Sunday, December 23, 2018

Refuge

—Anonymous Photo 



THE BELLS
—Adam Zagajewski (b. 1945)

We’ll take refuge in bells, in the swinging bells,
in the peal, the air, the heart of ringing.
We’ll take refuge in bells and we’ll float
over the earth in their heavy casings.

Over the earth, over meadows
and a single white daisy, over the bench on which love
carved its imperfect symbol, over a willow
obedient to the will of cool wind,

over the Tatras’ green lake, over crying
and mourning, over binoculars shining
in sun.

Over the border, over your attentive gaze,
over the pupil of somebody’s eye, over a rusty cannon,
over the garden gate which no longer exists,
over clouds, over rain drinking dew,

over the town park where a Swiss Army knife,
lost lifetimes ago, lies hidden still.

When the night comes, we’ll take refuge
in bells, those airy carriages,
those bronze balloons.


(trans. by Renata Gorczynski, Benjamin Ivry and C. K. Williams)

__________________

For more about Adam Zagajewski, see www.poets.org/poetsorg/poet/adam-zagajewski/. For more about his Bell poem, go to therumpus.net/2012/08/the-last-poem-i-loved-the-bells-by-adam-zagajewski/.

—Medusa






Saturday, December 22, 2018

The Crop Is In

Poet and Rexroth
—Poems by James Lee Jobe, Davis, CA
—Photos Courtesy of James Lee Jobe



The crop is in.
Pick an ear of corn and open it.
Inside is everything of the world
And of life and happiness.
Sunshine and rain and earth.
Honest sweat from honest work.
Faith that the work will hold us
On into the Fall and the Winter.
Good solid nourishing food
For the family or the customers.
And if all goes well, some profit,
A little income. And that’s a lot
To ask from a single ear of corn.



 Poet as Dinner Cook



The winds
Passing up this valley
Come from the ocean
Far away.
The blow of nature
Across the flat earth.
Twilight as I write this,
And through the window
I can see the pine tree tops
Waving hello to me again.
Is it windy enough for you, James?



Poet's Art Journal



The world doesn’t think about me.
And I prefer it that way.
If anyone needs me, I am not hard to find;
Just go into the village and look.
Look in the place of lost moments
And forgotten sounds,

And if, upon finding me,
You find a pile of torn-up papers,
Just glue me back together again
And pretend that I am whole.
It wouldn’t be the first time.

I know these things quite well,
Although it is quite easy for me
To forget this nonsense.
I am not important,
And the world is not important,
In fact, I fell asleep twice
While writing this down.



 Poet's Self-Decorated Tote Bag



Just give up.
The only thing that can save you
Is to not be saved at all.
Nothing can save you.
Nothing will save you.
There is no truly holy book
Or greater being or Heaven.
There is no Hell,
No lesson other than to
Accept the great nothing.
Can you figure out my poem?
Salvation is an illusion
Dreamed up in your mind.
Sit down and shut up
For a couple of hours a day.
One hour in the morning,
And another hour at night.
Nothing. Emptiness. Peace.



 Beloved Granddaughter, Khaleesi,
Mother of Dragons



Now it is here, a time of balance.
My life and my spirit.
What I believe and what I do.
How I live as a man.
There is a balance now
That was missing for so long.
I am warmed by the sun
And the sun is loved by me.
Growing old isn’t bad at all.



 Dharma Lessons



“Walk softly and carry a big stick.”

—An American President said that.
As leaders go, he was quick to violence;
This isn’t advice I admire.

May we walk softly and carry water to the thirsty,
Walk softly and carry food to the hungry.

May our footprints be so gentle
That we leave no mark upon the Earth.

May that which we carry, in truth,
Be kindness. Simple human kindness.

_________________

Today’s LittleNip:

May we simply refuse to compete
And begin to share.

—James Lee Jobe

_________________

Thank you, James Lee, for today’s fine poetry and photos!

Today from 2-4pm, Poetic License poetry read-around will meet in Placerville in the Sr. Center lobby on Spring Street. The suggested topic for this month is “Scotland”, but other subjects also welcome. Scroll down to the blue column (under the green column at the right) for info about this and other upcoming poetry events in our area—and note that more may be added at the last minute.

And Gail Entrekin writes that the newest issue of
Canary Literary Journal is available at canarylitmag.org/.

—Medusa



 Buddha in the Rainforest
—Anonymous Photo
(Celebrate poetry!)











Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Friday, December 21, 2018

Unreined, Dear

Angry Smith
—Poems and Artwork by Smith, Cleveland, OH



COFFEE GROUND

Ching ching ching goes the coffee
clang clang clang glows the flow
coffee in, coffee out
streaming yellow line
write my name in now

The hours between wake and sunrise
are mine
I wait in dark
rested, soothed
briefly free from yesterday's web
not yet ensnared by today's

Uploading caffeine from cup to mouth
waiting for sun to raise the darkness,
pills to palaver pain

I blow smoke into my coffee
bubble caffeine with cannabis
mixing go with slow
high with low
hello! with mellow...

Hour of the wolf
after dream before sun
coffee hugs my heart
wife on rug in exercise
pulling body taut
cat claws couch
ripping retorn arm
slime of greed in White House
lowering gene pool
wallet empty
full life of wife love start

Drinking coffee, thinking bed
here we go again

It's said it was an apple
the snake gave Eve from the tree
though some say pear
or fire of sin within
but my eyes are opened—
it was hot black coffee
in a cold white cup
coffee knows good and evil
is essential to reweaval
base for stop and go
and amazed grows
magic in liquid form
as we abraded in battle reform

I'm up, sun's not—
where's my heaven to roll around day?

Coffee seeps in
sleep slinks out
I stumble on way
knowing we pay

Hot coffee, cold hands
big caffeine, little wake

Caffeine, cannabis
cat in lap
book in hand
sun on leaf
wife on couch
floor ceiling below
this is the way to sow go

After night
before day
this is my time
toke of top
whip of strong sip
Sunday before sun
traffic low
people asleep
worlds within
caffeine and cannabis
the low light of quiet that sings

Coffee, caffeine, covfefe...
the Holy Trinity of Bagel Boogie
all hail Java the Cup



 Eden



CONVERSATION WITH WIFE 46

Who does Cheddar worship?
"Cheesus."

Wife sez she's "insane in the membrane,"
proclaims "I spit on your requirements."

How's your niche and nephew?
"Gesundheit."

"Do you want Gong Bao for dinner tonight?"
What's that?
"Chinese dish with cashews, ginger, rice, soy sauce, mushrooms."
Why not. Say, did you see Gong With The Wind?

I love you, woo-man.
"I love you, man woe."

"Do you think a seed is alive even if not planted?"
Yes, it's dormant. What kind of squash is this?
"Donno, something like Butternut."
I tried butter on my nuts but it made my underwear sticky.
"Ewwww. that's gross."
Just call me 144.

I am token spoken wheel.
"Wheely?"



 Earth Clown



WAS THE SOUND OF ONE ZEN CLOWN

Life is what you do with what you got
Get hit too hard, walk it off
Eat too much, pack on the lard
Just work the load and walk it off
Do the daily shilly-shally
Bet the nag, chew wacky tobacky
Prioritize lies, check the whys
Repeat replies
It's never enough so walk it off
Talk soft, walk it off
Chalk cross, walk it off
Held aloft, walk it off
Sugar gumball close to crock
Willie nilly silly willy
Best just walk it off
This is Zen the Clown here talkin'
You're shadow loose if you don't start walkin'



 BuddhaBurst



CONVERSATION WITH WIFE 41

I need to write a poem.
I feel better after writing a poem.

"Then write one."

I don't have any poem words.
I don't have any poem pen.
I don't have any poem paper.
I've got shit and toilet paper, that's what I got.

There, there's your poem.



 Neotonous



FARM-A-SUTRA

Oh Little Girl Blue come blow my horn,
my sheep has left and I'm so forlorn.

Besides I'm allergic to its wool
and its baa-ing made me feel the fool.

Chicken's nice but its feathers tickle,
the mice too small and way too fickle.

The geese bite and the pig's too dirty,
though the cow's cool, its eyes all flirty.

The horses don't like horsing around,
and the moles won't come from underground.

My best friend dog prefers neighbor's cat
while the cat doesn't know where it's at.

The farmer's daughter way down the lane
tried it once but won't do it again.

The snakes are too fast and the frogs too wet,
the fish in the pond won't answer yet.

I even tried it with soft warm mud
but it broke my stick and bent my bud.

So Little Girl Blue it's up to you,
otherwise I don't know what to do.



 War



CONVERSATION WITH WIFE 29

Do you want a cashew cookie?
"No"
Do you want a pecan cookie?
"No"
Do you want one of both?
"NO, I'm dieting. You're the devil"
Hey, you live with me, that's what you get.
Want ice cream?
"No."
How about a beer?
"NO!"
Some fried cat?
"Only if she's breaded."
Sorry, can't breed her, she's sterile.

"Nobody likes turnips."
Why do we grow so many?
"In case there's a war
so we'll have something to eat."
I was in a war once, Word War One
we had word rationing
could only use two verbs a day
and one gerund.

I aster but she wouldn't answer.

What are you doing?
"Whatever I want."
How come you get to do whatever you want?
"Because I'm the lady."
And what's the guy get to do?
"Whatever the lady wants."



 White Line Fever



DOWN TO ANIMAL BONE

Me big
Me want
Me take
Me smart too
Probably get away with it 



 Pearl



(and of course my annual Christmas song...)

EX CHRISTMAS

I see Santa the red-nosed thing dear
dancing on the head of a pin
in some strip club down Lonely Lane
where never was already is

Unreined deer out in the alley
shooting crap with quantum dice
taking tokes of alfalfa doobies
awaiting a working dear's price

O sacred Santa, o holy Tinman
now I lay me down to seek
a higher focus in the real land
once we awaken from sleep

HEY—warning light flashing over head ! ! !
such goings bring Ghost Past Behind
this is your don't-want-to-be dread
beckoning being sorry, unkind

Grouch don't get no good foot forward
greed can't grasp no love at hand
mean won't lean no one toward
higher helping plan for grand

Less is more, more just more mess
relax, lay back, let go, seek slack
to give is true get of success
sharing shines in giving back

So let's sing a song of simple
then go feed a folk or few
gotta make our own example
be such be as want to do


—Music by Peter Ball (1949-2015), words/vocal Smith, 2013. To hear Smith’s Christmas song, go to www.reverbnation.com/mutantsmith/song/19374180-ex-christmas/.



 Whatis



Today’s LittleNip:

ON THE ROAD
—Smith

If I could just remember
what I already know
I'd be a saint.

I ain't.

__________________

Thanks, Smith (Steven B. Smith) for your fine poetry and artwork on this winter solstice, 2018, lightening up the darkest day of the year! Poets in our area can shed further light on this day by going to hear six of our poets at The Other Voice in Davis: Allegra Silberstein, Charles Halsted, Carlena Wike, James Lee Jobe, Beth Sutter and Dorine Jeannette plus open mic. That’s at 7:30pm at the Unitarian Universalist Church on Patwin Road in Davis. Scroll down to the blue column (under the green column at the right) for info about this and other upcoming poetry events in our area—and note that more may be added at the last minute.

—Medusa



 My Back Porch
 —Artwork by Smith
(Celebrate poetry!)










Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Thursday, December 20, 2018

Royal Magic

Carolers in Placerville
—Poems and Photos by Taylor Graham, Placerville, CA



CHRISTMAS AT THE RAUHE HAUS
    based on Elihu Burritt’s “Christmas in Germany” (c. 1850)

A home for homeless children—ne’er-do-wells 

from a Dickens novel, petty thieves 

and pickpockets if not murderers; boys handy 

with cudgel and knife; girls just as bad.

But for Christmas these urchins invited 

the whole town to help them celebrate. Rich 

folks arrive by carriage to sit on hard benches 

in a chapel the children built by hand.

The Christmas tree’s alight with tapers. 

And who sits at the table of honor with a linen 

cloth? The poorest of the poor, the lamest 

of the lame from hovels, hedges, and highways.

Their hosts, children saved from the ditch

and raised with love and learning, who share 

hand-baked bread, hand-knit stockings, 

cobbled shoes—the Christmas joy of their hands.






THE CHRISTMAS NUGGET

December 25th, 1849.
The miners came from far and wide—
from Georgetown, Dark Canyon, Georgia
Slide, Oregon Canyon, the other Gold Bug.
They came to Canyon Creek not bearing
gifts, but to see the great golden
gift as if from heaven.
Bill Wilson had struck it rich.
A twelve-pound nugget!
They lined up outside the cabin, waiting
their turn. Only a few at a time
were let inside to see the marvel. The early
arrivals came out smiling, shaking their heads,
saying it was well worth the trip
to see such a thing.
A hard life was the miner’s, and Christmas
a time to celebrate, to rejoice.
Each miner in turn admired Bill Wilson’s
12-pound nugget—
a healthy newborn baby boy.
Each miner left the cabin smiling,
keeping the secret—the joke, if you will—
from miners still in line.
Each left that cabin richer, Christmas-
gifted.






WITCHING HOURS

He walks his land, summoning
secrets subterranean with a rough-cut
stick, as if witching for water in drought,
or trailing the westward path of day-
light across surfaces; not counting retail
ticks of the clock but noting variations day
to day—rock-slow journey of a hillside
boulder charmed by gravity or wanderlust
incrementally down the slope. Nothing
stays the same. At end of day,
from his deck he surveys a landscape
of moonlit dips and hummocks,
all the quilted layers bedded down,
cocooned for morning.






LIBRARY AFTER-HOURS

Step inside this cocoon of learning.
It’s dark and cold. Shine your flashlight

along the shelves of titles. We’re Coming
into the Country
through Solomon’s Ring,

a land of Panakeia. Here are Nests, Eggs,
and Nestlings
and a Manual of the Flowering

Plants of California.
Here are Stories
I Like to Tell
according to The Old Farmer’s

Almanac.
Tonight we’ll be Fooling
with Words
all along the Bluebird Trails.

Here among the pages we speak
The Language of Life.






O ROYAL,

my mother’s old manual portable,
how her fingers raced your keys faster than I
could polka. You love determined fingers.
Across the ocean in my suitcase,
a study-year in Freiburg—I’d add
the umlauts by hand with a pen.

Do they call you obsolete? I can
count on your typewritten line. Not like
words tapped on my laptop’s soft keys till
Kitten Latches comes prancing along—
a paw-stroke I can’t recover from,
a string of bbbbbs.

O Royal, you travel time and space—
a borrowed table & chair, Main Street,
composing on request of strangers.
Personal poems, one of a kind
ink on paper with no Command-C;
not to be lost to cyberspace by
mistake of a keystroke. How two eyes
of a stranger look up from your type-
written page with that human glow.
You’re magic.






PETAL AND STONE
      on a painting by Utagawa Hiroshige II
 
Remember when caterpillar disappeared
from milkweed?
he asks. Snug
in cocoon,
she answers, and by summer
a Monarch fluttered the garden.


Are they lovers, or just friends?
these two finding a pathway between
April’s brief cherry blossoming
and distant, eternal mountain cocooned

in snow; man and woman between
petal and stone walking a bank
of Time’s river, last winter’s snow-
melt bursting in pink bloom.






Today’s LittleNip:

AFTER THE FIRE, WHAT REMAINS
—Taylor Graham

Neighborhoods a dead moonscape with   
soft protective layer of ash, an
abandoned car’s burned shell, empty
space with no living soul. Gray dishpan
after the last supper, an ever-swinging
metal gate at a dead-end street, but with one
gray-muzzled dog, alive, guarding to the end.

___________________

Our thanks to Taylor Graham for some wonderful pre-Christmas cheer, and a reminder that Third Thursdays at the Central Library will take place today at noon in the Sacramento Room at 828 I St., Sacramento. Scroll down to the blue column (under the green column at the right) for info about this and other upcoming poetry events in our area—and note that more may be added at the last minute.

—Medusa



 Cherry Blossoms at Koganei in the Eastern Capital
—Painting by Utagawa Hiroshige II, 1826-1869
(Celebrate poetry!)











Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Wednesday, December 19, 2018

Love's Disrepair


Tintagel Village and Post Office, 1920
Cornwall, England
—Poems by Tom Goff, Carmichael, CA



CORDELIA

At Wilton, the Earl of Pembroke’s lordly house,
a “Picture” of the extended family.
No quick-frozen moment. Subtle homily,
post-Jacobean, asynchronous.
Legend, brushed with Van Dyck’s high accuracy
of timeblend. Daubed in at rear, diaphanous,
a regal Lady, arms folded. Not the captious
new wife to Pembroke. All serenity,
black-gowned serenity, the calm of death.
On Tudor tombs, the same cool folded arms.
Pembroke’s first wife, transmitter of cultured breadth
to well-mannered children. The last cruel harms
transfigured to charms: achieved, the painter’s task:
One vivid dancer, whisked from life’s brief masque.

Great Susan Vere, crag-faced Ben Jonson’s friend,
wed to Montgomery (now Pembroke) of the First Folio.
Daughter to an eccentric, elbow-bend,
impoverished earl who hid behind “E.O.,”
“Ignoto,” or—name ever-memorable—“Shakespeare,”
of a playwright’s and poet’s nature, rendered wise
by learning like Plato, suffering like King Lear.
Approving his Hamlet’s exposé of spies,
his harrowing plowshare service to the truth,
for Jonson and Inigo Jones, lightly visored,
she glided with her inborn grace and youth.
But how might she answer, if we only inquired:
How much of her in Cordelia’s blunt sweet speech,
Princess and Fool in one boy-actor’s equal reach?



 Old Tintagel P.O.



TINTAGEL POST OFFICE
            Summer, 1917
           

Tintagel Village: every last parcel post
or letter, miles around, circulates via this one
quaint 16th-century farmhouse, where no ghost,
Elizabethan or modern, lacks the fun,
the mischief, that deals fright like penny stamps;
one dread lick, glue the tongue and that’s the scare.
The spirits here seem merely simple scamps,
imps worthy to dangle on strings at village fairs.

Now enter Arnold Bax, on bicycle.
Has Tanya left billets-doux? Notes of rendezvous?
[To the postmistress:] —Anything from a Miss Cohen?
           —Oh, yes.
Symphonic movement-moods come cyclical:
Up, down, full wheel-spin. Why all this need to guess?
Postmistress serves ice cream. One “cornet,”
two pence for you.


—for Michael Frost



 Old Tintagel P.O.



RED AUTUMN (symphonic poem, Arnold Bax)


Composed too early for Tanya to take effect;
yet: love’s despair-pattern. Spattering air like blood,
leaves, stripped from each twig, as gold and scarlet defect,
fading shapes added to pavement’s mud-trod flood.
Flute, clarinet swirls, light micro-tornados within
the one big wind. Then angular again:
in Graham Parlett’s orchestration, din
rages up from that dense and protean fen
from which your Irish elegy, Symphony One,
Movement Two, ten years hence, will arise.
Now lyricism steals in: the winds die down,
those leaf-floats mark sweet, freshening patches of air.
Deceiver life sweeps in, sweeps out, love’s disrepair.

___________________

Today’s LittleNip:

Never make a decision when you are upset, sad, jealous or in love.

—Mario Teguh

___________________

Our thanks to Tom Goff for his fine poetry today, prompting us to find images of Tintagel! A reminder: there will be a MarieWriters Generative Writing Workshop at Sac. Poetry Center tonight, 6pm. Scroll down to the blue column (under the green column at the right) for info about this and other upcoming poetry events in our area—and note that more may be added at the last minute.

—Medusa



Tintagel Post Office, Indoors
 Celebrate poetry!










Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
 

Tuesday, December 18, 2018

Butterfly Dance

Red Tulips
—Poems and Original Artwork by Joyce Odam, Sacramento, CA



A MONARCH BUTTERFLY FLUTTERING DOWN
THE LOW AFTERNOON


A Monarch Butterfly—fluttering down
the low afternoon
in a startle of orange confusion.


Child—
do not touch that soft and tremulous life
at the edge of your reach—


It goes from here to everywhere it has left.
It goes in a
fragile flight from here to extinction.


Touch the air where it was, feel how soft and empty—how it makes
your eyes wonder what is gone.


Child,
that was a
Monarch Butterfly.


Did it delight you?
Did it touch your life
With its own . . . Brief . . .Bright?

_________________
 

RISKING A MORNING WALK

Attacked
by an orange
butterfly, I waver
past—avoiding the shadow of
the crow.

~

The crow—
cawing rudely
at my intrusion on
his path—scolds me so loudly that
I duck.

~

A dog,
sharing the same
sidewalk, sniffs his way past,
taking his rights for granted—same
as me.
 


 Where in the World



THE KING’S BUTTERFLY

For hours, from his drear window, the old king stands
and watches the beautiful butterfly dance in his garden.
The spectacular color and movement so delights the king
that he gives the garden to the butterfly, promising that—
by his decree—no one will ever harm it. In return, the
butterfly continues its bright flitting amid the flowers.

___________________

The mark on the soul

is butterfly wing
is breath
is no-thing
of every-thing
is what and where
and why—
never lose,  
never
forfeit,
never damage,
this want
is/isn’t
the most cherished
part of us    
this
mysterious being
in such a guise
 


 Waiting for Butterflies



ROAD SHADOWS, SHE FOLLOWS WITH HER EYES

She is in the margin of the light
slanting across the road that invites.
She considers the urge to follow—

the overlapping trees
with their leaves still clinging—
the panoramic window behind her.

Dappled ground-shadows flicker
into the road’s far turning.
She feels the winter’s edge,

the light closing. 
A brown fox-shadow crosses the road
into the closing trees.

She tries to see where it goes.
She turns her head.
A brown butterfly lights in her hair.

She can barely feel it. 
A voice calls to her—  
calls to her—the long ago voice.

The winds open up.
She hears an owl.
The afternoon turns a tremble deeper.
 


 Blue Pathetique



TURNING

Realized, idealized,
container of all,
she closes her eyes,
floats in her mind,
hides her arms in
sleeves lest they
hold even more—
now she is levitated,
she is cocoon,

       wrapped and wrapped
       with all that involves her, voices get through, love
       gets through, need gets through, but she is
       not yet finished—

her bound
wings unwilling
to open, suspension
is her inner quietness,
her deepest solitude—
safe behind her closed eyes.
 


 Blythe Spirit
 


WOMAN CAUGHT IN A BLUE DREAM
(After a photo by Gjon Mili, 1944)                                      

Caught in moonlight’s floating web,
in breeze of silver—shred by shred,

of dream sensation, yielding deep
into the curtain of her sleep,

enveloped by the closing room
wrapped and wrapped in sleep’s cocoon.
 


 Dancer



THE UNCERTAINTY OF THE DREAM

Dream that escapes into oblivion,
downhill into silence.

Slanted handwriting to explain what is there,
what is not.

Hanging, fragile, painted things—
images of what you imagine:

gaiety in the Death Carnival.
Beckoned, you follow.

Innocence. Blame.
In the mirrors of one another.

In and out of flowing breezes.
Like paper. Like chiffon.

Trials of energy that fail.
Wave after wave of time, escaping.

Curtains. Many curtains. Butterfly dance
of pleasure. And then the waking:

the falling upward, climbing through—
through closed eyes, the mind surrendering.

_________________

Today’s LittleNip:

FOR BROKEN THINGS
—Joyce Odam

Something as joyful as
a sheer-winged dragonfly,
a butterfly, a moth—
a hummingbird in flight . . .

all these can still the heart.
All these can still the heart

which grieves the smallest loss:
the damage that befalls,
the happenstance of death—
all life too swift for love.


(first pub. in
Poetry Forum Magazine)

______________________

Many, many thanks to Joyce Odam for her fine butterfly poetry and artwork as we wing our way into the holiday season!  Our new Seed of the Week is Christmas Bells. Send your poems, photos & artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from.

—Medusa

 


 (Celebrate poetry!)










Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.


Monday, December 17, 2018

Waiting For Mother Sun

 Grandfather Raven
—Photos by Katy Brown, Davis, CA



I’ll never forget when I ate the ornaments on my family's Christmas tree
    At four years old,
    I ate the foil-covered chocolate bells Mom decorated
    Mom had told me and my brother not to touch them
    Like Eve in the Bible presented with the “forbidden fruit”
    My little psyche, like a snake, told me to disobey
    When Mom wasn’t looking
    I picked one chocolate, unwrapped it, and ate it nearly whole
    This sin was so delicious I repeated it all over the tree
    Soon enough I was “wearing” the chocolate with a ring around my mouth
    When Mom saw what I had done, she acted as if she wanted to throw me out
    Afterward she’d claim I was “allergic” to chocolate—
    Perhaps to deny me the “Eden” bliss of eating the products of the cacao tree.

—Michelle Kunert, Sacramento, CA



 Raven in Flight



GUT FEELING
—Caschwa, Sacramento, CA

A friend had a ’61 VW Beetle
that by design did not include
a fuel gauge, but instead had
a fuel lever to move when the
vehicle had sputtered out of
gas, that would then activate a
lower hose to access that final
gallon at the bottom of the tank.

Today there’s a fellow towering
over Fifth Avenue who has
wholeheartedly adopted the old
VW fuel lever system to handle
the tricky matter of appointing
chiefs of staff…

_________________

WHAT HAVE WE HERE?
—Caschwa

Upon sitting down I
became the pilot facing
clusters of instruments
giving readings from all
modes and functions
of each and every
system.

Although I was able to
assimilate some pieces
of knowledge about some
of the individual instruments,
the big picture remained
quite evasive.

There were certain icons
pointing to various hints,
most requiring some kind
of upgrade beyond my pay
grade.

We haven’t crashed yet
but neither do we have
any assurance of a
safe descent.



 Gull With Prize

                                                                     

DREAM SHOPPING
—Caschwa

Big ol’, arrogant, dominant, religion once
controlled every part of everyone’s daily
affairs, and pushed folks to risk their lives
sailing clear across the stormy sea to start
over in the New World. 

Whew, what a refreshing change!

Nice try, but no cigar.  Formal papers
were drawn up for the new government
on the new continent to exclude big
religion, but over time we only managed
to replace the old landed aristocracy with

“It’s the economy, stupid.” 

We use cheap labor, whether it’s our
own slaves or someone else’s, and
continually manufacture excuses for the
rich and the poor to just stay that way,
‘cause that’s the way it’s supposed to be.

“It is written!”

Not by God, not in stone, not in our Constitution,
but on the Big Board, on the ledgers kept by
bookies, on the Who’s Who of obscenely vast
collections of material possessions, on the pure,
white sands of ultra-exclusive beach resorts.

“Whoever dies with the most toys wins.”

To this day we still face the dilemma of freeing
the slaves while not shaming the slave holders,
of bestowing praise to the Christ child while making
every possible effort to avoid living like Him, of
buying for ourselves the best gifts on the shelf.

Happy Holidays, all!!

___________________

E PLURIBUS SYNERGY
—Caschwa

The Special Prosecutor has several
naked suspects who, once caught,
each confidently claims they are
holding all the right cards to win a
game of strip poker.

*****

The long arm of the law reaches
far past whatever ripples a splash
of collusion may create.

*****

All’s fair in love and war:  if we go
to war with Russia, it is not out of
the question that we may set up
internment camps to harshly
sequester all persons of whatever
rank or title who are suspected of
being friendly with the enemy.

*****

Francis Bacon, the modern egghead:
“Truth is the daughter of time, not of
authority.”  “Reading maketh a full
man; conference a ready man; and
writing an exact man.”

*****

The expression “2016 Election” will
prove to be false.  When all things
are considered, the more appropriate
description would be “hostile takeover.”

*****

May the world live long enough to
forgive us our abuses.



 Gull in Flight



IN THE LIGHT OF DAY, NO LESS
—Caschwa

Back in the last century my parents
were forced to pay taxes and were
mandated to send their children to
school.

Public school teachers were required
to deliver instruction on grammar,
while students were required to both
attend and participate.

Today just a few decades down the
road, educated people commonly use
expressions like “we need to dig deeper”
as if avoiding adverbs is the rule.

So what was the point? 

My parents will never get their tax
contributions back, nor will I ever get
back that precious time that could have
been better spent sleeping or playing.

I fear that parents are still forced to pay
school systems to DUMB DOWN their
kids, using lesson plans that focus on
proper adverbs, when in fact, actually

using adverbs in public discourse will
draw more scorn and persecution than
if you were to run around butt naked.
We must react quicker and stronger!



 Iron Owl



WHAT POETS DESPISE
—Joseph Nolan, Stockton, CA

What poets despise:
Carefully crafted lies
Masterworks of deception
Impossible to penetrate
Without plastic mittens
To protect your human hands
From deadly poisons
Set about the wrappers
Of the bodyguard of lies
Designed to seal
Deeply set inside
A marvelous, perfect gem
Of dark deceit.

__________________

MODERN GYPSIES
—Joseph Nolan

Happenstance
A failed romance
Things that come
And go—
Modern gypsies.

Pack the wagon,
Harness horse.
Ambition draws us
Over the next mountain.

Another Spring,
Another trek.
Ambiguous
Our prospect.



 Elfin Owl



ANOTHER THROW-AWAY
—Joseph Nolan

She bellows out
Into the street
To any who
Might listen,
In odd-worn tones
Of hoarseness voice.
No princess, now,
Is she.

No man left
To stand for her
Or care
Or take her home,
She is at rock-bottom
And all alone.

Worn down, then,
By meaner men,
No decent father, neither;
No safe home
She could count on,
Against the ways of men.

Bruised, abused and battered,
Ransacked and overturned,
Upside-down,
She makes the rounds,
About the streets in tatters.

This way she will stay—
A woman, thrown away.

__________________

IF YOU WERE DEAD
—Joseph Nolan

If you were dead,
Would you dance?
Dance and sing,
Or cry out loud?

Or act just like a ghost
Pale and frail,
A mist in wind,
Blowing faint away?

Would you tell all of your secrets
To loft upon the air
Since you no longer cared
If really,
You ever cared a whit
For keeping secrets?

Since, after all of it
Is done,
Ghosts know all.
They already know
And they don’t care!






SEASONAL AFFECTIVE DISORDER
—Joseph Nolan

A shadowed shade
Bears down our days
And sets our hearts
To bottom.

Daylight drooping
Into darkness,
Stillness, still,
Be-stilling,
Into dark.

Winter,
With its shorter days,
This way, still-full comes.
We feel the darkness
Bear us down,
Deeply down
To bottom.

Bottom,
In its own
Gravity’s sway,
Keeps us safely
On the ground
As we make our way
Through Holiday Season.

We need the weight
To keep us well-borne down,
Facing lights
With hopes
For bright,
Bright happy,
Light-heart
Times and play
We seldom get to know.

__________________

MOTHER SUN AND HER PLANETS
—Joseph Nolan
The world is out there!
Out there, somewhere,
Spinning in its place,
Spinning in its orbit,
Somewhere, out in space!

Held in track by Sun,
With planets, each one;
Each in its own path—
Circling the Sun.

How can this thing be?
Not for an eternity,
Someday, Sun will go
Out into a great red-giant
And burn up all its planets!

What kind of mother is She?
The source of all our energy.
Has she not a kinder heart
To spin us off to farther parts
As orphans, to new Sun?

To warm anew
In other-Mother’s tracks,
Against the killing cold
Of being off alone,
Off in Space?
Or burned in grand consumption
When she can’t stop her
Red-Sun’s expansion?

A sun must consume her planets!
This is the way of cosmic law.
They get a chance to spin
Around her,
But soon,
Into her fire,
She will draw them
One and all!

____________________

Today’s LittleNip:

FALLING FEATHERS
—Joseph Nolan

Feathers fall much faster
Under forlorn skies
When they’re upside-down.

When in their proper position,
They catch the wind
And spin and spin around
In circles
As they make their way
Gently to the ground.

____________________

Our thanks to today’s poets, and to photographer Katy Brown and her birds, for today’s Kitchen fare.

Poetry events in our area begin tonight in Placerville, 6-7pm, with the monthly Poetry in Motion read-around at the Placerville Sr. Center. Then, at 7:30pm in Sacramento, Sac. Poetry Center will present Yuyutsu RD Sharma and poets from the anthology,
Eternal Snow: A Worldwide Anthology of One Hundred Twenty-Five Poetic Intersections. Also at Sac. Poetry Center, this time on Wednesday at 6pm, MarieWriters Generative Writing Workshop will meet for a small, guided group facilitated by Christin O’Cuddehy.

Third Thursdays at the Central Library meets on—you guessed it—Thursday, 12noon, for a read-around; bring poems by someone other than yourself. Then five—correction! make that six—poets (Allegra Silberstein, Charles Halsted, Carlena Wike, James Lee Jobe, Beth Suter, Dorine Jeannette) plus open mic will read at The Other Voice in Davis on Friday, 7:30pm, at the Unitarian Universalist Church on Patwin Rd., Davis. And on Saturday, Poetic License monthly read-around will meet at the Placerville Sr. Center in Placerville, 2-4pm. Scroll down to the blue column (under the green column at the right) for info about these and other upcoming poetry events in our area—and note that more may be added at the last minute.

—Medusa

 


 Celebrate poetry!











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