Friday, February 10, 2023

Merciful Mornings

 
—Poetry and Photos by Taylor Graham,
Placerville, CA
—And then scroll down for
Form Fiddlers’ Friday!!
 
 
 
OUT OF THE DARK   

After the huff and puff, the flash and boom,
the days of pouring rain—would the storm ever
cease? Our little creek ran high with fallen
branches, torn-loose slate like broken
tiles across the driveway. Toil of shovel and sand-
bags against the waves of floodwash rushing
downstream. But our druid oaks held firm
on their rock-rooted trunks, and at last
the dark gives up to sunrise sparkling radiant
on every drop of rain still hanging
from leaf and limb. How long might it last,
this merciful morning smiling?
 
 
 

 
 
HIGH LAKES   

On the trail to
a nameless place
I lost count of bowers
blooming paintbrush
against granite
raised by seismic powers

under clouds dark
as thunderstorm
gathering in towers
shot with sunlight,
columbine and
yellow monkeyflowers.
 
 
 
Sailor Ridge
 
 
 
SEARCHING AT MERCY OF WEATHER   

Adrift on Sailor Ridge, I’m following my dog—high on wind that billows grasses and cloud, wind that draws him like a hooked line before it shifts and lets him loose, fickle wind that hides in hedges, caught at edges of Brush Bunny Lane. My dog sails green waves of grass, nose tuned to the Beaufort Scale, scanning horizon and just beyond, Mt Ararat. Could a bluster blow us that far? A lull. Wind changes course. My dog’s got the scent again, tacks, head-high toward a yet-to-be-discovered spot…

nameless on the map:
his quarry a human cast-
away to be found.
 
 
 

 
 
WHOLENESS, A PEAR

Just outside the Nature Area,
reaching branches through chain-link fence,
a pear tree. Survivor of what used to be
forest cleared for orchard.

Orchard abandoned, forest comes back
around this pear tree with its clutch
of pears too small to harvest; stunted or
just not fully grown.

Through woven wire you picked one,
I fit my palm around another, took it home
to kitchen windowsill warmth and light,
a promise of soft, sweet wholeness.

At cusp of fall I bit into crisp-hard tartness,
a hint of trespass, of too soon/too late
or never. Deficient in perfection, but I ate it
to its seeds. It tasted wonderful.
 
 
 
 


MERCY FOR THE FROG

California: A frog that dies during a frog-
jumping contest cannot legally be eaten.
          —The United States of Crazy Laws


It’s not really a contest—just a misconception
between me and the frog. I have no wish
to kill the leaping creature, much less eat it.
I save frogs from being eaten by my cat,
when they jump from my wet-mop to swim laps
in my wash-bucket, then a high leap
to skitter across the kitchen floor.
Droughty summer evaporated the ponds.
Tiny chorus frogs find my mop hung on the deck
to dry, and end up in my bucket.
I’ve learned to dunk my mop in water outside
while my cat watches behind sliding plate glass.
If I catch the frog, it goes in my pie-pan of water
never intended for frog-pie.
 
 
 

 
 
THIRD TRY

Green comet
once-in-our-lifetime
passes over in the night.

We’ll never
witness it again—
come outside to gaze with me.

But full moon
lightens the night sky
and clouds block the brightest stars.

We’ll have to view it virtually
or ride its green tail in our verses.
 
 
 


 
Today’s LittleNip:

STORM-DARK
—Taylor Graham

deep dark of canyon—
leafless oak canopies rise
brilliant with first sun

_____________________

Our thanks to Taylor Graham for this morning's fine poetry and photos as we continue to clean up from the past storms. Forms she has used this week include a Haibun (“Searching at Mercy of Weather”); a Haiku (“Storm-Dark”); a Word-Can Poem (“Out of the Dark”); a Troisieme (“Third Try”); and a Sweetbriar (“High Lakes”). The Troisieme and the Sweetbriar were Triple-F Challenges last week.

Poetic License read-around has returned to Placerville, now on the second Mondays of the month, so one is coming up this Monday (2/13). Also in El Dorado County this week, Lara Gularte will be beginning her Writing Our Words workshop, Cameron Park Library on Thursday, 5:30pm. For more info about El Dorado County poetry events, and for photos and poems from past ones, go to Western Slope El Dorado poetry on Facebook: www.facebook.com/ElDoradoCountyPoetry/. El Dorado County Poet Laureate Lara Gularte also has a Facebook page to announce poetry events and all things poetic in the county; see www.facebook.com/groups/382234029968077/. And/or see UPCOMING NORCAL EVENTS at the top of this column for details about future poetry events in the NorCal area—and keep an eye on this link and on the Kitchen for happenings that might pop up during the week.

Speaking of speaking (Spoken Word—get it?), if you’re down in Modesto tonight, Angela Drew will be featured at A Night of Spoken Word Poetry/Open Mic at Modesto Junior College, celebrating Black History Month. Also happening tonight, this one in Rancho Cordova, CA: Black History and Beyond: A Celebration of Black Music and Performing Arts. Check out UPCOMING NORCAL EVENTS for details for both of these events.

And now it’s time for…   


FORM FIDDLERS’ FRIDAY! 
 
It’s time for more contributions from Form Fiddlers, in addition to those sent to us by Taylor Graham! Each Friday, there will be poems posted here from our readers using forms—either ones which were sent to Medusa during the previous week, or whatever else floats through the Kitchen and the perpetually stoned mind of Medusa. If these instructions are vague, it's because they're meant to be. Just fiddle around with some challenges—  Whaddaya got to lose… ? If you send ‘em, I’ll post ‘em! (See Medusa’s Form Finder at the end of this post for resources and for links to poetry terms used in today’s post.)


There’s also a newly dusted-off page at the top of Medusa’s Kitchen called, “FORMS! OMG!!!” which expresses some of my (take ‘em or leave 'em) opinions about the use of forms in poetry writing, as well as listing some more resources to help you navigate through Form Quicksand. Got any more resources to add to our list? Send them to kathykieth@hotmail.com for the benefit of all man/woman/poetkind!
 
 
Last Week’s Ekphrastic Photo
 

Nolcha Fox and Stephen Kingsnorth responded to last week's Ekphrastic photo:


I’d be a lovely coconut

on a tropical beach,
caressed by the sun,
rocked and rolled
by the wind
into warm waters
to float to new shores.

—Nolcha Fox, Buffalo, WY

* * *

PAP
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales

Eaten by birds, then dropped somewhere,
squashed, achene patch, strawberry fields,
or copter down with blades from tree;
blown by the wind further afield,
then parachuted, landing clear.
But here’s a floater, beached on strand,
drift, rafted beyond coral reef,
a buoyant seed, pap milk to feed.

From open palm, bare soles grip-climbed,
hack back thick coat to fibrous coir,
then break its back to drink its fill
and chew the cud, white pap again.

Shell company, well packaged, hid,
it’s here called Bounty, chocolate wrapped,
milk clear, opaque in climate change,
oil used for cooking, washing skin,
cosmetic range, full fat applied,
emulsified and dandified.
How self-contained as castaway,
until landfall, but sand to grow—
what castles in the air, sea dreams.

Am I as fruitful, when compare
this nut whose nature tours the rim,
pacific in integrity,
as spreads its bounty through the world?

Do I adapt, as seeds, seem learned,
aware of their environment,
the better way to navigate,
to spread survival chance for genes—
or we evolve, too slow apace?
We’ll know—or those grandchildren will—
if we the stranded castaways
or master of our stewardship—
more mistress with our mother earth.

* * *

Here is a Villanelle from Jackie Chou, a new visitor to the Kitchen from whom we’ll hear more tomorrow:
 
 

 
A NEW YEAR’S REFLECTION (a Villanelle)
—Jackie Chou, Pico Rivera, CA

The year has begun with gloom,
my smile fallen to the floor,
to be swept away with a broom.

I feel a momentary peace, and then boom,
my fears enter through the door.
The year has begun with gloom.

I pace back and forth in my room,
pondering what God made me for,
to be swept away with a broom.

My anxiety is in such full bloom,
that I can't stand it anymore.
The year has begun with gloom.

There were days before all this doom,
memories stored inside a drawer,
to be swept away with a broom.

I know I ought to go look for a groom,
but sorrow keeps gnawing at my core.
The year has begun with gloom,
to be swept away with a broom.

* * *

Caschwa (Carl Schwartz) has written a rhyming poem based on abab cdcd, etc. This poem is similar to the Lilt (https://poetscollective.org/poetryforms/tag/abab-cdcd-efef-ghgh/) except for its accentuation:
 
 
 
 
 
WORSE THAN BAD
—Caschwa, Sacramento, CA

it is our fate to love to hate
our beginning was a revolt,
prisons are full, we’re still irate
bad feelings grow until they molt

and pave the way for worse to come
no penalty is too severe
for open sores that will not numb
as we, the victims, dwell in fear

there was that speech, ‘twas heard by all
his breach of trust clear off the charts
some consequence should now befall
that draws and quarters all his parts

we cannot feed him to the beasts
they so deserve much better lot
some guidance does come from the priests:
pray for his soul….then let him rot

* * *

Joe Nolan’s poem here rhymes xxxa xxxa xxxa xxxa:
 
 


DREAMING WHILE DESPERATE
—Joe Nolan, Stockton, CA

I dream more
When I’m desperate—
Flouncing for things
I cannot find.

I know what they are,
But can’t describe them—
Something’s slipped from
A corner of my mind. 

If you chance upon
My search,
Please shout to me, behind.

Announce to me
The things I need,
Since to my needs
I’m blind. 

* * *

This poem by Roe Brown is in Free Verse (vers libre). See more from Roe next Monday:
 
 

 
PAIN AS AN ALLY
—Roe Brown, Sacramento, CA

The night before my open-heart surgery, when they set
the port for the heart/lung machine in the artery of my wrist,
I felt the pain couldn’t be much worse. But I knew what
was to come would be much, much worse. And I began
to spiral into a blind panic.

It was then I remembered The Teachings of Don Juan.
A shaman needs an ally.
I decided then and there that pain would be my ally.
No longer to be feared, pain was my guide. If I woke up
in pain, I could rejoice because it meant
I lived through the surgery.

The new surgery I face will not be “as bad” but will be painful.
Internal geography will shift, there will be incisions,
muscles will be severed. It will hurt.
I will call on my old nemesis/ally Pain.
I will have reason to rejoice. Reason to pay attention.
Reason to practice patience.

Cancer sneaked up, gave no warning. Having discovered
the deadly cluster growing in me, it must come out.
I am more aware of pain now than ever. And, again,
it will be my guide. The last time, I learned much about limits
and how to test those limits to recover.
I expect to learn a new set of skills from my Ally.
And pain? I will have a whole new relationship with it.

* * *

And here is an Ars Poetica from Stephen Kingsnorth about spare parts—pieces of poems that are, like spare socks, waiting to see the light of day:
 
 
 
 
 
DRIFTWOOD
—Stephen Kingsnorth

My scrap file filled with the stillborn,
that made a couplet, stanza, two,
but crept away, tail between legs,
like watered wine that drained away.
But in this new, recycling world,
should I lay bare what hungered soul—
and offer hibernating themes,
the may-be puns, haunt should-be lines,
those rhythms, rhymes that caught my pulse?

I gambled, that addiction steal,
with cherries, horses, roulette wheel,
the bouncing ball that jumps too far,
and even raffles in good cause,
would set me up, three pages least.
But chance and serendipity,
the happenstance on which rely
proved too much art, my naïve stance,
who never wagered, staked a thing.

And then I heard Paul Simon sing,
and heard the saint in his bedroom,
music’s goddess, Cecilia,
and knew his lyrics shamed my muse.
How difficult to excise verse,
extract the tooth that chewed so much;
use cold storage, a reduced font,
but just in case, like junk yard scrap,
its moment comes, spare sock proves pair.

___________________

Many thanks to our SnakePals for their brave fiddling! Would you like to be a SnakePal? All you have to do is send poetry—forms or not—and/or photos and artwork to kathykieth@hotmail.com. We post work from all over the world, including that which was previously-published. Just remember: the snakes of Medusa are always hungry!

___________________


TRIPLE-F CHALLENGES!  
 
See what you can make of this week’s poetry forms, and send them to kathykieth@hotmail.com! (No deadline.) Let’s have at a Lilt; an example is “A Dream” by Edgar Allan Poe (https://poemanalysis.com/edgar-allan-poe/a-dream/).

•••Lilt: https://poetscollective.org/poetryforms/tag/abab-cdcd-efef-ghgh

AND/OR scroll down on Poets Collective’s Poetry Forms Index to the Abbreviated Haiku (Miku):

•••Abbreviated Haiku: https://poetscollective.org/poetryforms/example-index

•••See also the bottom of this post for another challenge, this one an Ekphrastic photo.

•••And don’t forget each Tuesday’s Seed of the Week! This week it’s “Love, Regardless”. 


____________________

MEDUSA’S FORM FINDER: Links to poetry terms mentioned today:

•••Abbreviated Haiku: https://poetscollective.org/poetryforms/example-index
•••Ars Poetica: www.poetryfoundation.org/learn/glossary-terms/ars-poetica
•••Ekphrastic Poem: notesofoak.com/discover-literature/ekphrastic-poetry 
•••Free Verse: www.poetryfoundation.org/learn/glossary-terms/free-verse AND/OR
www.merriam-webster.com/words-at-play/thirteen-ways-of-looking-at-a-poem/free-verse
•••Haibun: www.writersdigest.com/write-better-poetry/haibun-poems-poetic-form
•••Haiku: www.shadowpoetry.com/resources/haiku/haiku.html
•••Lilt: https://poetscollective.org/poetryforms/tag/abab-cdcd-efef-ghgh
•••Sweetbriar: https://www.poetrymagnumopus.com/topic/1882-syllabic-forms-found-in-pathways-for-the-poet/#sweetbriar
•••Troisieme: https://www.poetrymagnumopus.com/topic/1882-syllabic-forms-found-in-pathways-for-the-poet
•••Villanelle (rhymed; can be unrhymed): www.writersdigest.com/write-better-poetry/poetic-forms-villanelle
•••Word-Can Poem: putting random words on slips of paper into a can, then drawing out a few and making a poem out of them.


For more about meter, see:

•••www.studiobinder.com/blog/what-is-iambic-pentameter-definition-literature
•••www.pandorapost.com/2021/05/examples-of-iambic-pentameter-tetrameter-and-trimeter-in-poetry.html 
•••nosweatshakespeare.com/sonnets/iambic-pentameter
•••www.thoughtco.com/introducing-iambic-pentameter-2985082
•••www.nfi.edu/iambic-pentameter

____________________


—Medusa
 
 
 
 Today's Ekphrastic Challenge!

 
See what you can make of the above
photo, and send your poetic results to

kathykieth@hotmail.com/. (No deadline.)

***

—Photo Courtesy of Public Domain










 
 
 
 
 
 
 
For upcoming poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
in the links at the top of this page.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
 

 



























Thursday, February 09, 2023

Returning to the Sea

 
—Poetry by Cynthia Linville, Lincoln, CA
—Photos of the Sonoma Coast by Cynthia Linville
 
 
 
DRAWING PERSPECTIVE*

1. Be Aware of the Horizon

      Sometimes history slings you sideways: a voice, a name


2. Perspective is Simply an Illusion

      peels back suppression
      unmuffles a silent rage


3. Above and Below the Horizon Line

      and it’s all you can do
      to bite back a snarl,
      swallow a storm.

4. What Distance Looks Like

      You take a deep breath
      fake politeness
      thank the stars that it’s only a phone call,
      that he’s out of your life—for good.

5. Where Vanishing Points Go

      “A reunion? This weekend?
      No, I couldn’t possibly,
      far, far too busy.
      So kind of you to think of me
      after all these years.”


6. Leave Details Behind

      Afterwards
      you wander through your home
      fingering a silk scarf
      cradling a polished stone.
      “Mine,” you think
      almost floating.
 

*The headings in this poem are taken from the article, “11 Perspective Tips for Convincing Architectural Sketches and Paintings” by Courtney Jordan, published on ArtistsNetwork.com.
 
 
 

 


JENNER BY THE SEA

She walks against the wind for pleasure
wanting to walk away from herself,
wanting to be a tourist in her own life.

She walks into a memory-filled silence:
She stood right here, at 15,
buoyant from a new kiss.

At 22, she stood on this overlook
and suddenly knew what to do with her life
(and that career stuck).

And here, freshly divorced,
she made peace
with the rough tides inside.

She lets the past anchor her.

And now she finds that
she hasn’t walked away from anything.
She’s only returned.

She always returns to the sea.
 
 
 
 


THE END OF TIME

      “Our bodies are made of time.” 
      —The Electric Hotel by Dominic Smith

Here at the end (her end)
she’s lost her taste for the past.
It’s the present that’s juicy–
ruby red grapefruit
chicory coffee with cream
the fresh silence of morning.

Still—stories whisper across the decades.
They pulse and hum
a near-constant susurrus
lengthening
shifting
overlapping.

She is forever swimming in stories
sluicing through silence
drifting forward, coming back—
to her coffee, her grapefruit
to the time that she has.
 
 
 
 


SEPTEMBER 28

The wind is the sound of the past receding.
Once Ian comes striding out of the sea
nothing can spare them.

Still—she wants to see what will happen next.

The colorless light
speeds towards the edge of land—
collides into a suddenly skyless world

First the silence, then the roar—
everything smudged with green
everything shredded into a litter of clouds

The storm is in her chest
like hands wrapped around her heart.

Ian is rending in two the world that once was:
spouting sky into sea
sea into streets

She comes to believe that she has always been here
inside this vibrating silence.

Then—
nothing
no one.

Outside—the endlessly pooled water
reflects what’s been lost
what’s left

She thinks, how quickly it passed.

Then she blinks,
looks up, and sees that
everywhere the world is raining flowers.

____________________

Today’s LittleNip:

HIGH PRIESTESS
—Cynthia Linville

I wear the sun on my back
the moon on my brow
the wind in my hair
and dew on my skin

I hold starlight in my hands
and fire in my breath

The earth is firm
beneath my feet


_______________________

—Medusa, with thanks to long-time SnakePal Cynthia Linville for today’s fine poetry and photos, “…holding starlight in her hands…”

And a note that, in addition to Poetry Unplugged at Luna’s Cafe in Sacramento tonight, Speak Your Peace Open Mic features Bryttina Wyatt and Sixx, also in Sacramento. Click UPCOMING NORCAL EVENTS at the top of this column for details about these and other future poetry events in the NorCal area—and keep an eye on this link and on the Kitchen for happenings that might pop up during the week. 
 
 
 
 Cynthia Linville








 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 



























Wednesday, February 08, 2023

An Offering of Roses

 
Carol Alena Aronoff
—Poetry and Photos by Carol Alena Aronoff, Hawai’i
 
 
 
OFFERING OF ROSES

I place an offering
at ocean’s edge
mixing sea foam
with gratitude.
Rose petals scatter
like prayers
on the wind,
a small tern lifts
its wings in homage.

Thoughts depart
as love floods in
from the air,
from the water,
from sunlight,
from rock.
This love is as fine
as the rising mist—
stronger
than spider silk.
 
 
 
 


JUST ONE BREATH

One slow breath
and I am weightless
among stars;
the gravity of belief
has lost its hold,
opening me to infinite
possibility and awareness
wide as sky.

One glance at the rose
reclining near my door
and my heart
is cherry aspic quivering
with joy.
And the butterfly
sipping marigold nectar,
my muse.

Simple, small acts
to shift from shopping
list, consumer mind,
from the dumpster dive
of ordinary life to the
space where everything
is sacred. Just one breath,
one glance.
 
 
 

 
 
LOVE IN TALL GRASSES

There is no need to be a beggar
at nature’s table awaiting grace.
No need to be timid in tall grasses
beside a rich Damson plum tree
or carrying the basket of moon.
Life asks only to be devoured whole.

No need to hunger for connection.
The affection of marigolds, sweet
devotions of the scarlet tanager
and gentle touch of jasmine-
blessed breeze are more than
enough to know you are seen.

Of course the local mynah birds
are always up for conversation
and the hawk will argue that you’re
leaning on his tree, then welcome
you with open wings. Everywhere
you turn there are messages of love.

____________________

RAIN SONG

This afternoon, I watched the rain
dress leaves in pearls and satin.
Silvery drops danced down my
window like little moons, like tears.

Sky has been weeping all summer,
nearly every morning and evening,
as if there is too much sorrow
in the world to allow the sun free rein.

Although peonies happily lift thirsty
petals to drink, they ache for those
without enough, for the loss of flower
dreaming, for the fragrance of bees.

This ongoing deluge, like nectar for
the reiteration of trees—heartening
what can arise from a downfall, from
being uprooted, what looks like dying.
 
 
 

 
 
THE WISDOM OF SUNFLOWERS

Their roots take in
the toxic waste
of thoughtless acts,
transform them
into food for thought,
into flowering.
Young heads turn
always towards
the sun. When
there is no sun,
they turn toward
each other.

Sun gods incarnate
with all-seeing eyes
uplift nations, stand
watch over dreamers,
ornament graves. In rain
and wind, they bow like
supplicants, shed seeds
of possibility yet to
germinate. Even when
dried and past their
bloom, they feed us—
ask nothing in return.

___________________

WHAT THE WORLD NEEDS….

How do I keep on
loving the world
when so much
is breaking down
and dying,

when division
and hatred
inundate
the landscape?

I search for hope
beneath falling
branches, weighed
down by too-ripe fruit,

undone by the sorrow
of hawks crying
over poisoned nests,
their hatchlings dead.

The rain hits long
leaves of ginger
in a soothing rhythm,
like xylophones,

like a heart beating
messages of renewal.

Darkness, fertile womb,
calls out for tender musing.

Gestation needs a fierce
yet loving hand—alchemy,
 
anchored in the stars
that light new bones
and form fresh worlds:

unknowable constellations.
 
 
 

 
 
FROM OUT OF DARKNESS

Dark swan, fly me above
the River Styx, through
the bardo of becoming.

Anchor me in feathers
and froth, freshly hatched
seabird, author of a new

testament, new life. From
a ripped, blue heart, once
mired in shadow, notes of

sunlight lift and mend what
once seemed unmendable.
I am now green with hope.

Amidst new longings,
a list of unrequited wishes
still waits to blossom: more

joy, more creative wandering,
more love for the world
without expectations, more

kinship with the ordinary
in all its wonder and beauty.
More gratitude.

____________________
 
Today's LittleNip:
 
Poetry is the art of creating imaginary gardens with real toads.
 
—Marianne Moore
 
____________________
 
Mahalo nut loa to Carol Aronoff, who is writing to us to day from the Big Island in Hawai’i, with its noisy mynahs and mystical sunsets. Carol Alena Aronoff, Ph.D. is a psychologist, teacher and poet. Her work has appeared in numerous journals and anthologies and won several prizes. She was twice nominated for a Pushcart Prize. Carol has published four chapbooks (
Cornsilk, Tapestry of Secrets, Going Nowhere in the Time of Corona, A Time to Listen) and 6 full-length poetry collections: The Nature of Music, Cornsilk, Her Soup Made the Moon Weep, Blessings From an Unseen World, Dreaming Earth’s Body (with artist Betsie Miller-Kusz) as well as The Gift of Not Finding: Poems for Meditation. Currently, she resides in rural Hawai'i. Welcome to the Kitchen, Carol, and don’t be a stranger! (Watch for more from Carol Aronoff in March.)

A note that the 2023 Sierra Writers Conference begins today and runs through Feb. 16. Click UPCOMING NORCAL EVENTS at the top of this column for details about this and other future poetry events in the NorCal area—and keep an eye on this link and on the Kitchen for happenings that might pop up during the week.

___________________

—Medusa
 
 
 
Maile
 




 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
What?? No snakes in Hawai’i??






















 
 
 
 
 

Tuesday, February 07, 2023

The Whispered Truth of Our Muses

 
Cold Winter Sun
—Poetry by Joyce Odam and Robin Gale Odam, 
Sacramento, CA
—Photos by Robin Gale Odam
 
 
THINKING BEYOND SLEEP
—Joyce Odam

Waking came slow.
The outside world was forming.
The fog was beautiful in the gray sky.

I thought it was morning, how strange
a thought holding the moment
so silent and fading.

I wanted to cry, I
wanted to follow, but it was
not my time to make a confusion.

My little fog bird was
appearing again, the little
gray bird with the seeking eye, until

it recognized me and promised one more
time not to follow the long streaks
of daylight shimmering by

before I could change the sign to normal
and own my self again . . . don't let it
go away . . . I am not ready.

____________________

WAKING
—Robin Gale Odam

blinding fog, barking of dogs,
soon the cold winter sun

i used to have mercy, some-
thing happened along the way

deep night, the salt of tears,
love held tightly inside

whispered prayer, solitude
before morning

the gray dawn,
songs of geese high above
 
 
 
 The Whispered Truth
 
 
MERCY
—Robin Gale Odam

could I offer mercy for the
whispered truth of my muse,
truthteller at the waking edge of

sleep—the low reach of memory,
where I pull myself into morning
and then rise, fully awake, into

daylight, with reservation and the
preference to chronicle the peaceful
dark after sundown, the sacred

nighttime—but she has secured her
offering . . . bare branches of winter,
little birds of morning, the raucus crow
 
 
 
 My Muse

 
OH, WHAT AN OLD, OLD CHILD
—Joyce Odam

Light candles.
It is dark.
It is so large and black in my room.
Make light.
I am afraid.

Oh, what an old, old child
I have become.

                                           
(prev. pub. in Medusa’s Kitchen, 1/13/15)

___________________

THE INNOCENCE OF LIFE
—Joyce Odam

what is the price
what is the name
the way of now

I live my name without the fame
all life is free without the blame
so much is now that I protect
"alas and wow" to all regret—
what is it that I mean to say
I never know—it goes away

trust is slow  
for those who can relate

I am alone now to myself
of my opinion mine is free
words can kill me . . .
what is trust . . .
when trust is nothing I can see
 
 
 
For The Harmony
 
 
CONJOINED
—Joyce Odam

I remember
the two
sisters
for when
time was long
and time was slow.

And
we knew
each other
from the time-ago—
and they were of each other.

And
one was
always "time
and the world"
and the other was
"quarrel, and pace the days."

___________________

WINTER HELD MY SOUL
 —Robin Gale Odam

they danced into summer,
my sweet liar
and the clever thief
 
 
 
 
A Slant of Light 
 

COG
—Joyce Odam

You start your life
With all the fire
Of optimism
And desire.

You live your life
And painfully
Find all not what it
Seemed to be.

You near the end—
What did you learn?
Perhaps you only
Had your turn.

                                     
(prev. pub. in My Stranger Hands, 1967)
 
 
 
How Many Cryings
 

MERCY
—Joyce Odam

We are waiting now for all the death,
we are waiting now for life.

We are waiting for the harmony
that is left from all our wantingness.

What was wrong with our crazy-crying,
our crying laughter from our bliss.

Though we regret a few regrets,
how many cryings did we cry from this.

___________________

Today’s LittleNip:

WATERMARK
 —Robin Gale Odam

Pressed into the morning,
visible in a slant of light, trace
of your exit—crisp as parchment.
                

(prev. pub. in
Brevities, May, 2016)

___________________

Gratitude to Joyce Odam and Robin Gale Odam this morning for poems and photos that are merciful and beyond! That was our Seed of the Week: Mercy.

Our new Seed of the Week is “Love, Regardless”, a nod to upcoming Valentine’s Day, but also to greater issues. Send your poems, photos & artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from. And see every Form Fiddlers’ Friday for poetry form challenges, including those of the Ekphrastic type.

It’s Poetry Out Loud season, and tonight at 6:30pm, Stanislaus County Poetry Out Loud competition takes place at Oakdale High School Theater, 739 W. G St., Oakdale, CA. Students have memorized 2 poems to recite. The winner goes on to the State Competition later this spring, and the winner there goes on to the National Competition in Washington DC. Click UPCOMING NORCAL EVENTS at the top of this column for details about this and other future poetry events in the NorCal area—and keep an eye on this link and on the Kitchen for happenings that might pop up during the week.

_____________________

—Medusa
 
 
 
 —Photo Courtesy of Public Domain







 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
 

 

















 
 
 
 
 
 
 
 
 
 
 

 

Monday, February 06, 2023

Mercy, Mercy

 
—Watercolor by Laurie Edelman
—Poetry by Nolcha Fox, Ian Copestick, 
Stephen Kingsnorth, Sayani Mukherjee, 
Joe Nolan, Shiva Neupane, and
Caschwa (Carl Swartz)
—Original Watercolors by Laurie Edelman
—Public Domain Photos Courtesy of Joe Nolan
 
 
 Empty bottle

stuck in sand,
thrown to shore
by wind and waves,
holds the sun
and lover’s dreams,
a glassy ghost
of summer past.

—Nolcha Fox, Buffalo, WY
 
 
 
 —Watercolor by Laurie Edelman, Westchester, CA
 
 

FOOD FIGHT
—Nolcha Fox

Tomato soup and rain heat
and bubble in my stomach,
two married memories
I cannot divorce.

I cannot divorce diets.
Every morsel is misery,
expanding my body
beyond mirror’s edge.

Beyond mirror’s edge I eat
to live, to remember.
If I don’t remember what I ate,
I will live to eat.

I will live to eat and bake.
I bake myself into this place
to pretend I can’t leave.
If I give up baking, where will I go?
 
 
 

 
 
SOBRIETY SUITS ME
—Ian Copestick, Stoke-on-Trent, England

I sit here
Sober on
A Saturday
Night
Surrounded
By my pets.

Up until last
Year, I would
Have been
Slaughtered
Every night,
But especially
On a Saturday.

I really miss
My Mrs, and
My Dad, And
The friends
Who've died in
The in the last
Couple of years.

Tommy Cherry
Felt like my
Musical mentor.
Although we never
Met, I considered
Him a true friend.

He was.

But, now I have
To say that I
Feel quite happy,
More than I have
Done for a long
Time.

Surprisingly,
Sobriety
Suits me.
 
 
 
 


MERCY
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales

I hear it, newsflash, of a dash,
so S.O.S., in coded morse,
saving our souls, though also sole—
is honour there in mercy shown?
Its quality not strained, I hear,
but undermined—is justice seen—
with punishment rarely aligned—
but sometimes fitted by Old Bill?
Is it meeting the other’s eyes,
there but for grace of God I go;
restorative, that justice grown,
victim forgiving, perp so changed?
Is it pity for one who wrongs,
knowing all fall, that target short;
maybe as ‘thank you’ from Mon Dieu—
for mercy shown, is merci given?
Could it be Base, Tranquillity,
or sci-fi type, far-side-of-moon?
The questions flow, for we don’t know,
as how to live with mercy found.
Rarely can it be owned, this craft;
we need musician, frame and dance,
the aural, visual, move expressed,
for insight, angels fear defend.
How strange a feast when just deserts
are taken from the menu served. 
 
 
 
 


BLOOM
—Sayani Mukherjee,
Chandannagar, W. Bengal, India


Burning up and down
Like the highest peak can't be touched down
My dolce et petition
My sweetest devotion
Cracked open
I made my religion breakthrough
Through cracks and bones
Amongst midnights and alleyed bones
Little fragile heart at my doorstep
Visiting my underworld stairway
My heavenly coldness
Crowns in my living room way
The porched open house
Little graffiti artistic pursuit
Of my hotspot on the opened door
Aside from the bottom line
Made my phone book worthy
Like living waters
The transparent ghost
My front porch open window
Burning lilies hanging open
My superbloom my resilient religion. 
 
 
 

 
 
ANCIENT TIME, MODERN VISION
—Joe Nolan, Stockton, CA
 
The power to create,
The power to destroy,
The power to use,
The power to employ,
To create the pyramids
Above the sands
That once were wet—
The Great Sahara Forest,
The Nile,
Running east to west,
The center
Of a jungle
That ran abreast
Both sides
Of a river
Across the north of Africa,
Broad and wide,
Before the dawn
Of modern times,
Twelve-thousand years ago.

Still, we did not know
Until we looked below
From far above—
Eyes put into heaven,
Looking down
Could see below
The sandy ground—
An ancient river-bed
Across the Great Sahara.

Climate changes,
This we know,
Looking down,
We see below,
The loss of a flowing river
Gave birth
To a giant desert.
 
 
 

 
 
A CAT AND HIS PEARLS
—Joe Nolan

A cat
Licked a string of pearls
Until they
Were worn down,
Then turned into a clam.

From the outside,
None could tell
The change that
Was within him.

All the perfect
Round things
Then within him,
He smiled a perfect smile,
And knew, “I AM!” 
 
 
 

 
 
DRY FIELD
—Joe Nolan

Fallow
Lies a field
Along a river
That barely runs
A trickle
In the summer.

Its farmer
Took a job
In town
Working as
A plumber
After shutting
His farm down.
 
 
 
 


WAKE UP! AMERICA
—Shiva Neupane, Melbourne, Australia

The strategic patience is over
When Chinese balloons hover
Above your roofs
And they make you go Oops!

Wake up! America
Do not let others be your replica.
Your strategic assets may be stolen 
And you may be fallen.

Is this the retaliatory agony ensued from Hainan Island?
To poke the skies above America’s mainland?
The geopolitical-Lakshmana Rekha causes consternation
at South China Sea because it is a bone of contention.

Wake up! America
Decipher the pluralistic truth of new world order.
You’ve walked on the moon,
And you will be walking on otherworldly places soon.

You’re the greatest nation,
filled with the scientists of great notion.
The American dream will again blossom
And may spread the fragrance of fortune.
 
 
 
 
 
 
ALL ABOARD!
—Caschwa, Sacramento, CA

revolution
now independent of one brutal king
we made changes to honor ideals
without benefit of a step-by-step
program to get used to just how that feels

abolition
the very Greeks that gave us democracy
were themselves the owners of slaves
they just needed a forum to gather and talk
about local concerns in their enclave

reconstruction and prohibition
both noisy, stinky locomotives
following the track ahead
that often as not took us away
to some other place instead

we looked at whole institutions
where we wanted to get a new start
so we criminalized their followers
while taking the damn things apart
 
 
 

 
 
NO MERCY
—Caschwa

weather reports show
Russia suffering severe
sub-freezing temperatures
which may help explain why
Mr. Putin is so warm on the
idea of being in Europe
rather than in Asia

can’t wait for the news that
he has hijacked a Euthanasia
Airlines jetliner….
 
 
 

 

MY CALENDAR
—Caschwa

confirmed:  disappointment scheduled for November

either my candidate wins by a vastly one-sided margin
or the nation is catapulted into another Civil War

We, the adult white males of the Confederate States,
in order to form a more perfect autocracy, abolish
justice we don’t approve of, ensure domestics stay
slaves, provide for self-gratification, promote our genital
Welfare, and secure the Blessings of Liberty to ourselves
and it stops there, do ordain and establish this Declaration
of War against the United States of America
 
 
 
 


LAWS WITH NO MERCY
—Caschwa

just completed a Smart Driver
online course to be eligible for
a discount on my auto insurance

part of the Smart Driver presentation
included what you do in the case of
a collision, and part of that discussed
where to properly place flares or
reflector triangles

clicked on the map to see what the
State of California had to say about
this, and they had a stupid rule that
you had to place the flares or triangles
200 to 300 feet behind your car

remember, this is a scenario where
you’ve just been in a collision and
maybe, just maybe you didn’t get there
with all the tools and experience of
a major league baseball groundskeeper,
or those experts who determine the
spacing of airport runways and tarmacs,
 
and several different body parts report
to you that they hurt and you better do
something about it, but hot damn!, the
State of California wants you to figure
out how to measure the distance of
200 to 300 feet for proper placement
of your safety flares

took a personal inventory of my measuring
devices and came up with a few 12” rulers,
a couple yardsticks, and a tape measure
that extends to 25’.  That’s it.  None of them
long enough to keep me safe in California.
 
 
 
 


WE ARE ALL ARTISTS
reaching for stars one
might only imagine

(after reading the poetry of
Stephen Kingsnorth, Medusa’s
Kitchen, February 2, 2023)

—Caschwa


can’t sculpt worth a damn
but if I see a nude at the beach
laying still in the sunlight
the sculptor has shared the
gift of his sources with me

the same paint brush that
another may use to recreate
some awesome visual image,
when put in my hands, is now
the tool of a toddler; though my
mind is capable of seeing and
admiring that awesome visual
image

there are people who are born
to execute graceful dance steps
without years of cumbersome
lessons, all they need to learn
is to not get in the way of that
natural talent; I, too, will not get
in the way, gracefully receding
to be a flower on the wall, content
that dancers need my audience
to be complete

___________________

Today’s LittleNip:

Mercy

is sunshine after a blizzard,
a promise of spring.

—Nolcha Fox

__________________

Good morning to readers everywhere, poets and otherwise, from our contributors, some of which are having mercy on us (our Seed of the Week: Mercy). Be sure to check each Tuesday for the latest Seed of the Week. Today we have SnakePals who are visiting not only from Stateside, but from Wales, England, Australia, and India! Wow!

Congratulations to Nancy Gonzalez St. Clair on the occasion of being named the inaugural Poet Laureate of Lodi, CA! Nancy hosts a monthly poetry series called Mosaic of Voices, which is held on the second Saturday of the month in the Lodi Public Library, 2pm.

NorCal poetry events kick off this week with Anthony Xavier Jackson and Geoffrey Neill at Sac. Poetry Center tonight, 7:30pm. Poetry Unplugged takes place at Luna’s Cafe in Sacramento on Thursday, then Angela Drew is featured in A Night of Spoken Word Poetry/Open Mic at Modesto Junior College Library on Friday, 7pm. Rest up this week, because Saturday will be a lollapalooza of poetry, starting with Sacramento Poetry Alliance presenting Rooja Mohassessy and Tamer Mostafa at 4pm; Sac. Poetry Center’s book release of
Chimera by Brad Buchanan at 6pm; then T-Mo Entertainment’s Love Show at 7pm. All of that on Saturday!

On Sunday, The Poets Club of Lincoln will feature Sacramento Poet Laureate Emeritus Jeff Knorr plus open mic, 3pm. Click UPCOMING NORCAL EVENTS at the top of this column for details about these and other future poetry events in the NorCal area—and keep an eye on this link and on the Kitchen for happenings that might pop up during the week.

___________________

—Medusa
 
 
 
—Public Domain Cartoon Courtesy of Joe Nolan
 




 
 
 
 
 
 
 
 
 
 
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!