Saturday, July 22, 2017

Love Songs

Cabbages, Community Garden, Locke
—Poems and Visuals Provided by D.R. Wagner, Locke, CA



BURNING THE STAIRS

There is a low wail coming
Up through my skin.  When
I listen in, head close
To the radio, I can feel
The pulse, the full pulse,
The pulse, pulse of the electricity
In its circuits.  I can smell
The ozone.  I can tell
It needs flame.  Even the music,
Even the announcer’s voice,
Lifting and falling, selling stereos
And car tires has the stink
Of flame around it.  I wish
For evening, a room far away,
The arc of a great bird
Across the sky, etched air.
The wail will have none of this.
It becomes louder and shrill.
The dial begins flickering.
Its mouth full of flame.
It begins to melt.
I quickly pick it up,
Toss it into the air.

The stairs of the angels catch fire.
The air is filled with burning stairs.
There is no way to get to heaven
Any longer.
The fire storm rages down.
It is like dreaming.
It is like moving clouds
Away with one’s hand.
I stand at the top
Of the stair and look down.
Someone is listening to a radio
So intently
I believe
They are an animal.






A STORY IN STANZAS

        Headline: “A crystal box filled with music, c. 1000 A.D.”

The sound would be lost
At once were the box opened.
It is impossible to record the music.
It seems to create an empathy
In the listener as a Paraclete would.

For each listener, called “voicers”
By those who study this event,
The experience of the music
Is significantly different.

This is known:  The music
Is always melodic, memorably
So.  Rhythm is patterned.
Certain passages repeat themselves,
Yet, this is extremely rare.

Oftentimes the music generates
Usually abstract visual information,
But also occasional narrative, as in myth.

Animals, from insects to birds,
Mammals, reptiles, amphibians, seem
To hear these sounds with ease.
They oftentimes pay long attention to
The sound.  All have been seen moving
To the rhythms seemingly generated by it.

Some researchers believe particular
Mating behaviors in many species
Have been initiated or changed by
Exposure to this music.  Much more
Research is necessary to prove this.

It is said that people who have encountered
This phenomena have recorded their names
In a document upon doing so.  This document,
While testified to, has never been verified.

The box has moved frequently
Since its discovery.  It is liable to appear
Almost anywhere.  It has been seen and
Heard off the Australian Great Barrier Reef
As well as in the Himalayas and the jungles of
Peru, Southeast Asia and South America.

No one knows how the box comes to
Move or where it may appear.
Its appearance has always had the quality
Of a mystical event about it.
In the past seventy years it has been seen
Very infrequently and very briefly.

One other box was known and was opened.
It shattered immediately and caused great
Disturbances in the Earth’s
Magnetic fields and impressive light patterns
In the ion layers of the atmosphere.

Its existence is usually denied except
In poetry and certain fairy tales.

If you encounter this box, contact
Creatures that sing or listen to
Recreate your own experience
That others may know these songs.






CRANES

The slow, high step of the cranes
May seem of little consequence.
This is the beautiful.  It lives
In the simplest of things.

We are listening to love songs.
They fill the mouths of birds.
They fit our ears perfectly.

The river gets very wide east of here,
Doesn’t seem like a river at all.
Eventually it isn’t.  It becomes the
Great Lake that it is and finds
Its way through a thousand islands,
Rapids and gains intent to find the sea.

Here no one seems to notice.  It’s a
Difficult place to live.  Things like
Those cranes are a fine dessert that
Is too seldom found.  Still, we
Wait here watching.  We are listening
To their love songs.  They fit our ears perfectly.

_____________________

TONIGHT

Tonight I read pornography
Watching the silver ghosts of desire
Consume themselves without remorse,
Spilling into the valleys of fantasy.

Language has a new robe here.
It dresses itself in fetish clothing,
Only aware of  a specific embolism
Tied to the cortex of loneliness,
Unfulfilled fantasy that demands
A payment in real time,
In spilled seed or rooms of others
Watching, unconnected and involved
Only in the drift of compulsion.

There is no music here.
There is only the seething of flesh,
Unconnected to anything but self.

Rings of brilliance born of hands
Upon the aether, touching only
The intimate.  Nothing
Comes of it, an oozing of desire
Or a wash of temporal fluids
Distilled through images and images and images.

Long rooms appear.  I walk through them.
I do not recognize myself as I gaze into room
After room of this activity, amazed
At the diversity and the ability to speak
Revealed as a kind of dance,
A thrust toward an understanding
That is unable to comment on itself.






CLEAN LIVING

Dressed in fetish clothing
And hearing uncomfortably clearly,
I stretch a membrane of understanding
Across my eyes.

I will have no doubt the next time
I see your face.
I will find it easy to recognize the grace
Of misunderstanding you.
It will be like a perfectly sharpened
Knife.

My principles will fracture
Revealing all their petty foundations.
I will shake within the wall of language,
Waiting for a single pause where I might catch
My breath and identify my feeling
For you, just this once.

There is no use.
I am smeared upon the words,
Barely able to buckle the straps
Around my body, barely able to attenuate
The vulnerable parts so they will gleam,
Terrifying, romantic in pure discourse.






SHADOWS OF NIGHTMARES

They lean against the windows unwrapping
Whatever is left of the day and setting
It loose to run headlong toward the night,
Transmuting what were the waking dreams
Into the colorless liquid of the sleeping
Dream, blurring the green eternity.
Robbing it of its mysteriousness and installing
The horses that can never find their way
To morning.  They flow without end,
Piercing all the mirrors of sanity.
How could we have forgotten that they
Would come with their blood and agony,
The true trappings of time dressed in
Those hours time embraces as its own.
This is no way accident and death,
Never interested in any particular story,
Allows them to open as a great strangeness,
Unknown to memory.
They remain circular but take
What could be revelation, transmuting
The sweetness sleep might be into an elegy,
Ancient, full of consuming confusion,
That, full of objects, fountains,
Statues, their songs with their dust,
Murders with the power of tigers,
Again and Again all of shadows
Except their own.

__________________

A SLIGHT BREATHING

Hovering over the words,
Herding them, moving them
Into small groups.  Full of meaning.

Here, the description of the heavens
Staggers forward, dragging
Its collection of constellations
Behind it, fully aware
That these pictures are but part
Of light seen from a single
Place, struggling to maintain
Themselves as the heavens
Reel around them.

These are the words of lovers.
There is no end to them.
They slide and describe,
Word after word, the varieties of touch;
Definite descriptions, of flesh
Meeting flesh, in all temperatures and climates.

Gratefully, we follow these things,
Charmed that language
Allows us such rooms,
Such variety of discourse.

From the dark hills comes
The coughing of lions,
Calls of birds.  William
Blake, moving room to room
Searching for the right phrase.

____________________

Today’s LittleNip:

Poetry fettered, fetters the human race. Nations are destroyed or flourish in proportion as their poetry, painting, and music are destroyed or flourish.

—William Blake

____________________

—Medusa, with thanks to D.R. Wagner for today’s fine poems and pix!



 —Anonymous Photo
Celebrate poetry—And don’t forget Poetic License 
poetry read-around in Placerville today, 2-4pm. 
Scroll down to the blue column (under the green column 
at the right) for info about this and other upcoming poetry 
events in our area—and note that more may be 
added at the last minute.
 
 
 
 
 
 
 



Photos in this column can be enlarged by clicking on them once,
then click on the X in the top right corner to come back
to Medusa.

Friday, July 21, 2017

HE'S ALIVE!!!!

Summermorne
—Poems and Photos by Smith, Clevelend, OH



SISYPHUS SUNDAE

Sun's up
I'm not
Air's crisp
Mind's knot
Body aches
Money's thin
Life's a scrape to make the end
Raise foot
Forward plop
Get through slop
Cherish cherry on the top



 Freeformway



PRIMORDIAL OOZE

First pre-dawn sip of coffee
followed by first toke of day
and finally, faintly, from afar
I hear Doctor Frankenstein's mad cackle:

"He's alive. HE'S ALIVE!!!!"



 699



NORMAN ROCKWELLVILLE

Walked a mile to the country school
white wood, two rooms
grades 1 through 4 left room
5 through 8 right
the husband wife teachers
living in the cottage on the grounds
each day I listen to my 5th grade lessons
then 6th, then 7th, then 8th
end of year they close the school
skip 2 of us in the 5th to 7th
the third, her mom said no
did not want her young daughter
in class with older boys with cars
and condoms
which I later understood

Walked a mile other way to country church
white wood, two rooms
youngsters in front
adults in back
preacher weekday carpenter
his family a good chunk of the congregation
one day in front room
sitting behind my 14-year-old girlfriend
who's teaching the kids parables
I run my 13-year-old hand
up her leg
under her skirt
into her panties
to a bit of wetness beyond
where I pause in silence
as she continues her sermon



 3FingerMoon



MAGIC BEANS

How do genes know how to dream
the unsown seed?

How to lead unknown need
to shaft and shape and shade
make this red
abrade that black
fade from bone to shale?

And just how did Jonah circumvent
the belly of the whale?



 Venn Sutra
 


KINDERGARTEN

You say "that's just a fairy tale,
life's not like that"
but I don't think you're reading right,
because they're regular PhDs of life design;
they'll teach you to tell the troll
"don't eat me, eat my brother, he's bigger,"
that poor fathers sell young daughters
to beasts for sleepovers,
if you're hungry there's always
a granny in the woodpile
with little red riding dessert soon after,
or tired weary human and lame
a little bear burglary's okay,
and mutilating mice is fine,
but remember a frog asking for a kiss
is worth more as a freak than a Prince,
and what exactly is Ms. White doing
with Sneaky Sleazy and the seven's semen?
so yeah, soap operas and fairy tales,
fairy tales and soap operas,
just the thing to set kids right
let them know knives are for backs
stuff is for steal
and truth is to lie for
24/7
nothing down
except the duck, the goose, the gander



 Wearyman



CLOSED

Lonely OPEN sign blinking
in warm unwelcome
long past closing time
in deserted dark
even the flies asleep
as spiders walk their empty webs
in search of jerk and quiver



 Pond Pastiche



SOUND & WATER

water is sneaky. also patient, and insidious.
it'll beat against you for thousands of years
in big waves
until it smooths you down
or breaks you apart.
      
or it'll lie still in quiet pools,
and insidiously work
on the weakest
point

leaking

and

dripping

and moving.

and then when water does slowly sneak
inside, and lies in wait,
it can FREEZE and EXPAND with

TREMENDOUS FORCE and BREAK

(so water is sneaky,
insidious
and
patient.)

while SOUND is slippery
(and sneaky)

SOUND slip slides off every flat surface

SOUND double or triple slip slides..

skips from here
to there

(so you think what came from there
came from here.)

SOUND plays tag with yr ears
and lies
a lot.

plus, in destructive force, SOUND
(shatters)

whereas
water

wears away

    —with Lady K.



 Rhyme



BIG BAM

Whatcha gonna do when your oughts run round?
Whatcha gonna do when your thoughts dip down?
Whatcha gonna do when your heart ticks tight?
Whatcha gonna do when it's not all right?

It's not the fall but the getting up.
It's not the fail but the making up.
It's not the fault of the other folk
If you’re the butt of some cosmic joke

Ring around the rosie, pocket full of money
Running rusty time has gotten all sort of musty
Government not trusty, all our air gone dusty
If we don't break through we're gonna all fall down

Forget the outer, it's the inner view.
Regret's your master unless you renew.
They say yesterday gone ‘round the bend
But tomorrow chance to make amend.

It's here and now, this not that
No matter what jump-started this act.
Work in to out till sparkle clean
Then start fixing this social machine.

Run around the rotten, good time forgotten
Government still plottin’ bad air for our coffin
Stealing from our pockets much much too often
It ain’t so swell at the bottom of this well

Mary had a little lamb
Turned into a piece of ham
Doesn’t matter what I am
It's all because of Big Bang bam
All because of Big Bang bam
Thank you Mister Man


(to hear with music by Peter Ball, word & voice by Smith, go to
www.reverbnation.com/mutantsmith/song/13424853-big-bam)




Mainline



Today’s LittleNip:

ENDURANT
—Smith

The carpet stairs are worn
and old in ways unknown
some creak, some groan
yet up or down
they hold their own

___________________

—Medusa, with thanks to Smith (Steven B. Smith) for today’s Fine Friday Fare!




 Celebrate poetry, and don’t forget that 
The Other Voice will feature Vincent Kobelt and 
Charles Halsted (plus open mic) in Davis tonight at
the Unitarian Universalist Church library, 7:30pm. 
Scroll down to the blue column (under the green 
column at the right) for info about this and other 
upcoming poetry events in our area—and note that 
more may be added at the last minute.









Photos in this column can be enlarged by clicking on them once,
then click on the X in the top right corner to come back
to Medusa.

Thursday, July 20, 2017

On the Edge of Calendar

Upstart
—Poems and Photos by Taylor Graham, Placerville, CA



BROWSING MY iPAD PHOTOS

Our #2 Barred-Rock hen pretends to be
chicken-warrior rushing the castle, daring
the Queen-clucker in her upper keep—
the favored nest. Premier egg-layer
of the barnyard, #1 hen midlife
without a rooster, no offspring; and here
comes upstart #2 hen in tributary
position, unable to deliver her morning’s
tribute because Queen-hen sits
on the favored nest. Hen #2 is stuck.
Among six boxes, six hens vying for box #1.



 Sunflowers



STUCK-EGG SESTINA

Come out and listen to the chickens,
he says. She has better things to do
but he won’t give her any peace
so she goes out and hears the cackling
which really doesn’t sound strange
just normal chatter laying-of-an-egg.

And it’s high time! even one egg
makes her think better of chickens
who consider laying to be strange—
beneath their dignity. They don’t do
much of anything except cackling
loud enough to disturb the peace.

Everyone moves out here for peace
and quiet, feathering a nest-egg,
and sitting on back porches cackling
like so many non-laying chickens
with nothing more in the world to do
but get old and cranky and strange.

But she’s fascinated by the strange
and contradictory, and this peace-
ful life with just the same-ol’ to do
bores her like a sestina, a boiled egg,
a rooster-less bunch of chickens.
He wants her to listen to cackling

like it was a symphony? Cackling
is only hen-conversation—strange
if it didn’t issue from the chickens.
A big event? Oh, leave her in peace.
Too much hoopla like an egg
stuck mid-laying. A great to-do.

She tells him what she’s going to do:
turn the TV on—so much cackling
about things like how to drop an egg
three stories without breaking: strange!
She’d rather hear paeons of peace
in the barnyard among the chickens.

And yes, very strange was the to-do
among the chickens, all that cackling.
But look, they’ve laid two eggs apiece!



 Treasure



RAIDERS OF THE LOST COLONY
    from the poetry workshop

First the enigma dragonfly, white wings edged in black. Someone told of reading Ulysses backwards; hearing Homer in the original tiding lines of ancient Greek. Sun anchored overhead. There were eclipse-dark sunflowers. In the farmhouse kitchen, map of the world in Japanese. Out back, someone left a stuffed Viking teddybear face down/bottom up stuck among three great wooden pylons wound with nautical rope so far from water. The cellar door swallowed us out of summer, rhyolite walls coded by quarrying.

we knelt like raiders
of the dark on rough stone floor
seeking the next clue



 Cellar Wall



GHOSTED GLASS
    a mirrored refrain

Here to the family home you’ve come
with your camera as to a tourist place.
Here, among the memories, a shade
or is it your reflection, mirrored face?

Ancestors lived here and are gone.
Framed under glass, portraits arrayed—
or is it your reflection, mirrored face
here among the memories? a shade

of sepia locks, camera-stuck stare,
a certain set of mouth, just a trace
here among the memories, a shade—
or is it your reflection? Mirrored face

thrown back at you by picture glass
or optic tricks the camera played.
Or is it your reflection, mirrored face
here among the memories? A shade.



 By Flashlight



WILD CHILL OF DREAM

Neither charm nor healing, the nightmare
that woke you this morning. It was decreed,
on a certain day very soon, the world will end.
And you’re delegated to push the Kill button.
It’s been on your calendar—for days, or
months or years. You’ve heard the TV news,
every now and then people selling
their possessions, casting off ballast, ready
to be lifted to the next world. And then
it’s postponed. According to the dream which
you’re still stuck in, you’ve got it penciled
in for Friday. But—just half awake—you’re
torn between duty and a wild desire
for life as you’ve known it—silk-soft
hair behind your dog’s ear that needs rubbing; 
the call of a crow, a living murder of crows.
This life on the edge of calendar. 



 Queen Anne's Lace



THE NEIGHBOR’S TALE

What can you do? No warning beforehand
of that storm. A week stuck without power or
phone. Snow so deep and heavy, even with my
plow, the pickup couldn’t get out, slid right
into the ditch. No sound of traffic on the main
road, I figured the whole whereabouts was
stuck. Lost its destinations. Coyotes roamed,
conversed in howl. Snow. Time without sound,
without keeping track of. Until the last morning,
the far-out neighbor on the canyon side, Ben—
you never met him—stomped snowy boots
up our back step, wondered if we had food.
Wife broke the last of our eggs in the frying pan,
threw in some veggies provided by the dead
freezer, cooked up a breakfast concoction
for the three of us. That afternoon I managed
to bust out with the truck, took him along to get
his own provisions. Was Ben beholden?
Within a year I brokered a deal, bought his five
wild acres. Never saw him again. Never
again ran out of food for a storm.



 Field in July
 


Today’s LittleNip:

HORSE ISLAND
—Taylor Graham

Land of lava fire-red long after it settled
and cooled. Ages ago. Our odyssey ended here,
where river cuts through those ancient
hardened flows, and then another eruption
covers the river. Never-ending, and who knows
where we are in the cycle. How do we subsist?
By poetry that changes unicorns to living horses
who need grass. So we compose as we must,
with whatever words can grow here. We
and the horses sharing a soul. It’s all we have.

____________________

—Medusa, with thanks to Taylor Graham for her fine poems and photos today! How do we subsist? “By poetry that changes unicorns to living horses who need grass. . .”

For more about the sestina, go to www.shadowpoetry.com/resources/wip/sestina.html/.
For more about the mirrored refrain, see www.shadowpoetry.com/resources/wip/mirroredrefrain.html/.



 Celebrate poetry! 
(Anonymous Artwork)
Noon-time Third Thursdays at the Central Library 
is still on hiatus, but tonight you have a choice of
two area readings: Angela James and CharRon Smith 
(plus open mic) at Luna’s Cafe in Sacramento, 8pm; 
or Indigo Moor (plus open mic) at John Natsoulas Gallery 
in Davis, also 8pm. 
Scroll down to the blue column (under the green column 
at the right) for info about these and other upcoming 
poetry events in our area—and note that more 
may be added at the last minute.









Photos in this column can be enlarged by clicking on them once,
then click on the X in the top right corner to come back
to Medusa.

Wednesday, July 19, 2017

The Language of Roses, The Fragrance of Apples

—Anonymous Photo
—Poems by Claire J. Baker, Pinole, CA



LOUDSPEAKER ANNOUNCEMENT
AT FAIRYLAND

"Attention, last call for the puppet show!"
I want to shout:

People everywhere, untangle
your strings, shake loose
your legs and arms,
where's your Pinocchio grin?
your button eyes?
those Rumpelstiltskin cheeks?
those Peter Panning feats?

Hey, brush off
your bright green suits,
polish your patent-leather boots.
Someone's waiting
to pull your strings.
Be limp, be ready,
the stage is only a few feet away.
And you will be almost floating
through the whole performance.


(first printed in In A Nutshell)






APPLE ORCHARD FANTASY

Apple ambrosia circles our planet's
blue circumference, reaches
grains of sand, constellations,
moon curves, our hands.
Storms shaking the trees stir
fiber and root, quicken the nectar.

We water the orchard, climb
mystical ladders, prune branches.
Leaves crown our heads, fresh fruits
nudge our cheeks. Our hands glisten
with juice. Even as we sleep, we inhale
the fragrance of apples.






SOJOURNERS

Seekers of the exotic,
riders of water or wind,
shapers of jewels and images,
builders of bridges
and breakthroughs,
explorers of the psyche,
embryos this moment conceived,

whatever we are now,
tomorrow, in a hundred years
or on the last turn of earth—
whatever comes
under moonlight's incantations
let us lean toward
the language of roses.


(first printed on sfpeaceandhope website)




 

 
A ROSEBUD

Lucia, all your life
you favored liquids far
more potent than water.
Today with love I place
in heaven's bourbon glass
a rosebud...Sip lightly,
the petals are loosened.






HOW TO PRAY

I don't know how to pray
but a few of my poems
fall humble on their knees

Or, without a camera
my eyes photograph ripples
on a San Rafael inlet
like an hour yesterday

And this: a dog greets me
outside a café
likewise I greet the dog
both wag tails, both smile
If that isn't prayer, tell me.



 "Peace" Rose



DEAR DINORAH

Though bent over medical books
pressing for a test,
try not to miss tonight's
harvest moon climbing west
toward your window.
Take a break, leave
physiology pages, breathe
deeply like the lungs of night.

Consider the anatomy of wonder,
arteries of outer space,
capillaries of care,
tendons of tenderness,
primal DNA, the pulsating
blood of expectation.
May crowded stars ring all
at once, like childhood bells.




_____________________


Today’s LittleNip:

MAKING A MEAL
OF THE FULL MOON
—Claire J. Baker

Hunger nibbles
from the core
to outer curves
in lambent light, ah,
takes all night.

One is duly nourished
by doing nothing else
and nothing more.

____________________

—Medusa, with thanks to Pinole Poet Claire J. Baker for today’s fragrant rose-and-apple poetry and for those seductive moonlight incantations!



 Celebrate Poetry!












Photos in this column can be enlarged by clicking on them once,
then click on the X in the top right corner to come back
to Medusa.

Tuesday, July 18, 2017

Stone Songs

Stuck
—Poems and Photos by Joyce Odam, Sacramento, CA
 


ANAPHORITIC
After Internet Word of the Day:
Hemidemisemiquaver (in music, a 64th note)


Today is a day for silly-isms—
like peas in a pod—and nitty-schisms,

any plipplop—or slipslop—
        to rhyme with each other,
like ‘mother and ‘nother—
        like ‘fahther and ‘dotter,

with eyes in a glaze
       let’s praise all the ‘says’  
               that get stuck on a thought

—replaced by a gibbering tongue in a knot—
       of foolish and silly, to fill space un-til-ly
the mind finds its reason and says it forgot.

__________________

KNITTING
From “Knitting Café”, Facebook

Grouped in variegated dresses from
head to foot, the women
of the Busy Bee Knitting Club

are showing off their art—
even to their knitting needles
stuck into knitted head-coverings

with knitted braids—clear down
to the knitted fringe that covers
the tops of their shoes—their eyes

all a-twinkle through outsized
eye-glasses, and baubles on knitted
chains that dangle from each neck.

“Knitting   keeps   our   hands   busy,”
they giggle when
the photographer says “Cheese.”



 Sunlit Edges



HAPPY

The way everything changes color
when you look at it again, like shades
of turning light on the second day of spring,

like old moods gone crazy, becoming
new moods : a boy holds a colored scarf
in his mind, it flickers orange, then blue.

His small dog dances on hind legs;
rain patters around them
and bounces off his green umbrella.

Under his feet a small lake forms;
his shiny yellow boots
stand upside-down in the water

and he is happy.  A mauve shadow
passes over and becomes a menace.
The boy is stuck in his puddle

and the small dog is barking.
The boy holds a purple world over his head
and looks for an opening in it.

His face is turned away to his new divining.
Somehow the day contains all this on a
single page; it flutters loose

then turns into a small paper boat that drifts away…
like the wish… like the dream… 
like the play come true in the small boy’s mind.



 Asking



I CAME TO LOVE

It was your easy voice with the smooth edge, not
ragged like mine; mine was torn like a sheet of
paper. What was torn away was important, but
became lost—what I never found again, like the
right words. How could I trust you, you were per-
fect, like a mirror. Still, I could not give you my
eyes—too adoring—too shy, like a first crush.
The effect you had on me was numbing, like my
futile admiration. In bringing myself to you—a
torrent of hard rain driving me to your door—I
spilled what I carried, dropped my chances like
fine china in clumsy hands. Where would you
put me in the sanctuary of your house—stuck with
me—your apologetic guest—some great storm out-
side my heart, roads washed away, bridges down?
And the storm never let up. How I compared myself
to you—postured and mocked myself into a carica-
ture for your recognition. And you came to love me,
and I came to deserve you . . . you tell me . . .you
tell me.
 


 The Hidden Blue
 


TAKE MY WORDS

for what they are—they are words.
I never meant to say them,
but the brokenness was there
and the heart replied—spilling like blood.

I emptied. You recoiled.
Turned white as my mirror.
I died then, in a rage so beautiful
I took it as a life lesson.

When silence does not work—when
patience does not work—when lies
and truth are stuck together like an
explanation—words tangle together

so beautifully they do their terrible
work despite all repercussion—
silence as aftermath—purified and calm,
the rage-heart beating again.



 Ever So Blue
 


STONE SONG

How can I sing now, with my voice all broken,
stuck in my throat like a stone—my poor throat,
closed against song—damned against music.

All my life, I have sung and loved my singing.
Then one year (or many) a great sadness
came along—sat in the way of my song—

sat there—silently brooding—sat there,
year after year, then finally went away,
but took my singing.

_________________

GRIEF

Come help my heart lift its burden.
How heavy I have become,

now that I am cry, unuttered,
now that I both feel and cannot feel,

now that I am wordless, emotion only,
stuck in my own throat,

now that I am deaf and blind
and dumb in this unfamiliar grope,

now that I am stone—
pluck out my heart.



 Last Night's Flower
 


AT THE ALTAR OF DISSATISFACTION  
After Joanne Peltz, Altar of the Son (watercolor)

Everything melts here, even the colors of love diluted
by betrayal—all the wants and losings—this
is an altar to relinquishment.

Illusions smear in mirrors. Sacrificial birds that could
fly are mired in the confusion. Terror beats its wings
against the tangled light.

Even reverential joys succumb to a safe melancholy.
Some come with prayers and leave their words
to blend and lose their meanings.

Even beauty must be left in revelatory mirrors to die.
And even you who come to lay your broken heart
on the marble ledge and watch it tremble

must honor your despair. Why should I watch this
any longer. I have nothing more to leave. It is
all surrendered. It is all there.



 Nectar



THE RELUCTANCE
After King Arthur statue by Rubin Eynon,
Tintagel Cliffs, Cornwall, England


Hollow as air.  Illusion?
Heat shimmers through.
Specter of something once
a man. Sea at a distance—
sky flat blue. Warrior sword
stuck in the sand. Cowl-hood
pulled low. No face. No body.
Silence caught at the place of
no heart. His long cape time-
shredded to a rag.  His hands
at rest on the head of the sword,
holding his balance from a sag.
A grain of memory slipping
through—his or mine—what
does he wait for—if not some
other time?  It should be mid-
night. The day is blue. He is not
diminishing from unearthly form.
Nothing of death is tended to.
I am not moving from the scene.
I am still waiting for a clue.
I am still wondering what to do.

_____________________

Today’s LittleNip:

SPAT
—Joyce Odam

She goes as far as she dares—then retreats.

She knows when to strike and when to pull away—those
marvelous curses, under her breath. (He, deaf.) The childish
faces—her tongue stuck out. The tense posture. The deep
scowling. Her hands in fists.

She’ll make him pay for this, whatever it is.

_____________________

Many thanks to Joyce Odam for today’s take on “Stuck”, our Seed of the Week. Our new SOW is “At the Fair”—big fairs, small fairs—plenty of sights/sounds/memories there, yes? Send your poems, photos and artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from.

And my apologies to Carl Schwartz (“Caschwa”) for mislabeling his unicorn photo yesterday, saying Ann Privateer took it when really it was Carl.

—Medusa



Celebrate Poetry!
King Arthur's Statue, Tintagel Cliffs, Cornwall, England
For more about the statue that inspired Joyce's poem, go to 









Photos in this column can be enlarged by clicking on them once,
then click on the X in the top right corner to come back
to Medusa.

Monday, July 17, 2017

Becoming Unstuck

Moth
—Photo by Ann Privateer, Davis, CA



A FLYING POEM
—Ann Privateer, Davis, CA

Bracing, launching, taking off
higher and higher we go
nearing curling clouds, casting
us into the sky's blue hood.

The slick wing mirrors clouds
snow sprinkled ridges below
ribbon the vacant ground.
My mind streaks pink blushes

making our way across miles
travelers joined by experience
hearts laugh, and cry, and sing
give up resisting and fly.

Cloud blankets layer the sky
white, and gray, and charcoal
while the sleeping green giant
adjusts its earthbound position.



 —Photo by Ann Privateer



INVOCATION
—Sue Daly, Sacramento, Ca

If you asked me to
I’d bring you ten dandelion days
roll up the sirens’ song
for your bedtime lullaby

If you asked me to
I’d spin silver into straw
weave baskets of joy
to lay soft at your feet

If you asked me to
I’d pocket the stars
give you each one
for a kiss and a caress

If you asked me to
I’d tell yesterday morning to
answer your prayers
naming them one by one



 —Photo by Ann Privateer



what you give back. 

the world opens to you
and gives all of its beauty,
and you repay the world
with your own death,
giving your body
back to the world, to feed
the earth itself.
in this way, every thought,
every breath is beautiful,
and so even death
becomes beautiful, too.

—james lee jobe

__________________

love is not worship, son, and neither is life. 

love is not worship, my son,
and often it is just letting go.
remember, the sun sets at night;
it doesn't die a flaming death.
and it rises in the morning;
it isn't born anew, emerging
from between the bloody thighs of the earth.
every morning we welcome the light
and every night we let it go.
love is not worship, son, and neither is life.
welcome and farewell,
welcome and farewell,
welcome and farewell.

—james lee jobe

___________________

the conversation. 

how long should a life be?
you don't measure the length of a life,
you measure its depth.

and what happens after?
what is next doesn't matter,
it is your choices now that matter.

and how do I know what is right?
when you don't know, it isn't right.

why doesn't the universe speak to me?
friend, the universe seldom shuts up.

—james lee jobe



The War of the Worlds, 1898



THE THIRD TIME’S THE CHARM (Pt. One)
—Michael Ceraolo, S. Euclid, OH

The Earthling author Herbert George Wells
(best known by the moniker H.G. Wells)
was someone who lived a very long life
by the standards of when & where he was born
(England in the second half of what some
called nineteenth-century, common era),
and while still a relatively young man
published a book called The War of the Worlds
purporting to show our invasion of Earth

The book was what Terrans called a novel,
a form of writing whereby the writer
used his or her imagination to
create a story that may or may not
be based in some way on real people,
that may or may not be based in some way
on actual incidents or events,
but claimed to use said imagination
to give a true view of human nature
(some books were truer than people new)

Due to the limited reach of the book,
Wells' story was unheeded prophecy,
unheeded at least by fellow Earthlings
It showed new weapons of mass destruction
and the extreme brutality of war,
and in the next century wars would kill
many hundreds of millions of people,
most though by no means all of them soldiers

As might be expected from a Terran,
Wells' book had us winning initially,
winning almost to complete victory
Our susceptibility to Earth germs
proved to be our undoing in the end;
whether exposed intentionally or
by accident, we never knew for sure

We would make a study of Earth microbes
so as not to let that happen next time.



 Unicorn Stuck With Tree For Tail
—Photo by Caschwa



SPNAJOK
(Spoiler alert:  read it like a license plate)
—Caschwa, Sacramento, CA


We are all lost in the nether world
Of the utterly profane, hence
The front page news is all nonsense

Here the Earth is shaking, polar ice caps melting
Our mighty nation’s most precious icing on the cake
Is dripping into rubble like news caught being fake

Stuck right smack dab in the middle
Of pious lust and righteous greed
The Bill of Rights no longer gives us everything we need

Not to worry, a superhero
Has now arrived to rescue us
Don, Jr.!!  No cape, no brains, no problem, no fuss

If it seems to you that this poem fails
It makes no point and the words don’t flow
By Jove, you’ve got it!  And now you know.



 —Anonymous

_________________________


Today’s LittleNip:

ANOTHER WIZARD STUCK IN THE TREE POEM
—Kevin Jones, Elk Grove, Ca

Merlin called.
Said he'd fallen
In love. Again.
With the wrong
Woman. Again.
Said she trapped
Him in a tree,
Laughed and left.
Said he was stuck.
Said, "oh ...darn,"
I think.

______________________

Our thanks to today’s contributors for a fine Monday brunch, and a note that James Lee Jobe will be hosting The Other Voice in Davis on Friday, featuring Charles Halsted and Vincent Kobelt plus open mic at the Universalist Unitarian Church, 7:30pm. Also note that Sue Daly, facilitator of the Wellspring Women’s Center workshop, has a new chapbook out,
A Voice at Last, which includes the poem posted here today.

Poetry readings in our area begin today with Poetry on Main Street in Placerville at The Wine Smith on Main Street, 5-6:30pm, an open mic for poets and musicians. At 7pm tonight, Sac. Poetry Center presents Hot Poetry in the Park, with Under-30 Contest Winners Stuart Canton and Esti Shapiro reading on the theme of Protest Poetry, plus open mic.

Third Thursday at the Central Library is on hiatus until September, but Poetry Unplugged at Luna’s Cafe in Sacramento will still take place Thursday at 8pm, with featured readers CharRon E Smith and Angela James plus open mic. Friday, The Other Voice in Davis will present Charles Halsted and Vincent Kobelt plus open mic as mentioned above. Then Saturday is Poetic License in Placerville at the Placerville Sr. Center, 2-4pm. Scroll down to the blue column (under the green column at the right) for info about these and other upcoming poetry events in our area—and note that more may be added at the last minute.

—Medusa



 —Anonymous Creepy Photograph
Celebrate poetry!













Photos in this column can be enlarged by clicking on them once,
then click on the X in the top right corner to come back
to Medusa.

Sunday, July 16, 2017

Such Pretty Words...

The Spider
—Illustrations of Mary Howitt’s Poem by Tony DiTerlizzi (2002)



THE SPIDER AND THE FLY: A FABLE (1829)
—Mary Howitt (1799-1888)


“Will you walk into my parlor?” said the spider to the fly;
“
’Tis the prettiest little parlor that ever you did spy.

The way into my parlor is up a winding stair,

And I have many pretty things to show when you are there.”

“O no, no,” said the little fly, “to ask me is in vain,

For who goes up your winding stair can ne’er come down again.”

“I’m sure you must be weary, dear, with soaring up so high;

Will you rest upon my little bed?” said the spider to the fly.

“There are pretty curtains drawn around, the sheets are fine and thin,

And if you like to rest awhile, I’ll snugly tuck you in.”

“O no, no,” said the little fly, “for I’ve often heard it said,

They never, never wake again, who sleep upon your bed.”

Said the cunning spider to the fly, “Dear friend, what shall I do,

To prove the warm affection I’ve always felt for you?
I have within my pantry good store of all that’s nice;

I’m sure you’re very welcome; will you please to take a slice?”

“O no, no,” said the little fly, “kind sir, that cannot be;

I’ve heard what’s in your pantry, and I do not wish to see.”

“Sweet creature!” said the spider, “You’re witty and you’re wise!

How handsome are your gauzy wings, how brilliant are your eyes!

I have a little looking-glass upon my parlor shelf,

If you’ll step in one moment, dear, you shall behold yourself.”

“I thank you, gentle sir,” she said, “for what you’re pleased to say,

And bidding you good-morning now, I’ll call another day.”

The spider turned him ‘round about, and went into his den,

For well he knew the silly fly would soon be back again:

So he wove a subtle web, in a little corner sly,

And set his table ready to dine upon the fly.

Then he came out to his door again, and merrily did sing

“Come hither, hither, pretty fly, with the pearl and silver wing:

Your robes are green and purple; there’s a crest upon your head;

Your eyes are like the diamond bright, but mine are dull as lead.”

Alas, alas! how very soon this silly little fly,

Hearing his wily flattering words, came slowly flitting by.

With buzzing wings she hung aloft, then near and nearer drew

Thinking only of her brilliant eyes, and green and purple hue;

Thinking only of her crested head — poor foolish thing! At last,

Up jumped the cunning spider, and fiercely held her fast.

He dragged her up his winding stair, into his dismal den,

Within his little parlor; but she ne’er came out again!

And now, dear little children, who may this story read,

To idle, silly, flattering words, I pray you ne’er give heed;

Unto an evil counselor close heart, and ear, and eye,

And take a lesson from this tale of the Spider and the Fly.

___________________

Our thanks to Carl Schwartz (“Caschwa”) for reminding us of this poem about being “Stuck”, our Seed of the Week. Carl writes: "This old poem is relevant not only to our SOW, but to the very national predicament in which we find ourselves." To hear the poem read aloud, go to www.youtube.com/watch?v=XOjXlIqoCyo/. For more about 19th-century woman poet Mary Howitt, see www.bartleby.com/293/45.html/. For more about Tony DiTerlizzi's book of the poem, go to www.amazon.com/Spider-Fly-Tony-DiTerlizzi/dp/0743478177/. 

Then read the last stanza of this poem again. Twice.

—Medusa



 Stuck
Celebrate Poetry!—And don’t forget that today you have 
a choice of two area readings, one in Sacramento at  
Avid Reader on Broadway, 2pm, featuring 
readers from the Women’s Wisdom Anthology; and also  
Poetry in Placerville at Love Birds Coffee and Tea on 
Broadway, 1pm, featuring Tom Goff and Jeanine Stevens 
plus open mic. Scroll down to the blue column 
(under the green column at the right) for info 
about these and other upcoming poetry events in our area—
and note that more may be added at the last minute.








Photos in this column can be enlarged by clicking on them once,
then click on the X in the top right corner to come back
to Medusa.