Saturday, April 20, 2013

Like a Lost Prince

Retreating Storm


BRINGING THE DOGS

The air is filled with dust
And still these angels will not abandon
Us.  They dress us in jeweled and embroidered
Coronets and speak to us as you have
Heard them speak when gathered
At the mirror pools, unwinding
The wind from our hair and opening
Us up so that we may know
The beat of the labyrinth that courses
Round these battlegrounds.  We might
See Hector.  We might see
The great fleets loading course after course
Of soldiers into the oil lamps
We can hardly recognize as the
Exact same clothing dreams
Wear when they feel they will win.

When they can see us slipping, slipping,
As if everything were glass; all the mirrors
Our bodies dissolving into them
Even as we speak,  Do you care? 
Do you care?
we ask one another.

From across the fields the men are bringing
Their dogs.  We search for items
That might mean endearment
But it is much too late, my darlings.

The sky cracks open.  An eye that
Has known murder gazes down at
Us.  We forget we even know
How to speak.  The bones of our
Bodies are numbered.  Trumpets
Begin to make melodies about
The breath; how it ranges,
Where it finally might be going.

_______________________

THE LITTLE STAR OF CHINA

The one with the broken mouth.
The one who used to put her hands
In the water, lift them  back to her mouth,
Speak into it and put it back in the stream.

She was the one.  We saw her many times.
Once she was a hill just outside of a small town.
Once she was a squabble of birds in a tree.
It was summer.  It was almost dark, but it was her.

Those bay-colored horses with the darker spots
On their sides and their perfect eyes.
We saw them standing in the moonlight.
There was barely a breeze.  We were waiting.
It was her, no doubt.  She was the one.

It was her too that time we were driving
Through the jungle at night, trying to get
Matt to a hospital.  He had mangled his leg
While cutting wood.  It was a bad cut.
We passed about a half-mile-wide fire
That ran almost to the edge of the road.
We knew it was her.  Ramon said, “It’s her.”

Once there was a ship leaving the harbor,
Easing through the morning mist.  The trees
On the far side of the river, all pink and wonder.
It groaned and creaked and moved into the river.
She was called The Little Star of China.



Back-flow Preventer


THAT DOG

They had slipped past each other in their relationship so that what one of them said to the other never made much sense if it addressed anything beside food or what to watch on the tube.  The bed didn’t get made some days but only because one of them was sleeping in it.

That dog knew this wasn’t right and asked for walks more often than ever, just to get one or the other of them outside where the world was very much different and there was something to be noticed, perhaps explored.  He hoped things would improve.  But this didn’t work very well either.

Finally that dog decided to leave the house.  He loved the house.  He loved both of them, but perhaps if he were gone, they could find their way back to each other.  So he left.  Didn’t tell anyone anything at all.  Went out to the backyard one evening and never came in.

He wound up in Montana eventually.  He found a job on a cattle ranch and spent three very nice years there working cattle and getting excited when anyone came to visit, which was not very often.  It was good work for a dog but it wasn’t his people and he thought about them constantly; were they together? were there still evenings in the parlor, the street sounds, their low conversations?

One day the rancher came out to the big barn, where he stayed and told him that he had finally found his owners and that one of them was coming to collect him within a week.  He was surprised.  He didn’t think anyone was looking for him.

When the lady got there he did not recognize her at all.  This wasn’t his person.  He pretended to know her and she seemed to believe that he was her dog and he left with her and they drove all the way back to near the city he was from.  It was a small town with a short name.  She had children, teenagers, and a husband and they all were very happy to see that dog.  It was pleasant enough to live there.  Still, he kept thinking about his people and after about eighteen months he decided to go back to his house and see about his people.  So, once again he left.

It only took about two weeks to get there.  They lived in the city and he recognized the streets and the people who lived near the house.

When he found the house, he went up to the low front windows and looked in. There was a sweet-looking Mexican lady cleaning the kitchen.  He didn’t recognize any of the furniture but it still smelled like his house.  He walked around the neighborhood for a few hours and then came back.  The Mexican lady had left but there was still no one home.  The house lights came on automatically as it grew dark.  That was right.  The sky was more lovely than he remembered it.  He found his place on the front stair and fell asleep.  He had a dream.  It was the first time he had ever had a dream. When he woke up he knew he was not going anywhere again and that they would just have to deal with him, even after all this time.  He circled three times and lay back down to await the streetlights. He loved the streetlights.

__________________________

THE CHAIR THAT WOULD NOT BE STILL

Look what comes in here.
Who do these ships belong to?
Who do these things belong to?
They seem secret, as if a hidden
Garden or a temple.  There is no
Stopping them from finding a way in.

They look like your friends.  You are
Credulous, like a lost prince
In a children’s fairy tale,
Sliding on the vast slopes of
Night.  All has golden shadows.

Watch how things become vague
As soon as one grows used to them.
Holding a book, one can see when
It ends.  The pages simply stop.

But here the chairs move, back
And forth and through the mirror, so one

Cannot taste the grapes or read
The miscellaneous books which
Hold the iron of secrets,
Which hold the dresses of the man.

These chairs continue their fevered rounds.
They weight upon the heart like
Dynasties that have ruled so long
Few can remember when they were
Not bound by flesh to a sameness
That consumes the body, quells
The whispers of the seeker,
Slips eternity into these chairs.

The labyrinth opens once again
And there is no sleep.  Insomnia
Of the spirit, lured into a dream
As into water, dissolving the soul
With voices of promises.

We shall not stop for one thousand
Seasons.  We are the captives of
These moving chairs, our bodies still
And stinking of eternity.  Our eyes
Begging for a dignity that will
Help perfect all of the lines
Spoken, the pictures of ancient crafts,
The constant shifting of the night and light.
 


Red Sky



RESPONSIBILITY

She spoke with the elegance of brocade
And bobbin lace, pale pink modifiers
And beautiful curving adjectives, a Spring
Rain across a flower garden.  This is a pure thing.
Perfect as anything.
A few stars remain checking things out,
Almost drifting by, but attentive to the
Tides, the regular spinning of the planets,
The pulse of all living things.
                            O
She had come down the years
To see her children, how they
Had grown, what their names
Were now, what they had done
To the place.  What about those stars?
                            O           
We had an entire panel of lights and switches
Before us, all lit up like a Christmas tree.
Ramon had found the room deep
Inside the center.  The whole board
Was functioning but it was impossible
To read the language written on the gear.
‘This is a big deal,’ Ramon said.
‘This device is omniscient like the dogs,
The rabbits, the cats, the tiny mouse,
The birds across this entire valley.’
‘But we do not know how to use this,’
I insisted.
‘True,’ he said, ‘Very true.  But let us try.’
                            O
Sometimes we come down the corridors
To find ourselves looking out from the windows.
The whole place is made of looking
From these high windows and this
Asks everything of us.  It is a tremendous
Responsibility for each of us.
We must live our lives this way.
                            O
Tonight I will stand on the end of
The pier on the lake and regard the moon
Just as so many of us have already done.

______________________

A MEAL

They were waiting by the table.
The lights had just come on,
Tearing little holes in the night
Around the park.  One could see other
Light, shifting slightly below the tree
Tops.  We didn’t know what was
Making them.  Too large for fireflies.

Ramon said they were souls.  That
They came here when gatherings
At the table were held.

They made very unusual patterns.
Their lights were beautiful; soft
Changes approaching color but never
Committing  to it.  Occasionally they made
Patterns that might have been recognizable
As other creatures, bats, dragonflies,
Hummingbirds, even attempts at words
In some archaic language.
I could read these patterns but
It seemed no one else could do so.

When the meal began, so did a very
Unique music.  It came from within
Our bodies and brought inaudible
Serenity to everyone, exquisite melodies
That became tied to our breathing.

These meals went late into the night.
The conversation was far-reaching.
It was full of dreaming that moved
Through and around us.  We became
Unable to know if we were dreaming
Or not.  We did not question anything.
We held to our bodies as if we were
Attached to them by the finest
Of threads.  We could watch them dance
Before us.  They became our own literature.

We could see the stars beginning
To address us in the way that only
Stars are able to do.  We could
Only remember we would meet again
Like this and it would be even
More than our imaginations could manage.

______________________

Today's LittleNip:

Is there anything holy on earth,
Or anything that is not?

—Jorge Luis Borges

_____________________

—Medusa, with thanks to D.R. Wagner for today's poems, pix, and quote from Jorge Luis Borges




Wisteria






Friday, April 19, 2013

Life & Poetry

—Photo by Richard Hansen


SO EASY
—Richard Hansen, Sacramento

Where she’zat? I have no idea
but here I stand at
this intimate little gathering
munching on a snack glass in hand as
the conversation progresses
to something relating to them
Yeah.
It’s happening.
Their small groups
congealed
with ease
engaging in repartee that’s
     happy and pleasing
Comfort and Balance:
     the social foundation
exclusively contagious
with the strength of equilibrium
So uh
forget them
just turned out that way
No Wait!  Nobody knows my history
things have changed
Stay calm
everything will be OK
whip out the cell phone pretend to be busy
go to the bathroom
make sure I’m combed and tucked in anyway
put the toilet seat down
stand by the counter
smile and glance around
Listen to the banter
get one more snack
and refill my glass
reach way over there for a napkin
and
giggle and laugh at
a humorous statement made in that conversation
Yeah.
I’m sure they heard me
so then maybe
something would be offered
to alleviate the awkwardness
Hey!
I’m a member of the rest of us
Yah know this would’ve bothered me
when I hated myself
Can yah invite me in with a question
      Please!
if you’re a girl
I won’t try to mate or anything
I’ve been known to be quite entertaining
with humorous anecdotes and lines of poetry
but then
I guess that’s that
perhaps later we can chat
for now I’ll
pet the cat then wash my hands again
find-a-towel-on-the-counter-by-the-radio THAT
Dries Everything
Just Fine
Oh man that’s nice
Then sit in a big chair
away from the chatter
in a vacant room where
it fucking doesn’t matter!
the art on the walls I absolutely adore!
it’s not even staring
like it would be if it was a floor
And lookit this place
with such high ceilings
hardwood floors
     there’s no creaking!
it's thick and solid and highly polished
reverberates the sound
of
people talking



 —Photo by Richard Hansen


OUR OWN LITTLE WORLD
—Richard Hansen

Whether tiz fair t’middlin'
or
Excruciatingly wonderful beyond all dreams of what most think is possible
…uhem…
Life and Poetry
are
Judged subjectively
So
When a poet takes his or her work seriously?!?
and
It's not foolhardy because they’re “crazy”
and
It’s not a “dare”
It just happens because they’re convinced they got something worthy
of
Sharing
then:
No One loves a poet’s poem
More than
The poet who wrote it probably
and
The poet who wrote it knows it
and
They don’t get butt hurt
when
Publishers fuck up because
It happens
All
The time



 —Photo by Richard Hansen



AWAY FROM YOU
—Richard Hansen

…then the couch, the bed, the shower
until the hour
drilling for oil
seven days away in Buttonwillow California
My heart was smitten
My mind at bay
messages on the phone said
“Please come home right away”
To the African plain
where the cutest little gazelle
has her head down
grazin’
tail flicks
for no particular reason
   a big powerful lion layin’ in waiting
   Yeah!
I am so close!
I can smell her nose!
hear teeth chewing
tender green shoots
They must taste great!
because
Her eyes are rolled back too!
Spring and Chase!!
It’s already too late!
Run her down!
Ha haaa!!
Smack her to the ground
Her hair is balled up in my fist
Teeth sink into an outstretched neck
I’m buried between her hips
“Should I fuck you or eat you?!!!”

“Hmm, let see…
what do we got here… uh… mm…
golly I dunno yet”



Jimbo, the Buh-Best Dog in the World
—Photo by Richard Hansen


WHAT WOULD I DO?
—Richard Hansen

What would I do without my Boo Boo?
Oh
WHAT WOULD I DO WITHOUT MY buh'buh'buh'buh'buh'buh Booo! Boooo!!!
I'd be sad
way beyond mad
I'd call out "You Hoo!"
"Where are you Boo Boo?"
If I couldn't find him
I'd book the next flight to China
because that's where hoodlumz
always try to hide him
follow spots of slobber
out from the airport
But stop at McDonald's
for a double quarter pounder
in downtown Bay Zhing
get my super secret agent things
then pick up the trial again
of faces with amazement on them!!

_______________________

Today's LittleNip:

AFRAID FOR THE DARK
(for Charlotte)
—Lytton Bell, Sacramento

To be afraid of the dark
you first need to believe
it has more power than you do
How could it?

I myself am afraid for the dark
I see how its edges curl and shrink back
from your disliking as if burned
How it craves to be near you

And see how the darkness is afraid for itself
how it does not wish to be banished or feared
but lays itself over you like a blanket
to tuck you in

I think it must love you as much as I do
and waits till you are sleeping
then presses in close to the warm light
that glows in you no matter where you are

______________________

—Medusa, with thanks to Richard Hansen and Lytton Bell for today's savory Kitchen fare. Lytton will be reading with Poetica Erotica at Luna's Cafe this coming Thursday, April 25, at 8pm. Scroll down to the blue box (below the green box) at the right of this for details.



—Photo by Richard Hansen




Thursday, April 18, 2013

Is That a Poem In Your Pocket...?

Keyboard
—Photo by D.R. Wagner, Elk Grove



THE FIRST ANIMALS
(after the painting by Franz Marc)
—Neil Ellman, Livingston, NJ


in the beginning
before men made handprints
on the walls
before they struck flint for fire
and walked upright without a tail
before tyrannosaurus rex
tyrannized primeval times
before amphibians
crawled to land on fins
growing arms and legs
before the coelacanth
before the trilobite
before bacteria—
blue horses grazed
on primordial grass    
and protostars
raced through the sky
on Pegasus wings
and Centaur winds
even before
the earth was born.

_________________________

WHAT DID THE SPHINX SAY?
(after the collage by Nils Karsten)
—Neil Ellman


It made riddles from sand
the Who or What it is
asked Why and When
of ever it lived

     “Am I a lion? A man?
     The pharaoh’s face
     carved from limestone
     eroded to ambiguous curves??

     Why do I stare
     Into empty space
     with bewildered eyes
     glazed by the wind
     my haunches
     anchored to the past?

     Am I the king of cats
     or slave to kings?”

It sits and wonders
Where, How, What
the name of it
if ever
it had a name.

_____________________

SELF PORTRAIT
(after the painting by Francis Bacon)
—Neil Ellman


Distorted, distended
some disease of the flesh
or mind, I am an else,
another thing less miraculous
less than what I was
if ever I was the face I saw
my veneer
refracted in the molten glass
I see tortured metamorphosis
of taut to dripping flesh 
my inner self becomes
another face—
I wonder if he has a name.




 On the Rooftops
—Photo by D.R. Wagner



THE WITCH'S LABORATORY
(after the watercolor by Camille Rose Garcia)
—Neil Ellman


I, witch
they, the elements of my enchanted life
earth, air, fire and water
the phases of the moon
we, together take revenge
brew beauty and eternity from chemicals
bat-wings, lizard-feet and dragon-claws
pounded in a porcelain bowl
boiling in a cauldron pot
ours, my destiny in fairy tales
yours, bewitched.

______________________

SPIRITS & ESSENCES
(after the painting by Florence
Putterman)
—Neil Ellman


See me
in a darkened room
lifting off the floor
hovering, armless,
no mouth to speak
but eyes to see you
as you sleep
I see inside
your shrouded head
in the creases
of your thoughts
and hidden dreams
you know my name
as well as yours
the spirit
of who you are
my essence
from your womb—

Now you lay you down
to sleep
and pray the Lord
your soul to keep.

_____________________

FOOT WITH INVISIBLE SHOE 2 
(after the sculpture by Hiroshi)
—Neil Ellman

Your shoe is your skin
translucent at first
transparent after it speaks 
revealing the secret what
of who you are
a foot, not quite a foot
but bone and ligament
your soul, sinewy cold
repeating old arguments
of leather and tongue—
you are a foot, the who
of what your are
disguising, avoiding
never able to hide
behind diaphanous words—
you are a foot without a skin
and nothing more.

_____________________

Our thanks to today's contributors for National Poem-in-Your-Pocket Day. Neil Ellman returns to the Kitchen after being featured on Sept. 6, 2012; type his name into the search bar at the upper left of this column for more of his work and a photo of him. 

As you know, today we're all supposed to carry copies of favorite poems in our pockets to hand out to friends and strangers. In these days of the Internet, there is no shortage of material available to download!

I hope you realize that The Book Collector is having a 30% off sale of all poetry during the month of April; I have been remiss in not posting info about this. Debbie, the new proprietor, has made some subtle but helpful changes in the store, and I hope you'll get down there this month to see them and to take advantage of the sale.

And kudos to Steven Colbert for reciting poetry with Caroline Kennedy on his TV show this week. They even talked about Homer!

_____________________

Today's LittleNip:

SPRING IS LIKE A PERHAPS HAND
—e.e. cummings

Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and

changing everything carefully

spring is like perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
and inch of air there)and

without breaking anything.

____________________

—Medusa




Disker
—Photo by D.R. Wagner



Wednesday, April 17, 2013

On Waves of Sky

Vetch
—Photo by Taylor Graham


GUARDIAN
—Taylor Graham, Placerville

Her dog peers from the dark—
gate-post holding a fence upright.
So dark you can't see living space beyond.
Just this gate-guard, each amber eye a pond
of memory: lady's step once light
on dog-walks in the park.

One day she changed—as if a magic wand
shut doors and windows, turned to fright
each siren, distant bark,
the streetlamp's static arc.
Against such horrors of the night
he guards her, guards the memory of their bond.

____________________

FRAGMENTS
—Taylor Graham

The sacred texts warn us.
Nettles, farewells, pain.
Look at this flower.
I hold its thistle in my hand.

A traveler waves from the distance,
then keeps climbing
toward the building with high arches.
A dead horizon.

Always the crystal dome
floats ahead of us, and higher
as if on waves of sky,
as if to magnify the stars.



 —Photo by Taylor Graham




FROGS’ BROKEN KYRIELLE
—Taylor Graham

I walk my dogs late evening. Dark but ghosted
by still-meadow fogs. Headlights on the curve’s
asphalt arc. Whatever happened to the frogs?
I stop to listen in the swale down by the pond,
the marshy bogs where life begins. How could it
fail? Whatever happened to the frogs? Our
progress dug and dredged and mined. We’ve
cleared, and stacked our piles of logs, and under-
neath, what did we find? Whatever happened to
the frogs? I wonder, walking in the night, and trust
direction from my dogs, dumb creatures—are they
always right? Whatever happened to the frogs
who used to sing their spring lament? A Kyrie
for mercy clogs the throat. Is this the song
they meant? Whatever happened to the frogs?

_____________________

DREAM-SCAPE
—Taylor Graham

The waters were rising
in the dark—something had broke
            at the core. Earth woke
from her dream and shook off the bedding.
Asteroid, icecaps melting, apocalypse?
the commentators would tell us.
What we built subterranean to service
this city—the hidden flues, chutes, passage-
ways, the conduits, elevators, freeways
of filth, sewers and storm drains, vagrants,
terrorists, and rats
                        had broken loose.
I walked out to see what was left.
Underneath was tossed together with Over,
an Escher-print where only gravity
still worked.
                                    Come with me.
Forget the fragile sunlit world we knew: past
and future, what was and ought to be.
Take my hand, we’ll help each other walk.
What use are words now?
                        We shall see.

_______________________

EVIL REVISITED
—Caschwa, Sacramento

(My new computer and adolescent printer
do not communicate.  One of them must
be evil.)


Eons before
computers
a lack of
communication
was attributed
to either the
message or
the messenger
being of
evil substance

had they but
only known
that it was
simply a
matter of
updating the
operating system
how much
strife worldwide
may we have
avoided?
 


Sun Spot
—Photo by Taylor Graham
 


EMPTY
—David Iribarne, Sacramento

Who would’ve thought that such beauty
could be interrupted?
Who would’ve thought that
one wrong step
could damage so many lives?
who would’ve thought
that such exquisite precision
could be altered by treading
onto unfamiliar ground?

That day I watched you
as you drew circles
on the frozen water
Same frozen lake we swam naked
with each other just two years ago.
Watching you skate was like
watching Astaire dance.
You were so graceful, so refined
You glided so effortlessly.

Alone now.
Five years have passed
five years since one wrong step
put a hole in vast beauty.
Five years since
you were swallowed into abyss.

I have never felt whole since.
every part of me broken
the edges too rough
cannot fit together.

Terrified, I never feel safe there.
The crispness of the air
the soft snow that circles the water
the crackle of the wind
all forever echo in my brain.

I can’t even find the red mittens
that you wore that day.
I could’ve sworn I put them
in my pocket after I removed
them from your motionless icy fingers.

To this day, I wonder
what made the earth so hungry
that it had to swallow my desire,
the one person who knew me,
knew my nakedness.

What made it so hungry
to swallow your soul and mine?

_____________________

FUTILE
—David Iribarne

My heart is still at war
everyday with you
sometimes I do not know why
I continue
accepting loss and pain
you keep me up all night
with your mischief
with your shenanigans.

I am the calm one
while you are the wild one.

You repeatedly turn me on
when you wear your hair just right
set just above your shoulders
and you kiss me all over with
your wet moist lips.

How you have put a spell on me
constantly leaving me wanting
you more and more.
You tease me by chiming in
for only minutes at a time
or just visiting for a night.

You never tell me when I will see you again
keeping me in suspense
desiring you, wanting you.

What is it you gain by
catapulting me to the highest mountain
with your smile and laughter
and then tearing me down
by never staying
I fall, you are never there to catch me.

Seems with you there are more locked doors
than open ones.
You have never given me any keys
any clues, any hints, any signs
on how to keep the doors open.



 Half Staff
—Photo by Robert Lee Haycock, Antioch

 

EARTH DAY
—B.Z. Niditch, Brookline, MA

Under the trees
with a landscape painter
accompanying me
on Beacon Street
after watching
the Boston Marathon
with our body and spirit
or on a television screen,
as we separate
before the end of the race
on a deserted park,
and judging by the crocuses
in purple and yellow,
earth day will be here soon
as fragile spring emerges
from our nature's refuge,
and a new season enters
into penlight's
sunshine shadow,
and we vow
no white vertical smoke
or worn-out suspicions
at the finish line
will keep us from beginning
our amazement
at every delicate flower
from the freshness
of a marvel
on our leafy eyes.

_________________________

Our thanks to today's contributors for today's fine poems and pix! Taylor Graham writes: Here's one ("Guardian") inspired by a poem Carol Louise had on Medusa way back in February—it's taken this long to find its form, a Bragi (new for me). Also a strange little thing that came of reading DR Wagner's latest while waiting to work my dog this morning. The illusive Bragi is, therefore, our new Form to Fiddle With. See the green box at the right of this for details.

David Iribarne will be reading twice this weekend, at the Elks' Temple in Sac. and the other at the Foam at the Mouth reading series at SPC. Details are on the blue board (under the green board) at the right of this column.

And Brookline, MA, where SnakePal B.Z. Niditch lives, is just a few miles from Boston. He writes that all is safe with him, but of course the Boston Marathon bombings have greatly rattled and saddened him and his friends. Our thoughts are with you, BZ, and thanks for the Earth Day poem for our Seed of the Week: This Fragile Earth.

_________________________

Today's LittleNip:

NO NAME
—Caschwa

Night
rem sleep
translated
into day dreams
on a background made

harsh by realities
sights, sounds, smells, tastes and feelings

overfamiliarities
things that do not belong in a dream
good night, sleep tight, don't let the bed bugs bite

_________________________

—Medusa



Reflected Twigs
—Photo by Katy Brown, Davis

[WTF's 13X13 art exhibit at Vox Sacramento includes
work from 13 artists who've been published in 
Rattlesnake Press's WTF, including Katy Brown.
Drop in to see the exhibit at 1818 11th St. in Sac. 
through the rest of this month: go to voxsac.com
for hours and more about Vox Sacramento.]






 

Tuesday, April 16, 2013

Stone Light



THE FACE IN THE LINOLEUM

Where went that face—fixed,
evil face—intent with direction,

finding my face—that stare
between us—long and studious.

I could step on it—hold it there
—grind it underfoot.  To look

away was to lose something
of the self’s position—a force.

And now, times later, I search
the space where it was—where

I met it with my recognition,
and cannot find it anywhere.

_______________________

CRADLE POEMS

here is the child
sweet as morning
a cherub child
a religious child
in a dark cradle
a halo is locked around its head
formed by its mother’s eyes
which are worshipping the child
her hand is rocking the dark cradle
which her husband has built
from the wood in the forest
her husband has had to go into the
exact center of the forest
to find the right wood for the cradle
the fire on the hearth
is sharing its shadows with
the walls of the cabin
the cabin walls
are filled with dancing shadows
which become human
knowing jealousy and adulation
now they are standing around the
form of the tireless mother
who is rocking the dark cradle
she does not see them crowd behind her
we do not know if
they are the good shadows
or the evil ones
they are bending forward
with glowing eyes
to look at the child in the cradle

    *    *    *

I am looking out at the world
I am an old woman in a cradle
my mother is bending over me
with her young hand on the
side of the cradle
within which
I am rocking

my father has carved the cradle
out of his own body    

he is missing the piece
that is my cradle
I cannot cry
and I do not want to sleep
my father is walking out the door
my mother would go to him
but I do not want
her to stop rocking the cradle
I hold her here with my eyes
it is me
I am rocking my own cradle


(first pub. in Celebration, 1987)

______________________

THE DEATH-GAME CIRCLE      

The children chant around their little death-game circle, innocent of death and its predictions—sing-songing the words, their faces strained intensities. They become pitched and accurate, taking no breath between verses.

Their eyes glaze; they lift together in an excited hovering. The chosen, sacrificial child falls dead in the center of their center—lies in the trance of accepted alteration—is turned in the opposite direction by the force of the others, whose words run together in nonsense.

But the dead child believes in its death, and the chanters believe in their power. A black wind of evil flows through the game, marking the killed child, caressing the innocent intention of the spellbound children, whose chanting now is shrill and truly dangerous.






HATE-THOUGHTS

It is a blemish, this thought,
this deed,

this thing that occurs and diminishes
the disfigured one,

this self-hating one,
that suffers its own evil

out of some sick habit,
a thought-blemish,

a deed-blemish,
a habit that is a trap,

how you cut self
from self

to prove
your self-sameness.

______________________

SPECTRAL

Hovering ghost of heaven
of heaven’s waters
those seas to not drown in,

believing in salvation
from evil and fate
all the conditions that evolve,

test after test
of failed arrivals
turbulence of human folly,

seas of
nightmares
and evolutions,

sailings into unmapped destinations
as if there were land somewhere
even an island.

_____________________

LIFE STORY

It was the other darkness made of stone light.
The touch that was terrible.  The shy regret.
The very substance of evil, unrecognized.
                          
Oh, who has harmed me with such
unforgiveness?  Am I lost?  A child forever?
How am I to return and unlock the old gray door?
                             
I follow a path of shallow water
and wake in a bed of shallow glass.  I can tell
no one, give no one the weapon of my life.
                         
Let the curtain hang in the window of despair.
Look in.  Look out.  I am on both sides.
Someone is reaching for me.
                         
I own my life.  I give it to no one.
Whoever wants it must pay a terrible price.
It is a silent life, a great stain on the heart.
                        
My mind burrows, looks for
its beginning. . .  there I am!  there I am!
born.

_______________________

Today's LittleNip:

IN THE MIND OF

All night they struggled through the forest,
two creatures from the tale of woe,
doomed to create an ancient story
from myth to moral,

she being borne on the back of a handsome beast
who would protect her from the evil
that lurked at the edge of fairy tales
not yet written.


_______________________

Our thanks to Joyce Odam for today's poems and photos based on our Seed of the Week,  Cesar Vallejo's line, "Night is a Cup of Evil". Her work turned out to be appropriate to this day on many levels, since we are all still reeling, of course, from the Boston Marathon bombings yesterday. Tom Goff sent us this poem last night. Thanks, Tom.


ON THE BOSTON MARATHON EXPLOSIONS
—Tom Goff, Carmichael

Like booby-traps strung purposely low, to eviscerate,
these bombs packed metal and force enough to amputate
the legs of the strongest runners right at the finish line.
Years distant from Diana risking her land mines,
how estranged must we live from our labors in Iraq or Vietnam?
How near must they again veer: close as any Athenaeum?

______________________

—Medusa, with hopes that you'll write about "This Fragile Earth" for our new Seed of the Week to celebrate Earth Day and as a chance to think about recent events. Send your thoughts, artwork and photos to kathykieth@hotmail.com







Monday, April 15, 2013

Muddy Beginnings/Pools of Clarity

Wild Iris
—Art by Jennifer O'Neill Pickering, Sacramento


I AM THE CREEK

slow and easy
in this fall of Han Lu 
mother of minnow
swimming in nursery schools
sleeping in cradles
of algae and sedge

dance floor
to Damselflies
gyration of blue unions
to the tambourine of leaves

tomb to families of oak
anointed in my waters
last rites repeated
in the current's passage

riparian spring
to hare and fox
drunk in the tent of dusk
and the apricot light
of a Samhain moon.

the place of wading
into muddy beginnings
and pools of clarity
changing my course often
lithe as the water snake’s glide.


Han Lu (Chinese season of cold dew)
Samhain (Celtic Autumn Equinox Celebration)

—Jennifer O’Neill Pickering

____________________

I WALK FAST WHEN I HAVE NOWHERE TO GO
(In the style of Kenneth Patchen)
—Randall Kuffel, Davis
 
A silent twilight,
I sit alone on the bench
A withering tree peers over me

The stars reflect off the rippling water
I wonder which one is her
I wonder which one is her

Restless birds shiver behind me
A gust shifts my hair wordlessly
My rasping breath pauses
To enjoy the quiet

That wasn’t supposed to be her time
She deserved more from it.
It was mine

The street light dims
Ripples reflect the stars rhythmically
My bench looks empty
Someone’s standing behind me.

______________________

OUR CHILDHOOD HOME
(In the style of Kenneth Patchen)
—Randall Kuffel

I saw our childhood home today
It was just like I remembered it
(The paint was completely chipped off
From the smoke)
The room we used to play in
Was still periwinkle
(The fire left it unrecognizable
The tile floor melted black)
Remember the swings we used to have?
They’re still there, and they looked good
(The backyard had no more grass
All that was left was soot and fallen wood)
Yep, our apple tree was still there;
There was a lot of fruit on it
(Our apple tree was still smoldering
And the yard smelled of burning hair.)
The dining room had the same tables
That we used to eat Thanksgiving dinner at
(The wood floors were totally warped
And the dining room tables were completely charred)
The attic we used to hide in as children
Still had the same old boxes and chests
(The attic fell into itself
When the flames reached the cross beams.)
The bathroom we learned to shave in
Still had the same tiles on the walls
(I couldn’t even walk into the bathroom
There was so much broken tile and glass)
We had a lot of good memories in that house.
I’m glad some things don’t change, too.
(Thank God that house burned down.)

____________________

KENNETH PATCHEN: A PASSING
—B.Z. Niditch, Brookline, MA

When the jazz horns
rail out on me
I was reading 
in the Frisco Chronicle
Kenneth's obituary
how poets have to endure
late recognition
standing there
in my rainbow of a scarf
my sister gave me
by the glowing sunny Bay
wanting to ask Kenneth
for help
gawking at the dawn sky
hearing the gulls
along sidewalk cafes
knowing that in my music
and monster Muse inside me
when my blacked-out memory
of my Beat past returns,
Kenneth will be remembered
from such mourning darkness
of penlight moments.



Blue Orchid
—Photo by D.R. Wagner, Elk Grove


FROM BAY TO BAY
—B.Z. Niditch

After an Italian meal
in San Francisco
eating a murdered calzone
at an outside cafe
after seeing a Fellini movie
then playing jazz
on a metallic piano
with an accordion player
accompanying me
will share a glass of cianti
now taking notes
on the waterfront
in the clumsy breeze
with flying sea gulls
in the amazing sunset
with the Bay still on my lips
for future expressionism
in my verse
an alarm goes off
with a shiver of lamentation
knowing I have to take
a return flight
direct to the Bay State
back to Cape Cod
yet thinking I spot Corso
or someone resembling him
with a smiling gesture to me
in a vacant lot
thinking he heard me play
my music passages
at the outside restaurant
on this subterranean twilight
know these dicey beat notes
smashing my impressionist mind
between two host ocean cities
will emerge in a future poem. 

_____________________

THAT APRIL IN FRISCO
—B.Z. Niditch

After watching
the Almadovar film
with my movie buff buddy
and actor in my one act play
back in Boston
talented Pillar from the Valley
that April night, 2002
feeling unconfined, etherized
from the dark theatre,
when Pillar calls me hip BZ
and almost falls
on the sidewalk face
and injures her own hip
wearing red high heels
doing a Marilyn imitation
near the cable cars
in the hills
hoping the harbor lights
along the waterfront
will make us feel a year
younger or sober
hoping for any phone message
or a message on my back
glued to our friendship
as it starts to rain
and we murder
a Spanish cinnamon roll.

______________________

THREE CUPS
—B.Z. Niditch

Some nights pass
with three cups of wine
pass my trembling hands
cold as April suddenly falls
over the devil's wharf
filled with hungry feral cats
near the marble steps
of the jazz club
my shoelaces are gone
as an explosion
from my car
reminds me my bills
terrorizing any constraint
of self-pitying misfortune
to plunge me into depression
braying like a lost mule
and makes the serpent
of a malignant attitude
try to play catch-up
with this double minded
blushing poor
in the mouth
once gutsy guy
putting my used car
in reverse,
not believing this night
is all due to my expletives
of a skeptical oration
from an enriched Beat poet.

____________________

Today's LittleNip:

NIGHTSHADE
—B.Z. Niditch

What conspiracy
follows our mad night
foams in the grandeur
outside my windows
to overshadow the cold sea,
tomorrow's deep monster
frightens in waves of majesty
but we will forget bad dreams
in our need of sleep,
and this melancholy fever
which keeps us up
will make us bolder
with a cup of black tea.

_____________________

—Medusa, with thanks to today's contributors, and reminders that D.R. Wagner will be reading at UCD today at noon, and Jennifer O'Neill Pickering and Tom Goff and other readers will be at Folsom Lake College today at noon also. Scroll down to the blue board (under the green board) at the right of this for details.


Poppy
—Art by Jennifer O'Neill Pickering




Sunday, April 14, 2013

Art is Art

Francis Barraud's original painting of Nipper 
looking into an Edison Bell cylinder phonograph



THE VICTOR DOG
—James Merrill

(for Elizabeth Bishop)



Bix to Buxtehude to Boulez,
The little white dog on the Victor label
Listens long and hard as he is able.
It's all in a day's work, whatever plays.

From judgment, it would seem, he has refrained.
He even listens earnestly to Bloch,
Then builds a church upon our acid rock.
He's man's—no—he's the Leiermann's best friend,

Or would be if hearing and listening were the same.
Does he hear?  I fancy he rather smells
Those lemon-gold arpeggios in Ravel's
'Les jets d'eau du palais de ceux qui s'aiment'.

He ponders the Schumann Concerto's tall willow lit
By lightning, and stays put.  When he surmises
Through one of Bach's eternal boxwood mazes
The oboe pungent as a bitch in heat,

Or when the calypso decants its raw bay rum
Or the moon in Wozzeck reddens ripe for murder,
He doesn't sneeze or howl; just listens harder.
Adamant needles bear down on him from 

Whirling of outer space, too black, too near—
But he was taught as a puppy not to flinch,
Much less to imitate his bête noire Blanche
Who barked, fat foolish creature, at King Lear.

Still others fought in the road's filth over Jezebel,
Slavered on hearths of horned and pelted barons.
His forebears lacked, to say the least, forbearance.
Can nature change in him?  Nothing's impossible.

The last chord fades.  The night is cold and fine.
His master's voice rasps through the grooves' bare groves.
Obediently, in silence like the grave's
He sleeps there on the still-warm gramophone

Only to dream he is at the première of a Handel
Opera long thought lost—Il Cane Minore.
Its allegorical subject is his story!
A little dog revolving round a spindle

Gives rise to harmonies beyond belief,
A cast of stars. . . .  Is there in Victor's heart
No honey for the vanquished?  Art is art.
The life it asks of us is a dog's life.

_______________________

—Medusa