Monday, April 25, 2022

Some Babes in the Words

 
—Poetry by Joe Nolan, Shiva Neupane, 
Michael Ceraolo, Caschwa (Carl Schwartz), 
Stephen Kingsnorth
—Public Domain Photos Courtesy of Joe Nolan



LIGHT AND GRAVITY
—Joe Nolan, Stockton, CA

Light is just
A wiggly-squiggly thing
That winds its way
Through space,
Bent around large objects,
Drifting in their space,
In some orbit
Gravity
Makes them trace and trace,
Seemingly,
Forever. 
 
 
 

 
 
ABSENCES
—Joe Nolan
 
Weightlessness,
Is gravity, unbound.

Deafness,
Is life,
Without sound.

Blindness,
Is life, always
At night.

Life,
Without love,
Is ever-painful
Blight.
 
 
 
 

 
SOME CLERGYMEN
—Joe Nolan
 
Some clergymen
Are full of ju-ju—
The ways they handle beads,
Swinging incense burners
In the aisles,
Amazing all the womens
And the chi’els,
Who know
They’re on fire,
Deeply inspired,
Caught up with some
Mystery
They’re exploring.

Simplicity
Is just another virtue
Some,
With pizzazz,
Let go.

Maybe they’re half-drunk
With some
Go-go of the soul?

I use to like to watch
Go-go dancers
Dancing up above the dance-floor,
In suspended cages,
But now,
That’s passé.

No one goes
To Church, anymore,
On Sundays.
It doesn’t matter what they do,
After what they’ve done,
Already.

You know what
I’m talking about.
It leaves a bitter taste
In your mouth. 
 
 
 

 
 
An esoteric bowl:             By Jove,                I'm 
astounded by the beauty of brain,    what celestial hands have designed it,    with a sheer labour of love.                                                                                              I wondered endlessly,                   why have imaginations cushioned into the           bowl ?   
  
                      
—Shiva Neupane, Melbourne, Australia 
 
 
 

 
 
CLEVELAND HAIKU
—Michael Ceraolo, S. Euclid, OH

Cleveland Haiku #630

After the snow melts:
picking up pieces of the street
plowed onto the tree lawn

* * *

Cleveland Haiku #631

Cold snap—
deer hoofprints
frozen in the mud

* * *

Cleveland Haiku #632

Cold snap—
frozen goose poop
on the sidewalk

* * *

Cleveland Haiku #633

Opening Day—
no one throws out the first orange barrel
of construction season
 
 
 
 


BABE IN THE WORDS
—Caschwa, Sacramento, CA
 
lost, as soon as the
lexicon is opened, big,
weighty, pearly gates
swing to crush new
thoughts, confine one
to a narrow pathway
meandering by countless
aged headstones, each
defining life like a movie
reviewer (e.g. don’t miss
the sequin sequel) until
all the “founds” of many
thousand lives are care-
fully assorted and strewn
across the vast patch-
work quilt that is a
cemetery 
 
 
 

 
 
THE WORD-HUNT
—Caschwa

in Los Angeles there is a surface street
named La Cienega Boulevard, with
one portion having the posted speed
limit of 45 mph, which drivers frequently
ignored; next they put in big, oversized
speed signs, and drivers ignored those, too,
so that over time that stretch of the road
became known as the La Cienega Freeway,
which the police didn’t seem to mind enough
to present a show of force

What’s the word for that?

America took the big step of abolishing slavery,
had a great Civil War to contest that outcome,
which was won by the same side that favored
abolishing slavery; ever since then, the losing
side has been boldly rip-roaring on every town’s
La Cienega Freeway, which the local police don’t
seem to mind enough to present a show a force

What’s the word for that?

all over the country we see breaking news
that white citizens and police have collected to
present massive shows of force to assassinate
unarmed black subjects, whose intolerable
behavior was simply being black in the wrong
place at the wrong time

What’s the word for that?
 
 
 

 
 
I SEE YOUR PROBLEM
—Caschwa

you’re addressing me as if
I’m a natural multi-tasker,
and a retentive speed-reader
as well, when that couldn’t be
further from the truth

I have had some success
in completing coursework
and getting diplomas,
certificates, etc. by taking
matters one at a time until
the desired level of accom-
plishment is achieved

you can stand at the chalk
board and write “I knew that”
a million times and still, none
of your knowledge will pass
to anyone else

maybe there will be a time
when the pieces of the puzzle
will all come together by my
hands while the planets and
stars are lined up just right, and
count on it, I‘ll be as dumbfounded
as a new jackpot winner who only
knows what the lessons of a life
of impecunious income have to
offer 
 
 
 

 
 
TRAMPLING
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales, UK


While the words I strung together
like a reverberating bell,
waves in sympathy my story,
a stimulant to memory;
in private closet of my own
I rehearse verse, unwrap my soul
bring forefront mind my heart-depth tale,
meditate on both cheer and wail.

Then a caller, phone ring, voices
to me announcing latest news,
this invasion, unprepared sound,
feels trampling, swine on holy ground.
 
 
 

 
 
LOST FOR WORDS
—Stephen Kingsnorth

On course, for these, loss not my fear,
too many said, as I explore
why do specifics disappear,
a wordsearch—letters every door?
Words mislaid, but somewhere near,
elusive till the searching cease,
a sound in head, but voice unclear,
as many fear dementia’s tease?
Amazing sight, bewitching eyes,
that swells the soul, denies the need
for terms, expressions beyond sighs,
greed, live in the moment’s feed?
Friends, whose language second, my first,
medium, in school, home, mixed,
earn admiration as immersed
in syntax, though note missing links.
Then there is stagecraft, prompter’s chair,
too many speeches leap three acts
as I search script, from wings, my lair,
to whisper clearly, textual tract.
Were it that fathers lost for names
when calling babies, football teams;
with ranting speeches, stirring blame,
as politicians, seem, blaspheme.
But now I’m woozy, whiskey mac,
lost worlds means interstellar search,
or is it green, lost habitats,
too late for me, so bedroom, lurch.
 
 
 

 
 
Today’s LittleNip:

BUMBLEBEES
—Joe Nolan

Gentle is a
Buzzing bumblebee,
Poking through
The petals of a flower
To get down
To the pollen.

Bumblebees
Mean business.

______________________

Spring Housecleaning in the Kitchen! It’s been a very long time since I paid much attention to the internal links (“pages”) at the top of this blog. And, like the back of the hall closet, once I got to rummaging around there, I discovered what a mess it was. So I’ve spent some time fixing it up, bringing it up-to-date. I’m almost done, and I hope the sprucing will be helpful to you. Plenty of surprises, including—well, I’ll let you find out for yourself.

One change that directly affects you is the new page up there, UPCOMING NORCAL EVENTS. This will replace the Events list in the blue box at the right of this. Just click on the new page/link to see readings, deadlines, and other poet-phernalia.

And yes, I know our current font size may be bigger on your browser than it has been in the past. On April 13, there was a font-kerfuffle, and posts became harder to read (“painful” was one reader’s reaction, and I don't think she was talking about the poetry). But my only blogspot choices were Goldilocksian: too big or too small. We’ll see what the future brings; for now, it’s large and in charge.

Many thanks to today’s poets, some of whom riffed on our recent Seed of the Week (in honor of National Poetry Month): “Lost For Words”. And thanks to Joe Nolan for finding us such perky pix for me to choose from! We’re barreling into the last week of April, we are, with its Poem in Your Pocket Day this Friday the 29th. For the history of same, and ways to participate, see poets.org/national-poetry-month/poem-your-pocket-day/. 
 
Now here’s Susan and her new book:
 
 
 
 
•••Tonight (Mon., 4/25), 7:30pm, Zoom & Live: Sac. Poetry Center features Susan Kelly-DeWitt in an online and in-person reading and book signing (plus open mic) for her new book, Gatherer’s Alphabet (Gunpowder Press). Bring yourself to SPC or Zoom at us02web.zoom.us/j/7638733462/. (Meeting ID: 763 873 3462 / pass: r3trnofsdv/.) Info: www.facebook.com/sacpoetrycenter/. And Sac. Poetry Center has weekly workshops; for info on these, see www.facebook.com/sacpoetrycenter/.

Lots going on this Thursday, including Yom HaShoah—Holocaust Remembrance Day:
 
 
 

 





•••Thurs. (4/28), 7pm, Zoom: Modest-Stanislaus Poetry Center & Stanislaus County Library presents Many Voices, One Community featuring Gillian Wegener and Salvatore Salerno plus open mic. Read your poetry or poems from a favorite poet, limited to 3 min. Info: www.mostpoetry.org/event/many-voices-one-community-gillian-wegener-and-salvatore-salerno/. Reg. at www.stanislauslibrary.org to receive Zoom link.
 
 
 
Joy Harjo

 
•••Thurs. (4/28), 7:30pm EDT, Zoom: Academy of American Poets presents its annual “Poetry & the Creative Mind”, this year honoring U.S. Poet Laureate Joy Harjo, with readings from American poets and other famous artists online. Info/reg free at poets.org/gala/2022/. 
 
 
 
Stan Zumbiel
 
 
•••Sat. (4/30), 2pm, in the flesh: Poetry of the Sierra Foothills book launch with Stan Zumbiel and Susan Kelly-DeWitt, plus open mic. Love Birds Coffee & Tea Co., 4181 Hwy 49, Diamond Springs, CA (where Hwy 49 meets Pleasant Valley Rd.) Host: Lara Gularte.

•••Sat. (4/30) is Independent Bookstore Day in Sacramento, Davis, Folsom, Elk Grove and El Dorado Hills. Check out how bookstores are celebrating, such as their tour, and free gifts if you spend $10: see www.sacbee.com/entertainment/article260625447.html/. Also, the March/April issue of
Sactown magazine is called “The Book Lover’s Issue”, with more information about area stores. And The Sacramento Bee had an interesting review yesterday (Sunday) by Jonathan Russell Clark of a book called, In Praise of Good Bookstores by Jeff Deutsch, suggesting ways that independent bookstores can become sustainable. Info: press.princeton.edu/books/ebook/9780691229669/in-praise-of-good-bookstores/.  
 
 
 

 
•••Sat. (4/30), 2-4pm, Zoom: Calaveras Poet Laureate Conrad Levasseur, Linda Toren, Monika Rose, Kevin Arnold (guest poet) and more poets of the Mother Lode share their poetry. Poetry Out Loud students will recite their favorite poem. Open Mic time is planned for the public to share a favorite poem or an original composition. Email Linda Toren at lintoren@gmail.com to sign up to read. Zoom link: us02web.zoom.us/postattendee/.
 
 
 
Wakamatsu Farm
—Photo by Katy Brown
 
 
•••Sun. (5/1), 10am-12pm, live: Capturing Wakamatsu: A Poetry Walk/Workshop with Taylor Graham and Katy Brown and hosted by American River Conservancy at Wakamatsu Farm, 941 Cold Springs Rd., Placerville, CA. Children 8+ welcome with adult supervision. Suggested Donation: $5/members, $10/non-members. Info/registration link: www.arconservancy.org/event/capturing-wakamatsu-a-poetry-walk-workshop/.

•••For more info about El Dorado County poetry events, go to Western Slope El Dorado poetry on Facebook: www.facebook.com/ElDoradoCountyPoetry/. Poetry is Gold in El Dorado County!

•••For info about MoSt events (Modesto-Stanislaus Poetry Center), go to www.mostpoetry.org/.

______________________

—Medusa
 
 
 
Cat Camouflage
 




 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
Nothing~
He's lost for words!
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 














 

 

Sunday, April 24, 2022

As the Mist Clears

 
—Poetry by Lynn White, 
Blaenau Ffestiniog, North Wales
—Photos by Katy Brown, Davis, CA



DEAD LETTER DROP

Once the words sprang off the pages
like the green shoots of spring
eager to be greeted
eager to be read.
That was before
the winter chill
froze them
into remnants.
Tattered pages,
empty envelopes
and empty words
as worn and shrivelled
as our love became.
Dead.
Or almost dead.
But I cannot quite let them go,
cannot quite let us go
so I’ll bundle them up
tie a ribbon round them
for old times sake
and hide them away
in the winter branches.
And I’ll try to forget
and try not to forget.
And perhaps come spring
they’ll rise from the dead
like the new shoots on the tree
and burst into life again.

It’s worth a chance.


(prev. pub. in Silver Apples, 2020)
 
 
 

 


THE SHATTERED GLASS


The glass has been shattered.
Safely shattered,
with no sharp shards.
With no damage to anyone,
seemingly.
But someone is missing.
Only her absence is revealed
in the shattered glass.
Perhaps she is broken,
shattered
like the glass,
but not safely.
If only the shattered glass
could reveal her
presence.
If only
the cracks would heal.


(prev. pub. in Blognostics, 2018)
 
 
 

 


VEILED

I wear my hair
like a veil
covering all.
Covering all that
is not already covered
and needs to be,
they insist.
But it is not enough.
I can still see
when it parts
and still be seen.
I can still move
freely.
It is not enough,
they insist.
I need the mask
of the broad, blue
blindfold
to tether me,
they insist.
And I wonder,
will this be enough?

(prev. pub. in Visual Verse, July 2016)
 
 
 




WHEN THE DUST SETTLES

One day I’ll see through the mist
when the bombs cease
and the dust settles.
That day I’ll be back
to find you again
and uncover what slipped away
when we became lost in the fog
and the rubble
and the maze
that was once back streets
and tall buildings.
One day I’ll stop searching
and watch the mist fade away
as the dust settles
and the sun breaks out
and the lost and broken begin to heal
and start to return
and reclaim
and rebuild
what they lost.
One day I’ll greet you again
as the mist clears
and the dust settles,
one day at a time.


(prev. pub. in Inquietudes, Issue 2 ‘Heimat’, 2018)

_________________________

Today’s LittleNip:


IT’S BEHIND YOU
—Lynn White

Sometimes you just can’t see it
however closely you look,
a case of the wood hiding the trees
with the elephant there in the room.
For safety's sake you need to take a wider view
three hundred and sixty degrees
if there’s no audience to shout it out.
Get ready to run.


(prev. pub. in
Visual Verse, April 2021)

_________________________

Today the Kitchen is graced with Lynn White, who lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. She was shortlisted in the Theatre Cloud 'War Poetry for Today' competition and has been nominated for a Pushcart Prize, Best of the Net and a Rhysling Award. Her poetry has appeared in many publications including:
Consequence Magazine, Firewords, Capsule Stories, Gyroscope Review and So It Goes. Find Lynn at
lynnwhitepoetry.blogspot.com and www.facebook.com/Lynn-White-Poetry-1603675983213077/.

Welcome to our growing contingent of Welsh poets, Lynn, and don’t be a stranger! Someday we’ll tackle those sophisticated Welsh poetry forms of yours!

__________________________

—Medusa
 
 
 
 Illuminated Manuscripts
—Photo by Katy Brown
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 








Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
When the dust settles . . .































 

Saturday, April 23, 2022

Regrets to Come

 
—Poetry by Rp Verlaine, New York, NY
—Public Domain Visuals



LOVE’S BRUTAL HANDS ON THE CLOCK
 
She has others
far more useful
because at the age
of 25 and I far older,
she believes she should
take no risks, or worse,
be played like
a tourist 
in any wild city 
for the first time.
 
Which is fair, I guess,
but when younger
I would've flicked
her off like an
ant off my arm
to the sky 
and find another
the same night.
 
But now I just
want her sprawled
naked like she is
over my bed
after sex.
A smile coming
from that face
sweeter than any
wine Achilles knew
after victory.
 
Letting me look
into eyes I 
could stare at
long enough
for regrets when
she leaves without
a scar on her soul,
a tear on her face,
or regrets to come
that will bury me. 
 
 
 

 
 
WHEN 3 POETS IN A ROW
 
In the East Village
south of ten pm,
write poems
about cats and the whims
of parakeets.
It’s high time to leave.
I usually stay to the end,
but my ears are red 
with boredom.
 
The poems weren't just dull,
they were paint-by-number
atrocities that would have 
fouled a garbage bin.
 
Two blocks down I find a bar,
put a C-note down,
get unwanted attention
of a few, but a wiry
cute Black girl with
glasses sits next to me,
asks for vodka straight.
A grad student, she tells me.
 
Four shots later we 
are in a dank bathroom.
With a small smile
she unzips me
and opens her mouth 
to... just as my phone rings,
with unsteady hand
I nearly drop my phone
in the toilet while turning it off
and she takes me in her mouth.
 
The girl has skills,
she's better than good.
Bobbing her head 
to an unknown rhythm,
somehow her glasses stay on.
I shoot a steam of white
to the wall where it says.
God Is Coming soon! 
 
She leaves the stall, 
returns to the bar to pick 
a few bills from my change.
The bartender sees, yet doesn’t,
then she sits with someone else.
I put a comb through my hair,
nodding to her as I leave
feeling too raw to be human.
Ahead I see the train station,
near many false but pretty lights,
Christmas just a few days away. 
 
 
 

 
 
HIGH AS HELL
 
On our backs,
looking at the tops 
of the trees. 
Daylight dwindling 
like coins in a 
pauper's purse
that hunger steals.
I am 16 and she is 18.
Our breathes,
mad butterflies
escaping our lips
to return by echoing 
off each other.
The bird formations
above, we see 
differently.
I see triangles,
she sees squares
from our hidden alcove.
We smoke our last joint,
write our names in the wind,
my virginity a memory. 

________________________

Today’s LittleNip:

Love is the answer, but while you are waiting for the answer, sex raises some pretty good questions.

—Woody Allen

________________________

Today we have a new poet visiting Medusa’s Kitchen, Rp Verlaine, a retired English teacher living in NYC, who has an MFA in creative writing from City College. He has several collections of poetry, including
Femme Fatales Movie Starlets & Rockers (2018) and Lies From The Autobiography 1-3 (2018-2020). Rp’s work has been featured in Punk Noir, Ygdrasil, and Runcible Spoon. Welcome to the Kitchen, Rp, and don’t be a stranger!

_________________________

—Medusa
 
 
 
Rp Verlaine
 








 
 
 
 
 
 
 
 
 
 
 
 
 
 
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 



















 

 

 

 

 

 

 

Friday, April 22, 2022

Poem-Finding

 
—Poetry and Photos by Taylor Graham, 
Placerville, CA
 
—And then scroll down to  
FORM FIDDLERS’ FRIDAY!!



POEM HUNTING

I’m standing in line at the Dollar Tree
with my bag of plastic Easter eggs—the hollow
kind—six colors, for stuffing.
An Easter egg hunt for poems—poems
for whoever can find them. It’s April,
Poetry Month. A poem-a-day, Poem-in-your
pocket day, Finding the Poem-Eggs day.
Of course, every day is poem day,
as Easter might be every day.
It’s all in the heart and in the mind.
I stood in line at the Dollar Tree because
that’s how the material world works.
But poetry flows free on airwaves,
down creeks and blooming weeds beside
country roads. Poems for you to find.
 
 
 
 


BETWEEN ROCK AND OAK

The Muse's chair sits empty but for a few
twigs an oak let loose on the wind.
Muse finds her inspiration on the move, on foot.
The chair is nonsense, a verse before
the dream, before the imagining.
Her chair shares its rocky hilltop with a box
crafted of milled lumber by a workman
with his tools and materials. The box sits
empty, waiting for Wren and her art to weave
a nest of small sticks and twigs—waiting
for the tiny eggs she'll brood; waiting for her
bubbly song. For months the Muse's chair
has waited empty, collecting rain and leaf-fall.
One of these days the Muse will
pass on through, when least expected,
still on the move.
 
 
 
 

 
CASSANDRA IN APRIL

A scary dream last night, you say. It sticks
even now. You’re waking up to thunder
when it shouldn’t. You dreamed the river Styx
was flooding the driveway, pulling under
firm earth on every side, and rushing down
the cities’ toxic waste. It was a dream
and nothing more. No city and no town—
nothing but hills and woods and trees upstream.
Nothing but survey stakes, projected homes,
a new development. New neighbors soon,
where wild birds nest and the coyote roams
under constant stars and the changing moon.
A scary dream, you say, doom-laden views.
And now I’m turning on the morning news.
 
 
 

 
 
COCOON

now is crux:
a core, an acorn, axis, zone zero—

a narrow room, a voice unseen—
no sermon, no cue—a seismic sense:

vamoose? now? no sun no moon
no course or caravan, no wise mare—

run! an eerie view across
a crease, a seam, a source, an aerie—

crows, ravens, air
 
 
 
 


ONCE UPON TIME

She brought the prisoners
concealed weapons
that don’t set off alarms—
sheets of paper, books
of word song and metaphor
transforming cells
of mind & tongue & heart
to freedoms not to be
censored by their guards.
 
 
 
 


MARY’S GIFT

When I opened her gift I found
the lonely, empty, prairie sky
and a city cousin.
I found store candy and taco sauce,
dumb animals and an ordinary morning.
I found purple tulips and sandhill cranes.
I found reflection
and driving into a storm.
I found prophecy and planting peas.
I found what counts most.
Mary gave me a book of poems.
 
 
 
 


Today’s LittleNip:

DAISY-CHAIN FUNGUS
—Taylor Graham

What business has Fieldcap—
pert little mushroom in winter—
rising here at edge of lawn
now, so out of season I thought.
The plant-app identifies it
then thinks twice and
declines to list it as Observed.
Darn things don’t fit with my
yearning-to-catalog-and-know—
wild expectations.

________________________

Today is Earth Day, and no one’s poems and photos reflect love of this planet more than Taylor Graham; we thank her for sharing those with us today. TG and Katy Brown will be hosting another Capturing Wakamatsu Poetry Walk and Workshop at Wakamatsu Farm in Placerville on May 1 from 10am-12pm. See www.arconservancy.org/event/capturing-wakamatsu-a-poetry-walk-workshop for info and registration.

TG is talking to us in poetry forms again this week, using three Ars Poeticae (“Between Rock and Oak”; “Poem Hunting”; “Once upon Time”); the Prisoner's Constraint (“Cocoon”); a List Poem (“Mary's Gift”); a Sonnet (“Cassandra in April”); and a Daisy Chain (“Daisy-chain Fungus”). She writes, “I had to do a Prisoner's Constraint, considering this week's SOW”. [The recent Seed of the Week in Medusa’s Kitchen was “Prisoner/s”.]

And now it’s time for . . .


FORM FIDDLERS’ FRIDAY! 
  
It’s time for more contributions from Form Fiddlers, in addition to those sent to us by Taylor Graham! Each Friday, there will be poems posted here from our readers using forms—either ones which were sent to Medusa during the previous week, or whatever else floats through the Kitchen and the perpetually stoned mind of Medusa. If these instructions are vague, it's because they're meant to be. Just fiddle around with some forms and get them posted in the Kitchen, by golly! (See Medusa’s Form Finder at the end of this post for resources and for links to poetry terms used today.)



Claire Baker has sent us a Triolet this week—a very sunny one, indeed:



YOUNG SUNFLOWERS
—Claire J. Baker, Pinole, CA  

Hey, sunflowers, I apologize
for nudging your petals apart:
they seem so tight, so in disguise.
Yet, sunflowers, I apologize
for wanting you open, to realize
your potency for painter’s art.
O, sunflowers, I apologize
for easing your petals apart. 
 
 
 
 Last Week’s Ekphrastic Challenge


Here is Stephen Kingsnorth’s response to last week’s Ekphrastic Challenge. Notice how he weaves the prisoner theme into the end, echoing the Medusa’s Kitchen Seed of the Week from last Tuesday (“Prisoner/s”):


STANCE
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales, UK

What viewpoint, standpoint makes our stance,
staring up or peering down,
open window, closed, shutdown,
some gossip shared or work prepared,
‘are there enough for dinner dear?’
Reading art, as so poetry,
can be presumed if we’re well versed
in mindset thinking, taking grants.

‘Rustic Courtship’, the Winslow boy,
fits my recent bucolic verse,
and there’s me thinking, sunflowers, cat—
or maybe dog by lie of tail—
this long-term couple, partnership.
Is this a clash of social class,
employer and employee pash?

The strata of the walls observed,
above, below and in-between,
held shoulders braced, that two-tined fork,
the pitch of roof assumed as red,
and is that straw wrapped round his head,
brim, binding trim, elastic blue,
wound-russet shirt, electric hue?

With quite expected trouser crease,
slight slant, clenched grip in anglepoise,
those lines and piping, shabby chic—
though will those joints expose the leaks?
There’s surely undergirding path—
if not a catwalk, maybe fox—
gap, not the grass laid to the sill?

I sense a hint of questions posed.
Inside the gloom, grey, laced-capped hair,
are darker pains beneath, ground floor?
There’s more within to know about,
surrounded by those blades without.
Do windows look like prison bars?
And whose portrait, of them or me?
Or do I see too much here framed?

* * *

This is Caschwa’s (Carl Schwartz’s) take on the same photo:


DIDN’T SAY SMILE
—Caschwa, Sacramento, CA

the different roles of
she and he
are entirely unique
pictures with their own
custom frames

the supervisorial she
looking down on a fellow
whose trousers betray
that he was deprived of
having any more than
skinny canes for legs

grand ideas inside the
house took shape as
abundant starter plants
lined up like wannabe
actors waiting to get a
chance to develop into
marvelous spectacles

she wants him to grab
the cat and come back
inside, submitting to
her every beck and call

and he will do that because
her agent has more pull
than his, so he has no choice 
 
 
 

 
 
Here is a Daisy Chain from Caschwa, about which he writes, “I enjoyed Joyce Odam’s ‘Misgivings At Twilight’ poem [medusaskitchen.blogspot.com/2022/04/poetry-primavera.html and scroll down], but decided to forego the last-letter-first-letter structure in favor of the Poets Collective’s last-word-first-word example, which I found more sonorous.
 

MASONRY  
—Caschwa

much poetry is like stacking
stacking bricks, one onto the other
other resembling the first

first in multiples makes a wall
wall that holds back all
all impressions of art

art mimicking reality
reality the pinnacle of confusion
confusion having general appeal

appeal to the senses
senses shining the light
light of not so very much 
 
 
 

 
 
One of the Triple-F Challenges last Friday was the “Wordy 30”, and here is one of those from Carl:


FESS UP
—Caschwa

doesn’t
anyone
regret
honest
errors 
 
 
 

 
Joe Nolan had some Ars Poetic thoughts about punctuation:


PARENTHESES AND APOSTROPHES
—Joe Nolan, Stockton, CA

Life within parentheses
Seems a bland and dull disease—
To rules, follow
And masters, please.

Meanwhile,
Light apostrophes,
Float above!

Somehow,
Unbound by
Hard, dry ground—
Because of love?

What is it that keeps them up?
Not falling down,
Into line
Like all the other letters~~~~~

Somehow, they’re
Ascended-hyphens
Linking things together
In possession,
Outside boundaries
Of conformity. 
 
 
 

 
 
And Stephen Kingsnorth ends our post today with an Ars Poetica about the same, arguing that we can’t do without it:


PATTERNS
—Stephen Kingsnorth

I freely think roaming
without punctuation in my
mind but when translate it into
speech I pause I
reach concluding
end the patterns read or
heard I used in
teaching shadow words so
from the list whatever
depth all can
recognise the intent for
whats the point if
those at shallow
end are stranded on a
sandbank beached whale
and Hebrew good at
parallel

But, for all who read,
find punctuation an access guide,
blue-badge parking when required,
that’s how I need to write.
With marks my speech more clearly voiced,
I make my points,
the comma changing sense, unseen without,
challenging assumed conclusion,
ambivalence and ambiguity
handing to my surveyor choices
we should face, ought contemplate.
Starting capital to launch account,
question mark to infer voice,
colon or semi valued friends, loitering
without intent to lower tone—
even dashed hopes.

My version not in what I state
but in questions confusing me.
When unsettled, disturbing thought,
may I, slow, saunter by your gate?

_____________________

Many thanks to our SnakePals for their brave fiddling! Would you like to be a SnakePal? All you have to do is send poetry—forms or not—and/or photos and artwork to kathykieth@hotmail.com. We post work from all over the world, including that which was previously-published. Just remember: the snakes of Medusa are always hungry!

______________________

TRIPLE-F CHALLENGE!  

See what you can make of this week’s poetry form, and send it to: kathykieth@hotmail.com! (No deadline.) This week's challenge:

•••Verbless Poetry: poets.org/glossary/verbless-poetry

And see the bottom of this post for another challenge, this one an Ekphrastic one!

_______________________

RESOURCE OF THE WEEK:

Grammarly.com is a relaxed way to talk to your grammer—grammar, I mean. Most of us could use brushing up on our use of the mighty metaphor; check out what Grammarly has to say at:

•••www.grammarly.com/blog/metaphor

_______________________

MEDUSA’S FORM FINDER: Links to poetry terms mentioned today:

•••Ars Poetica: www.poetryfoundation.org/learn/glossary-terms/ars-poetica
•••Daisy Chain: poetscollective.org/poetryforms/daisy-chain
•••Ekphrastic Poem: notesofoak.com/discover-literature/ekphrastic-poetry
•••List Poem: clpe.org.uk/poetryline/poeticforms/list-poem
•••Prisoner’s Constraint/Restriction/Multiple Lipogram: en.wikipedia.org/wiki/Lipogram
 
 
 
 Today's Ekphrastic Challenge~
A poetic celebration of Earth Day!
—Public Domain Photo
 
* * *

See what you can make of the above

photo, and send your poetic results to 

kathykieth@hotmail.com/. (No deadline.)











 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.