Saturday, August 04, 2012

To Trouble Eternity


—Photo by D.R. Wagner




VEILS
—D.R. Wagner, Elk Grove

We were returning once again
From having tried to reach the villages.
It was impossible with the rain and the hail
Storms.  There were great winds as well.
We lost two horses on the seaside cliff trail
And almost lost Ramon as well.  He said
The wind lifted him back on the trail.
It was four hundred feet to the shore below.

We were told that night about the Veils.
They were not ghosts but they had no bodies.
They looked like sheets of rain but with the form
Things of the world take, like men and animals.

They are not angels.  They often help us but
They cloud our eyes and we begin to feel in ways
We have never felt before.  They seem to enjoy
Strong weather of any kind and grow larger
In the presence of danger.  They are nearly
Impossible to see.  They have voices that are
Simultaneously loud beyond hurricanes and tornados
And yet are heard as sweet whispers inside the head.

We were told it was Veils that took our horses,
That lifted Ramon back from a deadly fall.
They trade one thing for another.  They are mistaken
For miracles.  They have songs and are able to carry
Fire far into the deepest woods and keep it hidden
Until a perfect moment.

We were told not to fear the Veils but to learn the
Songs our people have sung for generations to them.
They could hear these songs and would recognize us
As more than wandering spirits or companions of death.
They will hear us and protect us if we sing these songs.
They trade one thing for another.  We must discover the other.

________________ 
 
THE CAPTAIN WAS LYING TO US.  FLOWERS DO NOT
SING NO MATTER HOW VIOLET THE SLOPES
THEY GROW UPON. ‘DO NOT ASK QUESTIONS.’
HE SAID. THE MORNING SHIFTED A BIT
TO SHOW THE DARKER BLACKNESS THAT LIE
JUST AHEAD OF US.  WE HAD BEEN FIVE
DAYS ON THE BOATS.
—D.R. Wagner

They hammer sheets of gray lead
Over the entire surface of the earth.
Next they will tell us that we live here.
This is the homeland.  We will have
A name tomorrow.  We are told
Not to expect it to arrive
Any time soon.  They show us how
Steel can be made into many forms.
They expect us to play guitar, clarinet,
Piano, a music written by the tides.
The city reaches higher and higher.
They want a power they think we have
Because we have the ability to read.

Before we can react the water
Is up to our ankles.  The distances
Become very vague as if most of the land
Were a thick, drying muck that
Is most difficult to walk upon.

The sun keeps rising and setting, rising
And setting.  The entire place something useless.
There is no reason to be tormented
By such a landscape.  We will live here.

People will come from great distances
To speak to us of our poverty.
We will show them the rusted gates,
The worn paths to cathedral-like
Buildings that seem restless in their
Architecture.  We await adjectives that
Will help us describe the moments,
The days, their imagined repetitions.

_________________

THE SWORD
—D.R. Wagner

It was never as we expected it to be.
Initially, it had appeared as the blue
The oceans had laid claim to so long ago.
So perfectly clear but with a sense of not
Being able to see at all, a miscellany of legends
Bound together to resemble fine steel but unable
To find its own way.  It depended on our hands.
It was totally unaware of itself and of us.

Certainly it was to be used to take life from
Things, living things, not moons or stories
Or history for that matter, but it could change these
If it found them alone or strung out on some voice
Bound to flesh and willing to give up everything
Just to be discovered centuries later as a footnote
In a book about the sea or the defeat of, at best,
A down-at-heels empire suffering from insomnia
When the sharp edge was introduced and could
Be forced to sink into a great death.

We had the pyramids, which were certainly not
An illusion and they were ruled by swords. Even
Islam itself and the Great Norsemen all saw
Themselves armed with the sword and always
Terribly frightened by the unknown.  They wanted
Eternity but had had no lessons in it and so did
Not obey any order but their own.  Campfires on
The deserts or upon the cold of blasted plains,
Drawing maps with the tips of their great blades.

But we had come here late.  Few of us could speak Latin,
Read the sagas or the ancient books.  We had only been
Playing at a war that started long before we discovered
Ourselves here; pulling the swords from the sand, out of the
Ice, the mud, standing in terrible rains.  When the rains
Finally stopped there were thousands of us standing
Together on an endless plain, all armed with these
Weapons, praising nightmares, building hells larger
Than any empires.  We had arrived much too late.
We believed the swords to be ourselves and not other.
We live in the hollow of a dream, constantly killing
Each other, constantly weeping for losses we cannot
Understand, unable to find the words that would wake
Us, to find the curve to trouble eternity with such a simple
Desire as the understanding of a single word: peace.



 —D.R. Wagner



A LIQUID WING
—D.R. Wagner

A liquid wing as song heard forever
Even if we had no recollection of how
Or where mythology began to devour us.

I began to walk away from all visions.
I could still smell blood.  It
Reminded me I was nearing
Seventy years of age and truly knew
The agonies men espoused.  My own
Hunger was seated in a half-light
Where it stared out at the
Corridors thrown up like mausoleums
For the unremembered.

I thought I might be dead,
But I was not.  I had just
Descended past what I knew
When Ulysses explained about Hades.

The lions walking up and down
The banks of the river.
I could finally see myself among them,
Walking with them.

_________________
 
THE SONG OF THE SOUTH
—D.R. Wagner

South of the doors of desire,
South of the gargoyle claws,
South of a need for breathing,
South of all the outlaws.

Hooked through the mouth hard while dreaming
Waiting inside the machine
Placing our freedom in bottles
Trying to keep the house clean.

Believing in voices of angels
Standing on the tips of our toes
Looking to find a new doorway
Stopping to burn all our clothes.

Remembering where we have come from,
Breaking the locks on the doors
Speaking the smallest of whispers
Searching the far distant shores
 
I’ve tried it all over and over
The results are close to the same
I’ve changed all the relative homelands
They’ve left me with nothing to gain.

I dance with the midnight beside me.
I dance with the heat of the sun.
I speak with the voice of the angels.
My work it will never be done.

_________________

CHIME
                  ...for William Blake
—D.R. Wagner

I was unwound.  I speak in tongues.
The deep trains begin their low
Distant chanting far away, oh so far away.

My sister enters covered with flocks of birds.
They are brilliantly colored
And do not harm her.  They
Are her songs.  They carry her
Voice high into the heavens.

We slide into a vortex unable to determine
Surfaces of the ocean from its depths.

Angels of light transform us.
We try to laugh but it is impossible.

We are feeling too much at one time.
Even as we walk the streets
Thousands of things are being born.
They will transform the world
Before we reach the parks.

All around us they begin to eat
The animals as quickly
As they are able.  It is never
Enough.  Gunfire begins.

‘Proceed in an orderly fashion to the exits.’
The fire trucks are heard coming closer.

Someone picks up a guitar.
Someone else a drum.
We begin to make music, to sing.
We hope the song never stops.  We promise
We will never be asleep again.

__________________ 

Today's LittleNip:

Originality is not seen in single words or even in sentences. Originality is the sum total of a man's thinking or his writing.

—Isaac Bashevis Singer

______________________

—Medusa


—Photo by D.R. Wagner





Friday, August 03, 2012

Delicious!

—Photo by Katy Brown, Davis



SIX WORDS TO WRITE A STORY
—Caschwa, Sacramento

Use
Crash
Spend
Repair
Test
Return

****

Date
Mate
Late
Wait
Great
Fate

****

Elders
Have
Yesterdays
All
To
Themselves

****

Editor
Goofed
Published
Typos
Rave
Reviews

****

My
Income
Is
On
A
Diet

****

How
Come
Stores
Aren't
Wide
Open?

_______________

UNDER SPELLS
—Michael Cluff, Corona

Amy adored anacondas
a bit too intensely
until one day
she disappeared from all living sight.

Orrin worshipped his orchids
the tiger-lilies especially
overprotected and obliterated them finally
much like Mom did to his dreams.

Ivy idolized indigo tints
in her daydream honeymoons
until Elliot knocked those reveries
into bolts of black or blue.

Ursula became a zombie
under Zebediah's unctuous
incantations and ended up
a slave to tedium forever.

_______________

UNDER SUMMER SPELL
—Michael Cluff

The dryness ends patience
quixotically and the queerness
of the air entitles the id
to run abrupt and avariciously
afoul of serene bicameral souls
waiting in quivers
for
a drop of precipitation
of any sort
coming down or even up
from all types of cloud.


 
—Photo by Katy Brown



BARE NECESSITIES
—David Iribarne, Sacramento

Sweet juicy plums
decadent strawberries
crisp grapes
red red raspberries
quenching watermelons
little blueberries rolling around in your mouth
wet pink peaches
soft bananas
succulent kiwis
crunchy apples
honey dew melons
pleasurable tangerines
lip smacking cranberries
with all this
all that was left
was the skin and the seeds.

__________________

TO AIR IS DIVINE
—David Iribarne

The last time I ever tried to whistle I puckered my lips like you would when you were a child and kissed someone for the first time.  Or if you didn’t have someone you used a pillow or your arm.  I kept blowing and blowing, but no sound would come about.  I licked my lips thinking if there a bit of moisture on my lips it would be easier.  Still nothing.  I angled my eyes downward straining them thinking I would be able to see my lips.   I would breathe with all my might reaching down to the very pit of my stomach wherever that may be and brought the air up ever so slowly and again nothing.  I wondered what it was that I was doing wrong.   Why was it so easy for others to whistle?  They could do it without a care, without effort.  I, on the other hand had to blow and blow and still no sound. I was exhausted.  It seemed so easy and so effortless.  Others just made a little hole upon their lips and they were able to carry a tune.  They were able to have a song and I could only pant.  I could only just sit here and breathe.

___________________

RECIPE FOR DELICIOUS
—David Iribarne

She skated into the room
that night sparkling
bright and shiny
lemon skirt hugged her hips
made my lips wet
my blood boil
my juices began flowing.

Such a treat
such a delight
to see her slowly cache
across the floor.

Temperature raised
ice cubes melted
water luke warm
as it nursed the back of my throat.

Could smell her vanilla body
from across the table as she sat down
She was just the right blend
of milk, cream, and sugar.
Not too much,
but I wanted more,
defiantly more.

She was a prized recipe
a decadent dessert
a succulent cream pie
that sent cliché-
chills down my spine.
She froze my mind.

Her sultry voice
sweet like butter
magically mesmerized me
melted me like chocolate.
She become my new favorite candy.

Stared at her—
so elegant, so precious,
so utterly divine.
 
_____________________

Thanks to today's cooks for the divine fare! Delicious! Carl Schwatz (Caschwa) invented another variation on our Form to Fiddle With (six words to tell a story) by stacking the words—what a good idea! Katy Brown's photos were taken outside the Sacramento Natural Food Coop. And David Iribarne will be competing in the Super Love Jones Love Poem Competition Aug. 18, as well as reading at Shine on Sept. 12. See our b-board for details.

And check out Medusa's latest Facebook album: Roadside Summer by Taylor Graham!

_____________________

Today's LittleNip:

INSPIRED (by a poem by Taylor Graham)
—B.Z. Niditch, Brookline, MA

Inspired but open
to wonder
by memory's sound
how words slip in
and out of our bios
as another play write,
tired yet set apart—
hears rain and thunder
on notice: "Cats and dogs
along the Cape's landscape,
you are our friends,
stick around, life is like art
drawing in pen and ink
moving in our folios
we will make amends."

________________

—Medusa


 Good Morning, Glory!
—Photo by Katy Brown



 

Thursday, August 02, 2012

Suicide Legs

Can-can Dancers at the Old Eagle Theatre in Sacramento
—Photo by Michelle Kunert, Sacramento



MAGDALENA’S PROTOTYPE
—William S. Gainer, Grass Valley

Those suicide legs,
teasing thighs
thin ankles—
The creator
wasn’t fucking around
that morning.

He must of had a —
good night.

I can hear him now,
in that Mexican accent,
“Jesus,
check this out.”



THE HOTEL ROOM IN OAKLAND
—William S. Gainer

The room
had big mirrors,
lots of them,
like I wouldn't know
I was there...



YOU’RE IN MY PRAYERS
—William S. Gainer

If certain people
would just die
life would be
okay...



NOW
—William S. Gainer

The sign
yellow,
flashing,
warning
77 mph.
Slow.
No.
Never.
Don't lift.
Gas was made
to burn.
Faster,
the clock
on the dash—
Ticking
Taking
Time
giving nothing
back.
With every breath
you're gone.
There is only
the future
and it is coming
fast.
Meet me
there
NOW...



MISSING YOU
—William S. Gainer

Did I tell you,
the gardenias
are blooming out front.
I’m leaving the door
open,
pretending it's you—
the sweet in the air.

When I see your
poems,
I touch them,
press my fingers
to my lips
and try to
remember 
what sweet
tastes like...

Yes—
it’s been a while
and I miss you
bad.



TATTOOS, COFFEE, A SMALL CAFÉ
—William S. Gainer

She took
the window seat
back to the glass.
The passers by
enjoyed
the rose tattoo,
the other cheek
unblemished,
lovely as well.



THE STINGY BITCH
—William S. Gainer

At the cafe
alone,
she asked
to borrow a chair
from the table
I was sitting.

I said,
for a kiss.

She replied—
that’s rude...

I offered
the one
I was sitting in.
She took it,

kept
her kiss...



USED MEMORIES
—William S. Gainer

After the wedding
she took
the leftover flowers
to the cemetery—
left them with those
who couldn’t make it.
It was a good thing.
Everybody—
remembered:
some with a kiss,
some with a tear,
some
with just a
flower...



THE FIRST TIME
—William S. Gainer

Last night,
last night
you got lost
in that last kiss,
didn’t you?

I saw it
in your eyes,
in the way
you had to look
to the streetlights
to catch your breath,
in the way
you had to untangle
your feet
just to walk away.

How long
has it been,
or was that
the first time
you’ve tried
to keep a secret
from yourself...

__________________

Today's LittleNip:

THE AGONY OF NUMBERS
—William S. Gainer

Standing in line
for shock treatment
holding number
next.

 __________________
 
     Our thanks to Bill Gainer for today's poetry, and to Michelle Kunert for the pix! Bill is stoked  because the Sacramento reading that he hosts, Poetry with Legs, is one of Sacramento News and Review's nominees for "Best Place to Hear Poetry". See www.newsreview.com/sacramento/best-of-sacramento-2012-nominees/content?oid=6861786 and scroll down for a list of the other nominees (or see our green board at the right under Poet Nooz) and to vote.

     _______________________

—Medusa


Cowgirl poet Norma Fox from Auburn
reads at the Calif. State Fair
 —Photo by Michelle Kunert


Wednesday, August 01, 2012

Spells, Dog- and Otherwise

—Photo by Frank Dixon Graham




koi
—frank dixon graham, sacramento

swim by, sleepy fish.
the evening water
cools under the bow
of the bridge.
water-grasses
bend to your lips.
a reflection leaves
in ripples.
beneath a lotus blossom,
you are fins and bubbles.

_______________
 
you, along the beach
—frank dixon graham

and when i say you,
i mean all of you—
each one, of you.
your tiny prints
trace the wave's comb
against sand,
once tattoos on the skin
left clean by the sea.
your feet are in the water,
then out.
in an ocean's breath,
you dodge surf,
find that brief yawn
to dip in.
you are never fooled.
you tempt with stillness,
then, last moment,
break in flight
—go this way,
then that.

_______________

THUNDER IN THE AFTERNOON
—Kim Clyde, Sacramento

Bedtime before seven at night
Too hot to wrap the pillow over your face
Tossing and turning, sheets muggy in the dog-breath atmosphere.
The airless room closes in while the whir of the box fan
Churns dust bunnies out of their hiding places.

_______________

DOG SPELLS
—Taylor Graham, Placerville

Rough gutturals more ancient than
human speech, but quick as
magic her tongue. A spell. Yet how

do I explain the graves
under oak trees, old dogs who left
without a word? Spells

of dogs moving sleep into dream,
their eyes shining
stones, their tongues magic.

_______________

60-WORD BIO
—Taylor Graham

Make-believe: playwright of her life.
Chase fireflies, forget it's gotten dark.
Thunder gavels a picnic to adjourn?
Always carry pen, paper, and words.
Catch a raindrop, concentrate the rainbow.
Seashore camping, you wake up swimming.
Poppy in pavement crack: a poem.
A household revolves around the cat.
One crow paints a whole landscape.
Moon walks the deck. Such dreams!
 
_______________

Thanks to today's contributors! If you've checked our current Form to Fiddle With (over there at the right, on the green board), you've noticed that it's based on a recent Sacramento Bee article which talks about using just six words to write a story. Taylor Graham expanded on this for her "60-Word Bio" by making each line a six-word story that could stand on its own and then stringing them together with a very loose thread. Interesting! I told her it's almost like a type of ghazal, only each line stands alone instead of each verse.

Trina Drotar sends us a link to her latest review in Sacramento Press, this one of books by Sibilla Hershey of Davis and Ray A. March of Surprise Valley; see www.sacramentopress.com/headline/71723/Book_Talk_Hershey_and_March.

Speaking of Surprise Valley, TODAY is the deadline to sign up for their September conference—and the CPITS Conference in September, too. See "More Food for the Brain" on the green board for details.

__________________ 

Today's LittleNip:

chrysanthemums hammered out of raw iron
that cloud gone now like my father

—Ikkyu

_________________

—Medusa


Pipers
—Photo by Frank Dixon Graham