting married but I

wasn't certain. So I asked him
what did he think. Once again
he was there for me.

Sipping his tea, he said
"You asked the girl, right?
Follow through."
 
 
 


SIREN OF THE STREETS
 
Whenever she comes by
it's always the same thing.
I make her comfortable
and then she leaves.

I tell her she's a harlot
hooking up all night
with God knows who
but in her case God

looks the other way.
Curious neighbors
ask if I know her.
I ask them do I look

like that kind of man?
Peter denied Christ thrice
but I make Peter a piker
when it comes to denying

this siren of the streets.
Once in a while a neighbor,
smitten as I am, takes her in
because she's attractive

and it's peaceful until
some morning very early
she's on my deck again
heartbroken, forlorn,

willing to do anything
for a nosh and a drink.
Since no one is up
at that hour to see me

I sit on the deck
and she leaps on my lap
and I stroke her until
she's a Lamborghini

purring at a red light.
Then she drives off,
leaving me on the deck
heartbroken, forlorn.

She must have been spayed.
Never had any kittens.
What might Pope Francis
think about this?

Her kittens, after all,
would have been beautiful
just as she is,
harlot or not.
 
 
 
 Fuzzy

 
CATS ARE POETRY (Maybellene)

In your mind you hear
words snarling
all day long
but no poem arrives.
The words are locked
in a cat fight,
syllables flying.

You hope the words
sleep well tonight and
wake in orderly fashion,
the way your cats
stretch at dawn
and wait to be fed
with feline decorum.

In the morning
the poem arrives
word by word,
chips off a diamond,
so you stop shaving,
grab a pen and
take dictation.

You write the words
as you hear them,
tweak a line or two,
and go spelunking
in your mind for
the right title.

Later, in celebration,
you tote a blast horn
to the roof
of the building
and announce
what agnostics suspect
and atheists know:

Cats are poetry.
Dogs are prose.
 
 
 
 Maybellene
 

ANOTHER CHRISTMAS ALONE

Widow in a rocker
pets her calico cat
long strokes slowly.

With the cat purring
and the widow humming
Beethoven fills the house

with memories of
the many years
of mistletoe

and aftershave
as snowflakes
dot the window.
 
 
 
 

HOLIDAY PARTIES

Millie comes home bawling
from another holiday party and
Willie asks what’s the problem.

Millie says her friends are cheese balls.
“They’re all widows, short and round,"
and she’s afraid when Willie dies

she’ll eat everything in the fridge
and become a cheese ball, too.
Willie hugs his beloved Millie

and assures her with a kiss,
“You’ll never be a cheese ball, Darling
You're too tall. A cheese stick, maybe.”
 
 
 

 
SUNFLOWERS

No one has to teach a field
of sunflowers how to worship.
Before dawn in high summer

their necks are bent
in silent prayer like monks.
But as the sun comes up

sunflowers rise as well.
At noon they adore the sun
the way monks in pews

adore the Host at elevation.
Listen and you may hear 
sunflowers sing Alleluia!
 
 
 

 
Today’s LittleNip:

OLD STAG GIDDY
—Donal Mahoney

Elmer's an old stag now
shedding antlers
snorting among the trees

but sometimes Martha
after her shower
is a doe beckoning 

and he becomes giddy
and heads for the salt lick
happy in the breeze
 
 
 

 
_____________________
 

SnakePal Donal Mahoney first visited the Kitchen in March of 2014, and he was a regular contributor and good friend from then until he passed away in 2017. Since Donal’s passing, his wife, Carol Ann Bales, together with his son, Brian Mahoney, have put together a collection of his work, entitled
In Break Formation and Other Poems (New Morse Publishing).

Today’s post is a smattering of the many poems he posted in Medusa’s Kitchen over those three years; three of them, “When My Wife is Working in Her Garden”, “Sunflowers”, and “Three Ways of Looking at a Father”, also appear in the new collection. Occasionally, Carol Ann would contribute photos to his Medusa features, and today she has sent us some more of her photos to go with Donal’s poems. Thank you, Carol, for these, and for putting together this fine collection of your sprightly husband’s work. Carol has three books of her own:
Kevin Cloud: Chippewa Boy in the City; Chinatown Sunday: The Story of Lilliann Dor; and Tales of the Elders.

For interest and inquiries about Donal and his book, go to www.donalmahoneypoetry.com/.

_________________

—Medusa, wishing Sacramento a Happy Sacramento Poetry Day!
 
 
 
 Donal Mahoney 
 
 
 
 
 
 
 
 
 














Sacramento Poetry Day will be celebrated
in the Tsakopoulos Library Galleria
starting tonight at 6pm—for those who were
lucky enough to snag tickets!
For upcoming poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
 into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
 to find the date you want.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!

LittleSnake’s Glimmer of Hope
(A cookie from the Kitchen for today):

three deer
silently slip
back into the forest














 

 

 

 

 

 

 

 

Wednesday, October 25, 2023

Asking Stradivari

 
—Poetry by Claire J. Baker, Pinole, CA
—Photos Courtesy of Public Domain



OCTOBER EVENING, 2023

My neighbor across the fence
has lit up his yard again
with all-white Xmas lights.
Is he nostalgic for stars
he never spots through town haze?
It’s a phase of cheering up neighbors?

Those smiling lights tweak my belief
in serendipitous beauty. Should I knock
on his door and share my reaction?
Or maybe, after all these years,
he reads me like a faded newspaper
or an aging eucalyptus leaf,
as he lights up all my dreamscapes?

Sometimes this stranger works
at night. I see his head bobbing along
beyond the top of his gray-board fence.
 
 
 
 

A FOUND POEM

Buddy is my pet pooch—
soft white fur, not shy,
a big brown patch
over a small brown eye.

He sits on my bed board
casually attuned to my
sleeping and waking,
better at giving than taking.

This mystical night, I ask
reply, and await his nod:
Buddy, my found delight,
could you be partly God?
 
 
 
 


THE NIGHTINGALE
     in Vienna Woods       

If one evening
while strolling
a familiar path
a nightingale
sings to us
sweet and long
from a hidden
branch in his
realm of woods,
it is only fair that
some other evening,
on the same trail, that
we sing for the nightingale.
 
 
 
 

ASKING STRADIVARI

Did irritating
scratchings of a violin bow
in an alleyway below
spur you, father of the violin
to become
a master artisan
your essence filled
with adagios
and nocturnes?

Then you studied
and sought on explorations
the finest woods, strings
enamel and glue
that your masterpieces
would reproduce the purity
born of immortality?
We overhear Joshua Bell:
Yes, madam, it’s a Stradivarius.
 
 
 

 
ITALIAN ANGELS

Two naked children
leaning on a balcony, gaze
into the sky from a fine-art card.
They appear Tuscan & precocious,
dark curls wet, unruly as after a bath.
Their large feathered wings
fend off drafts from the Dolomites
& from the sea.

These toddlers
might be Mona Lisa’s sons?
Heads uplifted, do they watch
an orphan baby eagle they had
nursed into soaring flight?

The cherubs look confident,
as if they had aced their first
Latin exam, rewarded by
two scoops each of chocolate
gelato on a wafer cone
that dripped all over them
& quickly dried,

My angels are never far—
    now guarded by a frame
       so they won’t slip away, as
           terrible twos are prone to do.
 
 
 
 

THE GREAT NOW . . .

Here’s to the Great Now
pulsating warmly, making wise
decisions that can rock one’s world.

This Now wants to be more Now.
Let’s vote into perpetuity
all the nows else they change
to then, or when, or how.
Savoring this very Now, we hold
personal awareness in our hands,
like cupping air from Stein’s there/there,
Yet Now’s real nature waxes finer
than any clever puns or literary flair.

In fact and fantasy, Now is
momentary, a mystery that inspires
us to nurture imagination,
begin to know the ins in intuition.
So, what’s around the corner,
what’s the true status quo,
our next carpe diem? Here’s to
restoring Latin in Manhattan

Carpe diem, indeed!


(First printed by UUCB’s Discussion Group)

____________________

Today’s LittleNip:

IN PASSING
—Claire J. Baker

This moment
pearls
project
rainbows
from blades
of grass
as if a baton
strikes
a gentle
downbeat
and  
a pastel chorus
grooves into
Consolation 3
by Liszt.

___________________

Our thanks to Claire Baker for her poetry today—always musical, she is! And congratulations to her for recently passing the 5,000 mark—5.000 poems published during her career, that is. Quite a milestone!

For more about violin maker Antonio Stradivari, see https://en.wikipedia.org/wiki/Antonio_Stradivari/.

___________________

—Medusa
 
 
 

 














 
 
 
 
 
 
 
 
 
 
 
 
A note that the Placerville Library
will present its Library Ofrenda Program
for Dia De Los Muertos this afternoon.
For info about this and other
upcoming poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
 into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
 to find the date you want.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
LittleSnake’s Glimmer of Hope
(A cookie from the Kitchen for today):

leaf-shadows dancing
to the music
of the wind~




























Tuesday, October 24, 2023

Who Should Be Afraid

 
Fear-Of-This-Fear-Of-That
—Poetry by Joyce Odam and Robin Gale Odam,
 Sacramento, CA
—Photos by Joyce Odam
    

 MELTING
—Joyce Odam

Don’t touch me.
I am not love.
I am grief.
I am alone in here.  
Don’t enter.

Stay, then, with
your melodious eyes
upon my lack.

Do not let me
tell you any more of me.
You are not my believer
you should fear the dark.

Why am I empty

when you are pouring

so much light in me?

        
(prev. pub. in Hart Senior Center Collection of Poems
Poetry Reading
, April 26, 1995)
 
 
 
 Fear As Rumor

 
MY MOTHER OF SECRETS
—Joyce Odam

Danger followed us, I am sure.
Why else would I fear all secrets,
all telling, all revision of facts :

the where, the who, the when,
the what of questions?

Why else would I trust the
peripheral, the off-key,
the slant of words—
trust instinct over anything?

                                 
(prev. pub. in Medusa’s Kitchen, 2/5/13;
8/23/22)


__________________

NO LULLABY 
—Joyce Odam

Sing me no lullaby
to numb me into sleep
with treachery of dreams.

Mama,
leave a light for me.
The moving shadows
have faces and eyes
and hands beneath my bed.
I cannot give my terror
words you chide away
with brief, indulgent laughter.
You warn me with your eyes
as you flick darkness
with your finger.

I do not know you
in some other room, some yellow
room my doorway hangs upon,
voice-swollen room where sounds
of your forgetting me
worry my sleep.

Sometimes the dark is you.
Sing me no bitter lullaby,
sleep frightens me.


(From My Stranger Hands by Joyce Odam, 1967) 
 
 
 
 Tentative

 
MOTHER, I HAVE LEARNED
—Joyce Odam

Mother, I have learned how to hide.
I know where the shadows are.
I know where the light
shifts past.

I know how eyes
will follow such stealth as ours.
I have learned to tear evidence
of our existence.

I have learned to creep down
stairs in silence.
I have learned to stay silent
behind doors.

I have learned to veil the face
of all emotion.
I have learned that tears
are the confessions of fear—

that danger is always disguised
in the gentlest of eyes—
that no one loves us for long.
I have learned to leave

at a moment’s notice;
to go into the soft closing air
of disappearance, leaving only
a burning-dish full of wet ashes.
 
 
 
 Fear Of Love


THE GENTLE TYRANNY
—Joyce Odam

We are the last emotion
of the mind.
We tremble where
the stillness of the eyes
burns on the face. We touch
where flowers wait
our murmurings.

Forever seems a promise
we can mean.
Sweet vows, like petals,
squander from our stems.
We are the warm winds
gathering.

Our green veins
throb the length of love.
Our fingers shape to leaves.
Fire sings where we have learned.

But we are rooted now, and deep
as two decisions flowing,
wrist to wrist,
to share the full commitment
of ourselves.

The earth is rich with us.
And for the gentle tyranny
of first demands
it gives back seasons.

 
(From
My Stranger Hands by Joyce Odam, 1967)
 
 
 
 Fear Of Night

 
MANY POWERS 
—Joyce Odam

many powers move us and delay us
create any change for misery or gain

whatever resists
may be healed or destroyed

shadows crawl into other territories
suggest a fear made obvious

what does the dark bring—
something is always there

what is safe for the wary—
an echo lasts forever—

still sounding
from the long effort of listening.

                                 
(prev. pub. in Medusa’s Kitchen, 9/3/13)

___________________

MIND POLLUTION
—Joyce Odam
 
Let us now remember
the city
which is dying
amid its streets and buildings,
its glinting glass and broken shadows.

Its lost humanities
are still trying to survive
their suffocations.

Let us undo the begetting of walls
and the paranoia of closed doors.

Music still blares where silence cringes.
Faces still glare toward each other.
Sirens still rush to emergencies.

Mannequins break out of store windows
and cars run into each other.
Authority signs point everywhere.

Let us now seek
the impoverished of spirit
the ill of mind,
the money-minders,
and ask them to give us back
our mercy
and give them our fear
in return.

Let us now have
accountability—
accept
blame—
heal
from the center.
                                

(prev. pub. in Medusa’s Kitchen, 5/24/16) 
 
 
 
 Fear Of Fear
 

THE MERCY BIRDS
 —Joyce Odam

The birds fly over this disconnected world.    
There is a map in the air
but no candles for the windows.

Time represents our confusion :
how can the birds save us?
Symbols are failing to be truth.

We watch with hope and fear
we are ever at the mercy of . . .
what will become of us . . .

              ***

oh, what will become of us :
time represents our confusion
that we are ever at the mercy of.

Still, we watch—with hope—and fear,
with no candles for the windows.
There is a map in the air

and birds fly over this disconnected world,
but how can the birds save us
when symbols are failing to be truth—

              ***

symbols—failing to be truth—
yet we watch, with hope and fear.
Time represents our confusion :

how can the birds save us?
There is a map in the air,
but no candles for the windows.

We are ever ‘at-the-mercy-of’ . . .
and birds fly over this disconnected world.
What will become of us?


(prev. pub. in Medusa’s Kitchen, 7/30/11;
2/7/17; 10/3/17; 7/6/21)
 
 
 
Looking Deep
 

MIND TRAVEL 
—Joyce Odam

We’ve come to love the travel of the mind
where we can marvel and blithely wind

through purple hills that stretch as far
as they really are

and not ever go near them;
actually we fear them—

how one could get lost in such empty reaches.
And I prefer beaches

where the shore continues as far as light can
shine—
clear into that flat and seamless time

when the long day’s sun goes down—
then mosey back to some nearby, noisy town

for seafood, where candle-glow windows face
the sea.
I’d gaze at you—you’d gaze at me—

make ready, then, for some music and dancing—
even some romancing.

But, I’d rather just stay put and dream about all this.
So, goodnight, my old dear.  Sweet dreams.  
Kiss Kiss.

___________________

PSALM
—Joyce Odam

Dear God, thank you
for being.


(prev. pub. in Medusa’s Kitchen, 5/9/23)  

___________________

Today’s LittleNip:

INSOMNIA XXXVII
—Robin Gale Odam

Who should be afraid of the
one who would write your story—
author with eyes the color of stone,
pen point dipped in the wine of the
fable—

I drop ice into the glass, open the
window for the old cat, slip into the
chair before the night sky, take up
my tablet.

Who should be afraid.

                            
(prev. pub. in
Brevities, December 2019)

___________________

Fear—our Seed of the Week—has brought an avalanche of images from Joyce Odam and Robin Gale Odam, and we thank them for their talk of shadows and nightmares and . . . well, I leave it to you to immerse yourself in this fine poetry and Joyce's photography. Joyce, by the way, wins the award for the most republishing of poems—her “The Mercy Birds” has appeared in the Kitchen four times, a wonderful use of Medusa’s previously-published-is-okay rule.

Our new Seed of the Week is for the season—“Out of the Darkness”. Send your poems, photos & artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from. And see every Form Fiddlers’ Friday for poetry form challenges, including those of the Ekphrastic type.

____________________

—Medusa
 
 
 
 —Photo Courtesy of Public Domain










 
 
 
 
 
 
 
 
 
 
 
 
 
 
A reminder that
Twin Lotus Thai Fourth Tuesdays
has featured readers tonight, 6pm.
For a list of those, plus info about
upcoming poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
 into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
 to find the date you want.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
LittleSnake’s Glimmer of Hope
(A cookie from the Kitchen for today):

black stallions
at midnight—
dark thoughts:
wild horses
out of control!

















 









Monday, October 23, 2023

My Shadow Self

 
—Poetry by Claire J. Baker, Nolcha Fox,
Stephen Kingsnorth, Sayani Mukherjee,
Caschwa, Michael Ceraolo, and Joe Nolan
—Public Domain Photos Courtesy
of Joe Nolan



FORKED LIGHTNING:

Jagged molten silver
lavishly-branched trees
delta waterways @10,000 ft.
electrifying as silhouetted
against an indigo night sky.

Not even daVinci
could duplicate such lively
lines: charismatic as a smile
from the Goddess.
And frightening as a dagger
held to one’s throat.


—Claire J. Baker, Pinole, CA
 
 
 
 
 
FALL
—Nolcha Fox, Buffalo, WY

I wonder if the trees might fear
the fall of falling leaves
as much as I fear falling
when wind blows fall
into white chill and ice
is on the sidewalk.
 
 
 

 
WONT
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales

What write have I for unknown fear,
moan groaning, when no price has passed?
If earthed in news, slow dying world,
if overdrawn, allotted span,
escapee from my elders’ years,
so far removed from refugees,
how dare I air my little plaint,
compare my lot to terrified,
when nightmares even leave no scent?

Fear only, yet unrealised
that I, demented, lose myself,
and though I’ll know not who or what,
the when or why, the where I’m at,
a shadow maybe crossing path;
forbearance, others, too high cost,
as quality not quant be wont,
and I prefer the wight to shade,
a ghost than that, my shadow self. 
 
 
 


THREE POEMS FROM EIGHTY DAYS
—Michael Ceraolo, S. Euclid, OH

Dramatic monologues spoken by President James Garfield and Charles Guiteau, the man who shot him; eighty days is the period from the day Garfield was shot until the day he died.

     September 3, 1881


Garfield:

My repeated requests to get away
are again denied, at least partially;
                                                   today
the doctors decided against a trip by sea
I will now push for a trip by land

Guiteau:

I expect to remain here for awhile,
                                                  and
"probably not be tried for a year
Not until the excitement all dies out"

* * *

        September 4, 1881

Garfield:

"I think there is danger
that I [am] getting too spiritless"

Guiteau:

Today,
          strangely,
                         I feel
"a terrible spiritual suction"
but I am sure it will pass quickly

* * *

       September 6, 1881

Garfield:

The doctors continued stalling,
but I said
                "No, no
I don't want any more delay"
and they grudgingly consented

We then took a seven-hour train trip
to Francklyn Cottage in Elberon, New Jersey,
for the much-needed,
                                long-awaited
(at least by me) change of scenery

Guiteau:

"If I should decide to enter a plea
of assault with attempt to kill,
would the government meet me by giving me
two years—
the lowest time the law allows?
I hardly know whether I would do it,
as I expect to be acquitted,
whatever the charge"
 
 
 

 
MAY
—Sayani Mukherjee, Chandannagar,
W. Bengal, India


May has it all
A little daisy on my cabin
I picked roses for her delicate rhythm
A river flows through.

My hand-pressed flowers
A little love
Lingers like my new perfume
A brocade of memories
That dances through all.

November is coming
The dim sparing thought
My faultlines are colourless
Dimly lit as my fairyscape.

I had it all
A fresh peony bouquet
Rememberings of things
Past present future
That Unfolds

My May still hold onto
My bouquet of roses
I pine for. 
 
 
 
 
 
WIPE OUT!
—Caschwa, Sacramento, CA

they were just little
itsy bitsy kids and
all of a sudden they
had to face a giant,
swirling, seawall of
grammar, discipline,
and respect

some learned to dive
under the bigger waves
and come up unhurt;
others ended up in the
role of patients who must
visit a doctor to have a
malignant growth removed
 
 
 
 

ON THE WRONG SIDE OF GENOCIDE
—Joe Nolan

We woke up today
On the wrong side of genocide.

The hospital next door
Went up in a puff of smoke
After we heard a loud BANG!
The people who did it
Said someone else did.
Add lies to their
Murderous crimes.

We woke up today
On the wrong side of genocide.
The killing will continue
Until morale improves.

My neighbors and I
Have no running water,
No electricity and
No heat.
Our landlord
Doesn’t want us, here.
Soon, we’ll have
Nothing to eat.
It’s turned into
A nasty neighborhood.
Our landlord wants us to leave,
But no one has opened his door
To let us in--
To let us out.

They’re planning
Some sort of slaughter
They call ethnic-cleaning,
These days.
They hit us with white phosphorous
That burns us down to the bone.
We’re on the wrong side of genocide.
It feels like we’re all alone. 
 
 
 


THE BIG BANG AS COSMIC EJACULATION
—Joe Nolan

The universe
As just shrapnel
Exploded in
The Big Bang—
Little bits of singularity
Flying off,
Away from the BOOM!

Surely, male scientists
Must have come up
With this idea—
The universe’s creation
As a cosmic ejaculation.

What would women think?
The universe as a great incubator—
Self-promulgating,
Eternally nurturing,
The presence of a Loving God,
Everywhere,
Sending a Savior
To rescue the race
That had Fallen down—
Become lost in space?

Or maybe the Universe,
Is just emptiness,
A giant, eternal void,
Watching ephemera
Drifting by
In space-time?

Or maybe
The Universe
Is all of these?
If so,
Get down on your knees
And prepare for Kingdom-Come.
 
 
 
 

THE SLOW OOZE OF FIZZLING NUKES
—Joe Nolan

The slow
Fizzle-drizzle
Of a slow
Explosion of nukes
That lacked the oomph
To get off
All at once
And spewed out their radiation
When little, teleported bombs
Went off in their silos,
Creating little Chernobyls,
Little Fukushimas,
Where,
Instead of going “POOF!”
And blowing off the roof
After a drowning tsunami,
They just bubbled and bubbled
Like Alka-Seltzer,
Underneath the ground,
Until they were all used up.
 
 
 
 

SOMETIMES IT MUST FLY
—Joe Nolan
 
The light
Got brighter
Until it turned into
The sky.

The sky
Grew wider,
Wider and wider,
Grew wings
And learned to fly.

Happiness roosts
On a frail, shaky perch,
Won’t fall
Because it can fly.
Sometimes it must.

____________________

Today’s LittleNip:

DAILY EPIPHANY
—Joe Nolan

A daily epiphany
From innate desire
Was why he arose.

He searched—
Checked outside
To see if it had arrived.

Went back inside.
Put on the coffee.
Turned on the TV.
Checked the news—
No towers impacted today.

It might just be an ordinary day
Without any daily epiphany,
But that doesn’t mean
He can’t turn on the light.

__________________

Thanks to today’s contributors as they fool around with, among other things, fear—our Seed of the Week. Be sure to check each Tuesday for the latest Seed of the Week.

This week is, as always, rip-roaring in NorCal poetry, including the gala on Thursday for Sacramento Poetry Day. Sacramento Poet Laureate Andru Defeye writes that the celebration has been sold out, but even if you don’t have reservations, I suppose you can try (sacramentopoetryday.com/).

Anyway, happy Poetry Day, Sacramento! Go to http://medusaskitchen.blogspot.com/p/sacramento-poetry-day-by-patrick.html for Patrick Grizzell's explanation about the origins of Sacramento Poetry Day.

__________________

—Medusa
 
 
 

 











 
 
 
 
 
 
 
 
 
 
 
 
A reminder that
Charlotte Hill O’Neal and Coon the Poet
will read at Sacramento Poetry Center
tonight, 7:30pm.
For info about this and other
upcoming poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
 into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
 to find the date you want.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
LittleSnake’s Glimmer of Hope
(A cookie from the Kitchen for today):

shopping with
a toddler
(bright orange
halloween shirt)—
chaos on
two legs~














 
 
 
 
 
 
 
 
 
 
 

Sunday, October 22, 2023

Story of My Life

 
—Poetry by Julia A. Dickson, Exeter, NH
—Public Domain Photos Courtesy of
Julie A. Dickson


BLIND

Deprived of sight, I listen
to the rustle of leaves.
Is it the oak or beech? I strain,
concentrate on the sound a bird
makes high on branches, tipping
head as if to home in, like a dog.

Listen to the sounds of home.
Whir of refrigerator, white noise
background, almost like tinnitus,
not enough to lull this brain to sleep
even though from this dark, can’t tell
whether it’s day or night. Doesn’t matter

I miss the printed word, though audio
books are quite good; there is Alexa
to tell me the time, weather and to play
music. From my chair I continue to learn
about the world, inner world traveler,
picturing past scenes, imagining others.

Miss most? Smiling faces, children at play,
those shining bright eyes, so curious.
I can still see, the visions stand boldly
imprinted on my retinas, like the sun
when I used to shut my eyes at the beach,
gulls squawking overheard, I was blind then too.
 
 
 
 

I thought I was

something ugly
to be avoided
undesirable
ignored
left alone by one
who should have loved me
until he left.

I felt

reborn, set free
spread wings
previously pinned back
until my arms
awakened
extended wide
into a vast unknown.

I didn’t know

there was treachery
jagged rocks
that would tear
at newly discovered
wings, wounding, ripping
grounding me again and again
on a path I knew well.
 
 
 


WHICH WAS WORSE

Close your eyes
for the last time.

Don’t look at me
since you never really saw
me for who I was,
one who cared,
was shoved from your path
with harsh words,
hardly a glance,
ignored or belittled,
not sure which was worse.

Now, all I feel is empty.

If that was your intention
all along, it worked.
 
 
 
 

VERMILION

That closed-up feeling when I hunch
my body inward, protective mode
learned from childhood now
aggravates my lower back.

Poor posture ingrained
over time, don’t notice me, nothing to see
here, move along.


I feel vulnerable
as though I am flying apart, exposed
to unknown dangers, random stares
piercing my skin like so many blades.

Breath held
Autumn envelops me,  
russet tones
wrapped in vermilion.

I relax into cool nights,
return to a feeling of comfort,
easy chair of solitude surrounds me,
swaddled, hidden from judgment.
 
 
 
 

STINGING TOUCH

Sans umbrella
no use in this downpour with wind
forgotten slicker
clothing sodden, stuck to shoulders
rain pelting
face running wet with faux tears

How different
standing naked in daily hot shower
eyes squeezed shut
long hair sodden, stuck to shoulders
water running
luxuriant down face and body

sky opens up
icy cold stinging

shower caresses
lover’s touch
 
 
 
 

THE STORY OF MY LIFE

That song
plays in my head each time
I start my car without fastening
my seatbelt first.

I hear two tones
and the song starts,
the story of my life
replaying throughout each trip.

Finally,
I had to look it up.
That song, The One That You Love
and yes, I would have

wanted another day
like those words crooned out,
but instead I get just the song
every day in my car.
 
 

____________________

Today’s LittleNip:

Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that bitch.

―Lili St. Crow

____________________

—Medusa, with thanks to Julie Dickson for her fine poems today, and for finding us photos to accompany them. And happy (yesterday) birthday, Julie!
 
 
 
Julie with her crocheting
 







 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
A reminder that there will be a
Capturing Wakamatsu workshop
in Placerville this morning;
then at 7pm, Fire: Breathing in the Wild
features a performance of poetry and
music by "a band of Black women"
in West Sacramento.
For upcoming poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Find previous four-or-so posts by scrolling down
under today; or there's an "Older Posts" button
at the bottom of this column; or find previous poets
by typing the name of the poet or poem
 into the little beige box at the top
left-hand side of today’s post; or go to
Medusa’s Rapsheet at the bottom of
the blue column at the right
 to find the date you want.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
 LittleSnake’s Glimmer of Hope

(A cookie from the Kitchen for today):

soft sacks of sweetness:
figs from the gods—
now gone for
another
year…