Sunday, February 05, 2023

Take These Stanzas For A Ride

 
—Poetry by Nolcha Fox, Buffalo, WY
—Public Domain Photos Courtesy of Nolcha Fox
 
 
 
Take these stanzas

for a ride,
gun those couplets,
love the mileage
of the meter.
Clutch your pearls
and let the wind
chew down your nails.
Wring your hands
and pay me,
pay me for this poem. 
 
 
 

 
 
I wrote this about visiting my grandparents' house as a child. My grandmother always burned her toast, then scraped all the black stuff off before she ate it.
 

Burnt Toast

Trees play pat-a-cake
above my head,
a sheltering sunshade,
lead us to your house.
Your house. Surrounded.
Homes worn smooth
by feet and anger,
paint-chipped bruises,
sagging bases.
Attic steps to hidden
treasures, peeking
through thin sun,
musty dust and
fading mint.
Kitchen reeking
borscht and black stuff,
singed with burning toast.
 
 
 
 


This is how my parents met.
 

That Moment

At a family wedding,
he was bored, brash,
but dutiful.

At a family wedding,
she was overlooked, born too late,
but obedient.

Their eyes roamed the room,
looking for an exit.
Instead, they saw each other,
an unimagined exit,
married at first sight.
 
 
 
 


Devoured

I’m a shell of myself,
tossed by the surf,
shot from a gun.

Subjected to time loss,
another dimension,
devoured, sucked empty

by Twitter and Facebook.
 
 
 

  
 
Buttons

I gather buttons, sweep them off the table.
Once they held my clothes together.
Now I hold their empty purpose in a box.
 
 
 
  
 
 
Waiting

When the crossing
arm descends, you race
across the tracks.

When yellow lights
say wait, you say
go faster.

When traffic clogs
the roads, you jump
the median.

You have no
patience for delays,
you will not stop

until you’re dead.
 
 
 



Not Speaking

The curtains don’t tell
what they hear.
The carpet holds
footsteps of exits.
The faucets leak
drips of resentment.
The windows pretend
perfect people.
Words left unspoken
peel paint.
Fear is not speaking
at all.
 
 
 

 
 
Wrapped in Plastic

Like vegetables
or day-old bread
wrapped in plastic,
she wants to preserve
her shelf life.

She wraps her body
in plastic
surgery.
She wants to preserve
her beauty.

She wraps her hair
in plastic rollers.
She paints her face,
a plastic mask
to hide the flaws.

She bought
a plastic casket
to preserve
her bones,
her beautiful bones.
 
 
 
 


She comes back

to haunt him.
She sits in
their café,
a ring on
her finger.
Their eyes meet.
He looks down.
He walks out
forever,
the one she
will always
remember.
 
 
 

 
 
Gardening

She cultivates stupidity in her garden,
planting it with sunflowers and squash.
She tells her friends stupidity
will make them rich and famous.
They buy it from her, every single stalk. 
 
 
 

 
 
What we miss when the oven door

shatters in pieces on the floor
is not the money that
we pay to buy
another oven,
not the baking,
not the broiling.

We miss the handle
to hang the kitchen towel.
 
 
 

 
 
No glasses needed

in my dreams,
the story sharp,
no rounded corners,
choices clear from
coming back here
every single night.
 
 
 

 
 
Flower petals scatter

from a flush of wings that rustle
leaves the memory of the flush
of cheeks, the flush of love, a promised
flush of bricks that wall the royal
flush, a hand that claps, applause for flush
accounts, no money left to toast
the scotch flushed down the drain.
 
 
 
  
 
 
Hope hitches a ride

on unbathed white hair.
Wind slicks and sun flicks
float with each footfall,
the floor a dusty flashback
of unswept fields, and a race
to embrace the wind.
 
 
 


 
Today’s LittleNip:

A hyphen

blissful to bask
in bubble bath,
instead constrained
by corset to curtail
contemplation

as a comma.
 
—Nolcha Fox

___________________

Our thanks to Nolcha Fox for her bouquet of poems today, as we dream of gardens to come~ For two collaborative pieces done by Nolcha (poetry) and Bonnie Meekums (fiction), go to https://www.roifaineantpress.com/post/nails-and-spoons-fiction-by-bonnie-meekums-poetry-by-nolcha-fox?fbclid=IwAR1I8S9c-wRKrI6ReEDn2PrsJJR-wDVrwg3Pz0BKRvQPkE04RnRweKK3E9o/. Nolcha does a lot of collaborative work; tomorrow, she will have two poems posted in the Kitchen that were illustrated by watercolorist Laurie Edelman. Lovely!

___________________

—Medusa 
 
 
 
 —Photo Courtesy of Public Domain
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 



For upcoming poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
in the links at the top of this page.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 

























Saturday, February 04, 2023

Just a Pixel in a Pixel

 
—Poetry by Don Kingfisher Campbell, Alhambra, CA
—Photos Courtesy of Public Domain
 
 
 
Electrified man screams he can't leave his little house

My brain is surrounded by a fence

My mind is a lion god worshipping a bed of roses

My soul is a cat sitting on a windowsill watching leaves dance

My eyes have been wishing they could climb branches by themselves for decades

My mouth is a troubled door opening wide for a blast of stones

My belly is a flying saucer ready to fly high above the clouds

My penis is an aloe vera plant that transforms into a palm tree

My legs are afraid of becoming pudgy gnomes

My feet are beer cans tossed through the gate of the future
 
 
 

 
 
Impressions of September LV

Shiny skyscraping hotels line the I-15

Casino-themed car-filled boulevards

Tanned homeless slumping along sidewalks

110-degree heat thickens the cloudless air

Mattresses left curbside in front of too many houses

Cultural businesses just like any other city

Palm trees and pools seen outside tower-room windows

Post-pandemic non-emptiness in smoky gambling halls

Man-made entertainment volcano blasts night fire

Balding retired men escort their women to $100-a-ticket shows

Neighborhoods of stuccoed homes in named clusters

The whole desert valley ringed by highways
 
 
 

 
 
You and Me
 
You like to see me
wearing basketball shorts

I look at you and enjoy curvy
stripes across your chest

But we are really painting
a domestic banner together

Me, sitting on a sofa
papers strewn about us

There is even a white plastic
trash can, for target practice

In my heart, I want to create
a poem that is a poster of two

Moments when we watch
leaves dance outside the blinds

In our dining room with
a Chinese calendar next
to a psychedelic tapestry

And you like to cut napkins
in half while I blow my nose

I guess this will be a notebook
page of the daily times we share

We both like to drink from hot
mugs, you coffee and me tea
 
 
 

 
 
Tulare Trek

Driving past golden hills

Then through the great agricultural valley

Smelling garlic and cows

Arrive at the city with two main streets

Every chain is there to choose from

First it's lunch Raising Canes

Check out dd's discounts, Dollar Tree, 99¢ Store, CVS

Followed by Blaze Pizza dinner

Back to the 200-square-foot square motel room

To watch some flat-screen basketball

While charging the phones

Occasional voices outside the closed draped window

My wife giggles at a rubber pillow from Thailand video

I'm ready to endure a night in a white double bed

With my sweetie by my side providing leg-on-leg warmth
 
 
 

 
 
Some Things to Do on This Planet

After a sunny afternoon spent indoors critiquing poetry on Zoom with friends
My wife and I go to the thrift store to look for bookcases
but she finds coffee or tea cups with matching saucers blue striped half price
Then back home I enjoy a salad made by my life partner
Finally relax selecting music to listen to and post on Facebook
Done with that I stroll over to the bathroom to pee
Switch on the light, look into the toilet
I see a tiny dark floater
Must have been left behind by you-know-who
There's even a crumpled ball of tissue beside it
Wait a second, this ain’t poop
Isn't that really a triangle on the surface
with two antennae twitching
It's a moth, soaked and suffering
I piss all over the little lake,
aiming for more indignity for the errant intruder and flush
An unpleasant way to end this stinking poem
 
 
 

 

Sequoia Sojourn

Gas up, hop on the freeway

Watch farmland become groves

Trees growing taller as the road winds

Feels like driving a sailboat through choppy waters

Signs declare narrow bridges, switchbacks, recent fires

An hour later reach the last space

In the closest parking and walk

Spot redwoods here and there increase in size

Down to the largest tree on Earth

Stranger couples take cellphone shots for each other

Stroll and find a double tree, a triple arbor

Look at the rings of a fallen giant

Thousands of years longer than a human life

Huff on stone steps back to the car

Sit on halved wood benches on the way

Then unwind the maze to return

Past homey hotels and restaurants

Homes with streams in their backyards

Arrive at the city to stay the night

Tomorrow morning retrace the highway home
 
 
 
 


Still Life

On one edge of the dining table,
a clear plastic gallon bottle of
purified drinking water is flanked
by two somewhat unevenly used
cardboard paper towel tubes.

One is to the inside left, the other
right, looking like two supplementary
fuel tanks for an Artemis booster rocket.

When observed from directly above,
the combination kind of appears to be
like a dog's face, with the two tubes
as eyes, the bottle cap a nose, and
its handle the jowls and mouth.
I imagine it barking out, woof!

Day after day the bottle is slowly
being emptied, the towel sheets
torn off one by one, until eventually
the empty cylinders are tossed into
a white plastic recycling bucket.

Just need to replace both
to create table art again.
 
 
 

 
 
She is a firework in my life

She makes my heart go boom

My breaths fall away like dominoes

My body wants to get on her bicycle

And ride, ride, ride until my mind    

Until her mind says the train

Our train is coming to the station

And I hug security and comfort

We have become family I plan

We plan our day and then we act

Shower dress breakfast brush exit

Into the optimistic world that is ours

And I pray we'll have decades we

Knowing our forms age as we go

Forward into unforeseeable future
 
 
 

 

It's All Too Much

A universe littered with galaxies beyond my imagination
Every spiral stretching outward festooned of stars
Each sun sporting some planets, moons and asteroids
This sphere always covered by untold clouds
Oceans alive since evolution evolved here
Thousands upon thousands of whales, sharks, and fish cruising currents
Shores infested in the billions because trees grow and humans manifest
Beings briefly bringing forth into being millions of buildings and books
Made merrier making music and art and children
A ground even more populated around a quadrillion animals and insects
Enough food and flowers to delight all those eyes and noses and mouths
Burgeoning brains recreate creating electric visions and revisions
I'm just a pixel in a pixel in a pixel in a pixel
Part of the whole shebang breathing in and out
Cosmic light went on, someday I am shut off
To be recycled as the planet pleases until it ceases
Also repurposed multiversally for unknowable time
Does God have a new design planned in the possibly etch-a-sketch future

_________________

Today’s LittleNip:

Dew drops on a dead leaf

—Don Campbell

The giant goes for a walk
under the blazing sun
    
The behemoth steps and steps
on long concrete sidewalk

A small insect traverses the
width of a rectangle just ahead

One gargantuan sandial darkens
the sky above the bug only briefly

It was the last thing it ever felt,
a mindless accident of location

_________________

Don Kingfisher Campbell, MFA from Antioch University L.A., taught at Occidental College Upward Bound for 36 years, has been poetry editor of the
Angel City Review, publisher of Spectrum magazine, and host of the Saturday Afternoon Poetry reading and workshop series in Pasadena, California. For awards, features, and publication credits, please go to http://dkc1031.blogspot.com/. Welcome to the Kitchen, Don, and don’t be a stranger!

Today, from 1-3pm, Amatoria Fine Art Books presents Ajuan Mance, author of 1
001 Black Men, in an author talk/signing, 1831 F St., Sacramento, CA. And tonight, 6pm: Escritores Del Nuevo Sol presents Hablemos del Amor featuring Zheyla Henrikson and Paul Aponte, plus open mic, at the Vida del Oro Foundation, 1324 Arden Way in Sacramento. Click UPCOMING NORCAL EVENTS at the top of these column for details about this and other future poetry events in the NorCal area—and keep an eye on this link and on the Kitchen for happenings that might pop up during the week.

_________________

—Medusa
 
 
 
 Don Campbell





 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!




















 

 

 

 

Friday, February 03, 2023

Looking for Blooming Poems

—Poetry and Photos by Taylor Graham,
Placerville, CA
—And then scroll down for 
Form Fiddlers’ Friday!
 
 
 
PYRACANTHA MORNING

This firethorn is bounty for birds, robins tipsy with berries,
cedar waxwings with their bell-song calling winter into spring,
January sun cresting the ridge, soft gold over the canyon.
 
 
 

 
 
IF YOU’D JUST OPEN THE WINDOW   

What a week. Your laptop
disappeared all your documents
you thought safe in the security of Web-
root and the Cloud. And now gray-
green stains adhere to the toilet bowl
as if the breeding ground of alien fungus.
Each day brings a new aggravation—
you write “disaster” as you pen it
in your journal, to magnify the sense
of flummox in a world gone
out of control, enclosed within your
walls, your brain. Out the window,
look—a blue butterfly.
 
 
 
 


WATER’S WAY

After a week of rain, our creek lets go
of a year's debris: small branches, twigs, leaves
all pulled into current, wild-water's flow.
Under my boots, the soaked earth sucks and heaves.

Of a year's debris, small branches, twigs, leaves
catch in the culverts, whirl a sudden pool
under my boots. The soaked earth sucks and heaves,
the banks give way. Lessons from Nature's school

catch in the culverts, whirl. A sudden pool
all pulled into current—wild water's flow.
The banks give way, lessons from Nature's school
after a week of rain. Our creek lets go.


(prev. pub. in Poets Forum Magazine, 2013)
 
 
 

 
 
YES TO POETRY
Capturing Wakamatsu January 2023

After weeks of rain,
flood, and wind bringing down trees,
would we have signups?—
hardy spirits who still think
it's poetic, this
wandering around in mud,
looking for blooming poems. 
 
 
 

 

ARS POETICA, FUNGUS

Walking the oak-buckeye woods & pasture
around the pond, we’d stop for every
mushroom erupted from earth, fungus fueled
by new year’s rains. The plant app on my phone
told me: Blewit, Brownit, Jack-o’-Lantern,
Golden Milkcap. Now, sitting in farmhouse
garden making a poem of them all,
I happen to look up and lo! right there
in front of me, in a bed of wood-chips:
a strange burnished mushroom I hadn’t seen.
Tell me, was it summoned by my poem?
 
 
 
 


UP FROM UNDER

It popped up overnight from the rot
of earth. I love the surprise—stumbling
on the unexpected and strange,
so eerily lovely, its name must come
from fairytale or legend,
but it resembles an old man napping
under his cap, stranded
in an alien land, waiting for a bus
home. Science tells me
he’s from a global kingdom
all its own—not plant nor animal—
beautiful, mysterious as life.
 
 
 



Today’s LittleNip:


NOMENCLATURE
—Taylor Graham

Is this a drizzle
or a mizzle or a mist?
The rain doesn’t care.

_____________________

Many thanks to Taylor Graham for this morning’s poems and photos as she captures the aftermath of our early January storms. Forms TG has used this week include the Pantoum (“Water's Way”); a Senryu (“Nomenclature”); a Choka (“Yes to Poetry”); an Ars Poetica / Blank Verse (“Ars Poetica, Fungus”); a Word-Can Poem (“If You'd Just Open the Window”); and a Sijo (“Pyracantha Morning”).

Tonight, celebrate Black History Month with the I Am Somebody Poetry Contest, 6-9pm, 2251 Florin Rd., Sacramento, CA. Food, entertainment, music, crafts, raffles, resources. Free; $100 prize. Click UPCOMING NORCAL EVENTS at the top of this column for details about this and other future poetry events in the NorCal area—and keep an eye on this link and on the Kitchen for happenings that might pop up during the week.

And now it’s time for…


FORM FIDDLERS' FRIDAY!
 
It’s time for more contributions from Form Fiddlers, in addition to those sent to us by Taylor Graham! Each Friday, there will be poems posted here from our readers using forms—either ones which were sent to Medusa during the previous week, or whatever else floats through the Kitchen and the perpetually stoned mind of Medusa. If these instructions are vague, it's because they're meant to be. Just fiddle around with some challenges—  Whaddaya got to lose… ? If you send ‘em, I’ll post ‘em! (See Medusa’s Form Finder at the end of this post for resources and for links to poetry terms used in today’s post.)


There’s also a newly dusted-off page at the top of Medusa’s Kitchen called, “FORMS! OMG!!!” which expresses some of my (take ‘em or leave 'em) opinions about the use of forms in poetry writing, as well as listing some more resources to help you navigate through Form Quicksand. Got any more resources to add to our list? Send them to kathykieth@hotmail.com for the benefit of all man/woman/poetkind!
 
 
 
Last Week’s Ekphrastic Photo
 

Here are responses to last week’s Ekphrastic Photo from Nolcha Fox and Stephen Kingsnorth:


VINEYARD
—Nolcha Fox, Buffalo, WY

Purple grape clusters hang on the vine,
each cluster a day, each grape a moment.
Do I savor each grape, the sweet and the sour,
or squeeze the juice from the day,
and drink the wine?

* * *

VINTAGE TRICKS
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales

I swirl clear burgundy in bulb,
in glass, aroma—on, its legs,
in mouth sensations, by stem tip,
then what of finish, aftertaste?
The lexicon is searched for words,
the poetry of cellars blurb,
sommeliers of active verbs.

From dry clime hills where vintage born,
good season, not, beyond control,
grape species from the hanging vine,
the sweetest cluster may fall short.
Before the picking, trampled vat,
where flesh meets skins, fruit between toes,
we see the better hanging, pruned,
those sloshing feet to bottled prize,
now poetry returned as prose.
The new wine tested for its taste,
less flavour, than its favoured whole,
its fitting to the culture’s mood.

The bunch, a medicine for the eye,
its bloom a dusting from the sun,
until those feet in pummel stood,
and crushed the fruit, millennia.
Ambrosia, in bottled proof.
How can one capture vineyard wealth?

* * *

Here is a Sonnet from Carl Schwartz (Caschwa):
 
 

 
NEW RULES
—Caschwa, Sacramento, CA

Please be advised that several local
jurisdictions from coast to coast
have modified their respective penal
codes to require certificates for most

circumstances where people might
open-carry a cell phone in any location
visible to law enforcement, day or night;
and further that such certification

is affixed to a lanyard, worn around the neck
that a near-sighted officer can easily read,
providing a complete background check,
a competence exam, and showing valid need.

Questions or concerns about these new rules
will not ever be answered because—April Fools!

* * *

Carl says that this is his attempt at a Fard, which we first tackled a couple of weeks ago:
 
 

 
JUST A LITTLE BIT OF LOGIC
—Caschwa

IF mail is to email :: motion is to emotion
THEN artificial intelligence must always prevail

* * *

And an Ars Poetica from Stephen (“verse drawn by our dreams”):
 
 
 
 
REACH
—Stephen Kingsnorth  

Our art outlasts the reign of states,
words, observations, questions posed,
the printer’s eroteme on page,
or brushwork sweeping dust away,
an armature for raising shapes
to re-design our outlook scene.
We hear of street art, urban scape,
but rarely peer where parkour leaps—
its brick and tiles, or frieze outline
changes perspective on our town.
The marbled grace released from block,
or crafted verse drawn by our dreams—
the best outlast brief kingdom schemes
through power addressing minds and hearts.

___________________

Many thanks to our SnakePals for their brave fiddling! Would you like to be a SnakePal? All you have to do is send poetry—forms or not—and/or photos and artwork to kathykieth@hotmail.com. We post work from all over the world, including that which was previously-published. Just remember: the snakes of Medusa are always hungry!

___________________


TRIPLE-F CHALLENGES! 

See what you can make of this week’s poetry forms, and send them to kathykieth@hotmail.com! (No deadline.)

•••Sweetbriar: https://www.poetrymagnumopus.com/topic/1882-syllabic-forms-found-in-pathways-for-the-poet/#sweetbriar

AND/OR scroll down on Violet’s site to the Troisieme:

•••Troisieme: https://www.poetrymagnumopus.com/topic/1882-syllabic-forms-found-in-pathways-for-the-poet

•••See also the bottom of this post for another challenge, this one an Ekphrastic photo.

•••And don’t forget each Tuesday’s Seed of the Week! This week it’s “Mercy”. 


____________________

MEDUSA’S FORM FINDER: Links to poetry terms mentioned today:

•••Ars Poetica: www.poetryfoundation.org/learn/glossary-terms/ars-poetica
•••Blank Verse: literarydevices.net/blank-verse AND/OR www.masterclass.com/articles/poetry-101-what-is-the-difference-between-blank-verse-and-free-verse#quiz-0
•••Choka: poetscollective.org/poetryforms/choka
•••Ekphrastic Poem: notesofoak.com/discover-literature/ekphrastic-poetry 
•••Fard: https://www.poetrymagnumopus.com/topic/628-the-sher-and-its-meters-beher-with-options
•••Pantoum: www.shadowpoetry.com/resources/wip/pantoum.html AND/OR https://poets.org/glossary/pantoum
•••Senryu: www.masterclass.com/articles/how-to-write-senryu-poems#quiz-0
•••Sijo: www.writersdigest.com/whats-new/sijo-poetic-form
•••Sonnet Forms: https://blog.prepscholar.com/what-is-a-sonnet-poem-form AND/OR poets.org/glossary/sonnet AND/OR blog.prepscholar.com/what-is-a-sonnet-poem-form
•••Sweetbriar: https://www.poetrymagnumopus.com/topic/1882-syllabic-forms-found-in-pathways-for-the-poet/#sweetbriar
•••Troisieme: https://www.poetrymagnumopus.com/topic/1882-syllabic-forms-found-in-pathways-for-the-poet
•••Word-Can Poem: putting random words on slips of paper into a can, then drawing out a few and making a poem out of them.


For more about meter, see:

•••www.studiobinder.com/blog/what-is-iambic-pentameter-definition-literature
•••www.pandorapost.com/2021/05/examples-of-iambic-pentameter-tetrameter-and-trimeter-in-poetry.html 
•••nosweatshakespeare.com/sonnets/iambic-pentameter
•••www.thoughtco.com/introducing-iambic-pentameter-2985082
•••www.nfi.edu/iambic-pentameter

____________________


—Medusa
 
 
 
 Today's Ekphrastic Challenge!

 
See what you can make of the above
photo, and send your poetic results to

kathykieth@hotmail.com/. (No deadline.)

***

—Photo Courtesy of Public Domain










 
 
 
 
 
 
 
 
 
 
 
 
 
For upcoming poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
in the links at the top of this page.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.
 

 


















 
 
 
 
 
 
 
 
 
 

 

Thursday, February 02, 2023

Arabesque

 
Stephen Demonstrates the Arabesque 
—Photo by Denise Kingsnorth 
—Poetry by Stephen Kingsnorth, 
Coedpoeth, Wrexham, Wales
—Other Photos Courtesy of Public Domain
 
 
 
PARKINSON’S DANCE

Old body, poor co-ordinate,
the message, muscle, mind mucked up,
from sloven steps of frozen feet,
drag dance of disobedient.

But here is ballet, balance, brain,
to lift heel, toe, then stretch the leg,
patella groove in groovy move,
full fill the space with fling and fold.

My cushioned seat now studio,
wingbacks, hold bar, bold exercise
where plié, lift, positions held.
My fingers fly far front to find
some feature seen, far distant screen,
as toes behind in trailing lift.

An athlete, lone sole, trapeze wire,
that arabesque in living room,
taut ligaments taught loosen up,
my body brought to overcome.
 
 
 
 


WITHIN RANGE

It is in visible, the range,
between the infra, ultra waves,
though rays beyond the human eye,
radio, gamma, micro, X.
So what the light that I reflect—
what spectrum is it I exude,
illumination, candlepower,
lighthouse in spin, blink on and off?
I cannot cloak my Parkinson’s—
invisibility on tap—
determined terms that dominate,
unless some symptoms medicate—
the calmer quiver, further walk,
a better sleep, pills and a glass.

Few see exhausted energy,
insomnia of early hours,
the joints I roll—a vape puff helps—
slide scapula—sounds mafia—
sup tonic, quinine bubbles up.
They cheer, drag racing on the track,
as I play ball to bridge the gap,
both heel and toe, like synchromesh,
attempt, engage first gear at least.
Some give me stick that carry mine,
a tightrope walker balance pole—
feel ferule cat stuck up a tree—
as concentrate to keep in line,
stare pathway, sole on pilgrimage.
 
 
 
 

 
POOPER

They named me ‘Gramps’ but that’s turned ‘Grumps’,
pretending I’ve misheard the call.
I’m chomping at the bit for home,
as second cheese, ‘This time you smile’,
the pointed joke with others’ laugh,
complaint that I then bare my teeth.
I cast a shadow, enforced style,
no guile for subtle late at night,
but I hate parties, wine and cheese—
another grimace with a glass—
as if advert for dentistry.
I can’t see much, hear even less,
though neither miss when in a crowd,
but can’t hide bathroom all the time.
I note their pity in a glance,
but half a chance, I’ll make escape;
they’ve just decided, must include,
to draw me in, lay out the food,
hand me balloons to rub in palms,
then these old lungs, deep breath, slow blow,
the rubber, better taste than cheese.
Strain, every celebration brings.
 
 
 
 


RECURRING

They say it’s curvature of space,
event horizons, years of light,
but I just hear the tok, fixed state,
the slower move whenever watched.
I put him down,
it hurries by,
awake we’re back to dawdle hands,
if dandle,
catches up again,
when grouchy, hours elongate.
A crying sky takes mourning time,
a sunny smile,
we prance along,
then spoon-fed makes the candlestick,
takes butcher, baker, rhymer rule.
A mewl, a puke, I’m seventh age.
The clock has stopped, I’m overwound.
Mortality for both at hand.
 
 
 

 

GRACE NOTES

Where are the semitones I need,
the gentle climb, fall, steps of ease,
stave, cleft and bar, spread manuscript
saved by clear grace notes in the mix?
Expensive sound is diverse thought,
the grander vision, insight shared,
community, both living, dead,
the passing dreams, tomorrow’s hopes.
If all is hard, contrast distinct,
steer black and white, claimed obvious,
then life resists such ornaments,
poor harmony, stark melody.
Both scale and key is in our play,
not solo, but the orchestra;
what programme the photographer’s
notes, screening flashes on the stage?

_____________________

Today’s LittleNip:

I love writing. I love the swirl and swing of words as they tangle with human emotions.

—James Michener

_____________________

Our thanks to Stephen Kingsnorth today for his fine poems about his struggle on the long, tough tightrope that is Parkinson’s Disease.

Also: a reminder that, in addition to Poetry Unplugged at Luna’s Cafe in Sacramento tonight, the Poetry Night Reading Series in Davis features Rooja Mohassessy and her new book,
When Your Sky Runs Into Mine (John Natsoula Gallery), plus open mic, 7pm. Click UPCOMING NORCAL EVENTS at the top of this column for details about these and other future poetry events in the NorCal area—and keep an eye on this link and on the Kitchen for happenings that might pop up during the week.

And greetings from Punxutawney Phil! Will he see his shadow on this Groundhog Day?

_____________________

—Medusa
 
 
 

 








 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 
 How about GroundSnake Day?














 

 

 

 

 

 

 

Wednesday, February 01, 2023

Loneliness and the Moon

 
—Artwork and Photos Courtesy of Public Domain
—Poetry by Linda Klein, Playa Vista, CA 
 
 
 
LONELINESS

It is the dust that gathers in the corners of rooms where no one walks.
It is the underlying hum of silence on a humid summer afternoon.

Solitude can be something you choose—an escape,
but to be alone is to be ignored, rejected, unrecognized—

                                          lost.

When your last perceived friend has left, amid excuses and lies,
you realize you must find the courage to sweep up the dust and fill the silence.
 
 
 

 

WINTER TREES

A golden path of sun
shines through
shadowy gray snow,
lighting sparse leaves
clinging to winter trees,
their matchstick branches
now nearly bare.
 
 
 

 
 
THE TREE AND THE MOON

A tree offered a geography lesson
about the moon, which created
a good deal of interest.
People wondered how the tree knew
so much about mysterious La Luna.

"You see," said the tree, holding her
tenderly with two of its branches,
"I stand here every night, all night long,
firmly planted, unable to walk away.
I have studied her my whole life."
 
 
 

 
 
BALANCE

I remember an agile walker
teeter-tottering on a tightrope
in the circus that is life.
His every step was quick and sure.
He glided across the distance
with unerring confidence.

Leaning left, straightening, then
swaying right, never going to extremes.
Certain to avoid slipping and falling.
How I admired his journey.
I learned the secret he possessed.
All of life is based on balance.
 
 
 

 

WISHES

Wishes are aptly named.
They sound like something
that would blow away
in a good wind, nice to have
as are sweet dreams.

Wishes and dreams require action.
When they are yours, you are the one
who must make them come true.
Don't wait for someone else to do it.

Wishes must become wants,
a stronger word.  You must
turn dreams and wishes into plans
for how you will achieve them.

If they are worthwhile, and you are
willing to work for them,
you will realize them.

__________________
                           
Today’s LittleNip:

The moon is friend for the lonesome to talk to.

—Carl Sanders

__________________

—Medusa, with thanks to Linda Klein for today’s moonstruck poetry!
 
 
 

 


























For upcoming poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
in the links at the top of this page.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Would you like to be a SnakePal?
All you have to do is send poetry and/or
photos and artwork to
kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!