Saturday, November 01, 2025

Winter, the Heathen King

 —Winter Poems by Sarah Das Gupta,
Cambridge, UK
—Public Domain Photos Courtesy  of Medusa
 
 
PARSON’S FIELD IN WINTER

Dark fairy rings appear in the grass,
mushrooms, tiny, static, nuclear clouds,
explode from nowhere.
Autumn ends with storms and gales.
The creeping paralysis of winter
grips the field.

Winter comes, a heathen King,
crashing through the bare branches of the trees.

The grass already dying,
surrenders to the frost.
Brown cushions of dead grass,
like ancient prayer mats, wilt and rot.
The black branches of the hawthorn hedges
lay bare the secrets of spring nests.
January snow drifts in waves,
a stark, lunar landscape,
lit by a blood-red sun.
 
 
 
 

ST LUCY’S DAY

The shortest day
of a long year.
Only St Lucy’s light
to prevail against
the liquid dark.
From the far horizon
night rolls in
like the neap tide
flooding fields and cattle,
obliterating the individual,
drowning that lone oak
in dark anonymity.
In the pastures
sheep huddle,
backs to the driving
east wind’s chill.
In the slate quarry
a whirlpool of black
covers old scars.
From the refuge
of lighted rooms,
we look blindly
into our lost world.
 
 
 

 
MAGIC HOOVES

Unicorns pulled her sledge,
sliding elegantly through snow.
The Princess of the frozen North
sat wrapped in a cloud of white.
woven from polar bear hair.
Her crown of frost shone bright,
in the dark depths of the frozen night
where only twinkling stars shed light.

Her unicorns’ magical feet
left no indentations at all,
though they galloped so fleet.
Travelling towards the Pole,
to the great annual icicle ball,
they left not a sign of a hole
over the vast snowy waste,
not even the slightest trace.
 
 
 

 
IN THE CLOUDS

Christmas Eve,
a scatter of snow.
Cold, very cold
as only the mountains
can be.

Darjeeling, midnight,
bells ringing,
ghosts of the Raj
dream in cold tombs
of lost Indian summers.

Kanchenjunga,
the sacred mountain
Her five peaks
the five treasures
of snow.

Salt, gold, jewels,
sacred scroll,
impenetrable armour,
guarded by
demons.
 
 

 
BATTLES IN SNOW
Towton, Yorkshire, 1461

The morning is dark, sleet and snow
sweep across the battle field.
Proud archers, we face the ranks
of treacherous Yorkists.
An icy wind blows swirling snow
into my eyes, my mouth,
I cannot judge the flight.
The arrows do not fly true,
but fall short in thick black mud.
That traitor, snow, favours
the Yorkist thugs.
The snow storm carries
their arrows into Lancastrian ranks.
Twenty thousand men die today,
bodies, limbs, armour, horses
scarlet blood on white.

(Wars of the Roses,
1461 Battle of Towton
Yorkist leader becomes Edward IV
Largest number of British dead
in single Battle)
 
 
 
 
 
THE SOMME FRONT
Christmas 1916

‘We crouch in shallow holes,
earth’s too brick hard for trenches.
Night on the front line, the world is frozen.
Shells bounce and slide over the surface.
Gordon Highlanders, in their tartan kilts,
legs bandaged to stop their knees freezing.
Ice on cups of tea shines in the cold moonlight.   
My feet, frozen solid in my boots—
frozen blanket, frozen clothes, frozen drink.
Today my mate fell in a flooded shell hole,
I prayed he’d drowned quickly.
We look at the cold, neutral stars,
snow’s blowing from the north-east.
Even the war seems frozen.’

____________________

Today’s LittleNip:

I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, "Go to sleep, darlings, till the summer comes again.”
 
―Lewis Carroll,
Alice’s Adventures in Wonderland / Through the Looking-Glass

____________________

—Medusa, with thanks to Sarah das Gupta for these fine seasonal poems today!
 
 
 

 





















For info about
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 



















 
 
 
 
 
 
 
 
 

Friday, October 31, 2025

Grim Reaper At Work

 —Poetry and Photos by Taylor Graham,
Placerville, CA
—And then scroll down to
Form Fiddlers’ Friday, with Poetry by
Nolcha fox, Stephen Kingsnorth, Caschwa,
Christina Chin, and Uchechukwu Onyedikam
 
 
FOX CRY

What’s the wailing about? he wants to know.
However can words fill a scream gut-wrenched?

From down our gravel drive, a scream. Gut-wrench
as if gravel being ripped from bedrock.

Inside our gate, a heap of fox-den rock.
Earth-heave seismic waves—or is it traffic?

On a curve of two-lane, speeding traffic,
Gray Fox kit welded onto centerline.

Fox-nose splits headwind off the centerline,
ears pricked for flight, flank pressed into blacktop.

Vixen howls out her gut against blacktop,
against traffic that just keeps on wheeling.

As trucks and SUVs keep on wheeling
she wails for a justice that does not know.
 
 
 

 
THE LOSS OF EDEN

The Harvest Moon’s a sliver, a finger-
nail paring, a curved incision
on the night sky. It’s too dark to see
familiar landscape, roads cut into ridges,
half of a hill leveled for house
and garage. Headlights flash & gone
aimed for somewhere else—
freeway, interchange, cities that used
to be groves and meadow grazed
by wild creatures. It’s almost
Halloween, but the Grim Reaper
has been at it all year long, harvesting
species, in all the phases of moon.
 
 
 

 
WHAT’S THE COST?

The Haunted Forest poster
Grim Reaper beckons at edge
of highway, this accident-
disposed junction,
traffic speeding by....

I glimpse past the gate—
peaceful forest beckons
living tree by tree.
 
 
 
 

HAUNTED   

They found the cabin solid, the sink rusty,
a toilet one wouldn’t want to use;
crack in a windowpane, door that wouldn’t
shut tight. The four-square space fit
for storage. Decades of binders—financial
deals long settled, old letters, photos
of ancestors gone, antiquated camping gear
that might serve in an emergency.
Ground squirrels moved under floorboards
and something kept shredding papers
for a nest. What’s spookier than skittering
feet on creaking wood, chill whistle
of October wind through cracked glass
and threshold, the haunting of documents
ripped by rodent teeth, a dissected past?
The old pair walked away.
 
 
 

 
RR TRACK WITH DOG

Her nose low, she moves at a brisk trot
stop! something worth sniffing minutely
something my human eyes can’t see
a black tent, someone’s homeless camp
in a dark stringer of oak and pine
brown towhee in a bush
corrugated metal pipe in low meadow
my dog alerts wild scent from a distance
is this where fox has her den?
madia still in bloom after a frosty night
what my dog grabs off the ground
a thing I couldn’t see or smell
it crunches in her jaws
small bone I grab out of her mouth
in the deep green cutoff,
blackberries once tempting
what’s left of berries now shriveled
fresh horse-apples signal autumn
cool enough to saddle up for a ride.
 
 
 
 

WHEN THE OWL CALLS

This morning in dark of a rainy dawn,
while my phone app on the back deck
listens for birdsong, I switch on a video
of owl sounds. Shrieks, whinnies, hoots –
spooky as Halloween—
and Shelby’s on the spot, receptor ears
at full pitch, my puppy going nuts.
Is the taloned night-hunter
about to descend? Owl calls must trigger
some madeleine response. It isn’t fear.
She’s trying to climb into my laptop,
a creature on the edge of wild.
And Otis? He knows the wild firsthand,
from birth. He doesn’t wake from
napping on the carpet, conserving energy
for this morning’s training in the rain.

_______________________

Today’s LittleNip:

CINDY THE MAGICIAN
—Taylor Graham

It’s just plain magic
when the dog goes crazy wild,
she simply says “aus!”
and he turns into the soul
of civility and peace.

_______________________

Taylor Graham says she “went nuts” with Halloween photos, and I say we’re all the better for it! This is such a colorful, fun season. Our thanks to Taylor Graham for the poems and photos today.

Forms TG has used this week include a Duplex (“Fox Cry”); a List Poem (“RR Track with Dog”); a Tanka that is also a Response to our Tuesday Seed of the Week, Magicians I Have Known (“Cindy the Magician”); a Boketto (“What's the Cost?”); and a Word-Can Poem that is also a Response to another Tuesday Seed of the Week, The Owl Who Waits  (“When the Owl Calls”). Her poem, “Haunted” has a reference to our current Seed of the Week, Skittering Through the Woods. The Boketto and the Duplex were two of last week’s Triple-F Challenges.

In El Dorado County poetry this week, it’s not too late to sign up for another Capturing Wakamatsu workshop at Wakamatsu Farm in Placerville this Sunday morning, led by Taylor Graham and Katy Brown. Also, Lara Gularte and Sue Norman are facilitating on-going Veterans’ Voices workshops in South Lake Tahoe and Placerville. And for info about EDC’s regular workshops, scroll down to Medusa’s Kitchen’s http://medusaskitchen.blogspot.com/p/wtf.html/. For more news about such events and about EDC poetry—past (photos!) and future—see Taylor Graham’s Western Slope El Dorado Poetry on Facebook at www.facebook.com/ElDoradoCountyPoetry/. Or see Lara Gularte’s Facebook page at https://www.facebook.com/groups/382234029968077/. And you can always click on Medusa's UPCOMING NORCAL EVENTS (http://medusaskitchen.blogspot.com/p/wtf.html). Poetry is Gold in El Dorado County!  
 
And now it’s time for… 
   

 
FORM FIDDLERS’ FRIDAY!  
 
It’s time for more contributions from Form Fiddlers, in addition to those sent to us by Taylor Graham! Each Friday, there will be poems posted here from our readers using forms—either ones which were sent to Medusa during the previous week, or whatever else floats through the Kitchen and the perpetually stoned mind of Medusa. If these instructions are vague, it's because they're meant to be. Just fiddle around with some challenges—  Whaddaya got to lose… ? If you send ‘em, I’ll post ‘em! (See Medusa’s Form Finder at the end of this post for resources and for links to poetry terms used in today’s post.)


Check out our recently-refurbed page at the top of Medusa’s Kitchen called, “FORMS! OMG!!!” which expresses some of my (take ‘em or leave 'em) opinions about the use of forms in poetry writing, as well as listing some more resources to help you navigate through Form Quicksand and other ways of poetry. Got any more resources to add to our list? Send them to kathykieth@hotmail.com for the benefit of all man/woman/poetkind!


* * *
 
 Last Week’s Ekphrastic Photo


Poets who sent responses to last week’s Ekphrastic photo/artwork were Nolcha Fox, Stephen Kingsnorth, and Caschwa:


Ooooooo, BABY
—Nolcha Fox, Buffalo, WY

Baby wants to run away.
Her food is soft and runny.
She’s tired of soggy diapers
and the smell of clingy poo.
When kids descend upon the house
to grab a bunch of candy,
she follows them on walker
dressed like someone
else’s granny.

* * *

FRAME UP?
—Stephen Kingsnorth, Coedpoeth, Wrexham, Wales

Here framed the generation gap,
though not contrasting photographs,
but composite, that wraps it up
with cosy cardy, buttoned up,   
and spectacle of glasses chain;
this chubby stance of walking frame.

Both chasing daisies in their way—
the young for chains in meadow play,
or ’mongst the stones in cemetery,
while granny plotting underground,
and planning sod’s lore cover up—
so push those very flowers up.

There layabouts from babes to old
combined for some in seventh age—
see some seem old before their time.
Has scene been framed, a set up cast
as advert for that tubular,
for could she lift it in her stride?

I contemplate—what makes her aged—
is it the optics, stye of frame
that never would be faced by child?
Anomalies unsettle us,
dependent time continuum—
though I must go now, change the clocks.

* * *

WHO DONE IT?
—Caschwa, Sacramento, CA

Okay, who put these silly reading glasses
on my face when I specifically requested
Red Baron fighter pilot goggles?

* * *

Here is an Inverted Terza Rima from Joyce Odam’s archives; she first discovered the form in Poets’ Forum Magazine:
 
 

 
WHITE ROSE, RED ROSE
—Joyce Odam

Brush touches canvas. Something knows,  
or seems to know, what must evolve;
the mind envisioning a rose.

The artist knows what will involve          
the vision and selects pure white,
proceeding on this firm resolve.

Brush tries to bring the rose to life,            
turns shape and color to a smear,
turns early effort to a blight.
                                                             
No brush nor artist can be seer.                  
The rose itself wants to be red
The finished painting makes it clear:

Surely the canvas is to blame.                 
The white rose, sacrificed, and bled,
gives up its purity.  It wanted fame.    


Poets Forum Magazine, Inverted Terza Rima
Rhymed:   aba   cac   dcd   ede   fef



(prev. pub. in Medusa’s Kitchen, 11/19/19)

* * *

Here are some Tan-Renga for the sesson from Christina Chin (Malaysia) and Uchechukwu Onyedikam (Lagos, Nigeria):
 
 

 
MIST-EERIE
—Christina Chin (plain text) and
Uchechukwu Onyedikam (italics)


ascending into dawn
hissing through the garden
a barn owl
its shadow stitches
the mouth of the dead


    ~ ~ ~

an interior—
dim lanterns
surrounding pangolins
armoured backs carve
runes in the dark


    ~ ~ ~   

at the doorstep
without announcement
the doorbell rings 
a striking thing—
a swan 


* * *

Here is a Haiku from Carl Schwartz (Caschwa):
 
 

 
POINT TO PONDER
—Caschwa

What happens when the
Slovak Orchestra must play
up-tempo pieces?

* * *

Here is Carl’s Extended Sonnet:
 
 

 
THE RISE OF PETTY
—Caschwa

It’s Sunday, time to wear the finest suit
at church must sit in awe and do as told
sure, heard it all before, they are that old
pretending that they really give a hoot
When services are over, all will leave
the steep and looming gable far behind
their footsteps showing shoes with gleaming shine
the pinnacle of what they have achieved

A restaurant awaits this crowd with glee
shepherd with herd of sheep that cannot think
forbidden fruit, temptation to the brink
orders entered one by one, key by key
The shepherd (either gender) states his case,
his taste for tea is zero, nothing suits
the flock stays silent, their opinion moot
before they can think, the thought is erased
None in the flock can have second helpings
unless almighty shepherd holds thumbs up
except when empty swallows water cup
a refill is brought in by angel wings

It’s Monday, the laundry calls out for help
get out of bed and rush into some clothes
silence ill curses and stifle those oaths
dirt and stains wait like a forest of kelp

* * *

And SOME kinda form from Carl (abab/cdcd/efef). Extra credit if you get which form it is:
 
 

 
SHORTCOMINGS
—Caschwa

Can’t speak any French
or swim like a fish
judge without a bench
meal without a dish

new year’s resolutions
an exercise in pain
the problem, not the solution
the deficit, not the gain

winning cards in penny poker
casino style ups the betting
no payout for just a joker
richer we will not be getting

__________________

Many thanks to today’s writers for their lively contributions! Wouldn’t you like to join them? All you have to do is send poetry—forms or not—and/or photos and artwork to kathykieth@hotmail.com. We post work from all over the world, including that which was previously-published. Just remember: the snakes of Medusa are always hungry!

__________________

TRIPLE-F CHALLENGES!

See what you can make of these challenges, and send your results to kathykieth@hotmail.com/. (No deadline.)  First write a Terza RIma:

•••Terza Rima: https://poemanalysis.com/poetic-form/terza-rima

•••AND/OR then try one of Joyce’s Inverted Terza Rimas:

•••Inverted Terza Rima: aba   cac   dcd   ede   fef

•••AND/OR Abracadabra! Isn’t that a poetry form? Thanks to Joyce Odam, we have the Abracadabra for Halloween:

•••Abracadabra (devised by Joyce Odam): eleven lines, eleven syllables, single stanza; rhymed: a b c a x a x a b c a

•••See also the bottom of this post for another challenge, this one an Ekphrastic one.

•••And don’t forget each Tuesday Seed of the Week! This week it’s “Skittering Through the Woods”.

____________________

MEDUSA’S FORM FINDER: Links to poetry terms mentioned today:

•••Abracadabra (devised by Joyce Odam): eleven lines, eleven syllables, single stanza; rhymed: a b c a x a x a b c a
•••Boketto: poeticbloomings2.wordpress.com2016/05/11/inform-poets-boketto
•••Duplex: www.readpoetry.com/try-this-trio-3-poetic-forms-to-push-your-writing

•••Ekphrastic Poem: notesofoak.com/discover-literature/ekphrastic-poetry
•••Haiku: https://www.poetryfoundation.org/learn/glossary-terms/haiku-or-hokku AND/OR www.shadowpoetry.com/resources/haiku/haiku.html
•••Inverted Terza Rima:
aba   cac   dcd   ede   fef
•••Response Poem: creativetalentsunleashed.com/2015/11/18/writing-tip-response-poems
•••Tanka: poets.org/glossary/tanka
•••Tan-Renga: https://www.graceguts.com/essays/an-introduction-to-tan-renga
•••Terza Rima: https://poemanalysis.com/poetic-form/terza-rima
•••(Inverted Terza Rima): aba   cac   dcd   ede   fef
•••Tuesday Seed of the Week: a prompt listed in Medusa’s Kitchen every Tuesday; poems may be any shape or size, form or no form. No deadlines; past ones are listed at http://medusaskitchen.blogspot.com/p/calliopes-closet.html/. Send results to kathykieth#hotmail.com/.
•••Word-Can Poem: putting random words on slips of paper into a can, then drawing out a few and making a poem out of them

__________________

—Medusa
 
 
 
 Today's Ekphrastic Challenge!
 
 Make what you can of today's
picture, and send your poetic results to
kathykieth@hotmail.com/. (No deadline.)

* * *

—Artwork Courtesy of Public Domain
 
 
 
 

 














 
 
 
 
 
 
 
 
 
 
A reminder that
the Frannie Dresser
six-week Zoom workshop,
“Writin’ With Critters”
starts today at 10am.
For info about this and other
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork

to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 

















 
 

Thursday, October 30, 2025

Things Going Bump Under Your Bed

 —Poetry by Kathy Kieth, Diamond Springs, CA
—Public Domain Photos Courtesy of Medusa
 
 
GHOSTS DON’T EXIST
 
even though there is a big one living
under the bed: sleeping all day
 
down there between the dust motes
and the candy wrappers: flipping
 
the corners of his quilt out
of boredom in late afternoon: lurking
 
just beyond the brave beam
of his flashlight. . .  Of course ghosts
 
don't exist: it says so in musty
library books: in the tall legs
 
of grown-ups: in windy sunshine
and kids that tease: in the bland drone
 
of the TV flickering blue in the next
room after he goes to bed. . .  Of course
 
ghosts don't exist: all that nightly
grunting and rustling is just
 
wind from the open window: thump
of his heart keeping time in
 
the dark: ragged edge of a dream
he can't ever quite shake free. . .
 
 
 

 
GHOSTS AND CHILDREN
 
own Halloween, sandwiched as they are
between the quick and the dead.  Not quite
jelled, they flap like see-through bats between
Here and There, like holograms in some
elsewhere-kind of theme park, where they roller-
coaster/bumper car/ferris wheel all day, slipping
 
back and forth through reality cracks to bring us
bits of news and fresh pieces of other-worldly
pie.  Just the other day, I caught one hanging
in my closet; but when I got out the broom, she
flipped back into her bed, pretending again to be
a mere child. . .
 
We earthenware adults had better stand aside,
especially on All Hallows’ Eve, or these spritely
creatures will bump right through us. . .
 
 
 

 
A GHOST OF A RAG
 
stirs in an old window: threadbare
shreds of a once-curtain wave
at the will of the dusty wind: flutter
 
in helplessness: moths with aging
wings waver and flounder, no longer
sure of their purpose: stretch out
 
to bone-dry fields of saffron straw:
reach for withered daffodils once
planted by newlywed hands. . . Ghosts
 
of graying lace still fly, though: still
toss and turn all night, dreaming
of days of being hemmed and pressed:
 
still quiver in purple dusk-wind, as
the last daffodils nod there under
a crumbling window: their pale faces
 
glowing in the moonlight. . .
 
 
 
 

GHOST SHIPS
 
Sea-wives wait for their fishermen.
Small lamplights tat the shoreline like
lace made of flickering fireflies
darning the unraveling waves.
 
Small lamplights tat the shoreline like
silhouette ghost ships in fog.  Still
darning the unraveling waves,
glittery eyes watch for real sails, but see
 
silhouette ghost ships in fog.  Still
the women reach for their husbands, as
glittery eyes watch for real sails, but see
no sign of relief from this pain.
 
The women reach for their husbands,
each day embroidered with fear,
no sign of relief from this pain.
Dread is the seam of a sea life.
 
Sea-wives wait for their fishermen—
lace made of flickering fireflies.
Dread is the seam of a sea life,
each day embroidered with fear.

_____________________

Today’s LittleNip:

The ghosts of things that never happened are worse than the ghosts of things that did.

—L.M. Montgomery,
Emily’s Quest

_____________________

—Medusa (your favorite hag)
 
 
 
 Happy Halloween!

















 
 
 
 
 
For info about
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 

















 
 
 
 
 

Wednesday, October 29, 2025

Abracadabra!

 —Poetry by Royal Rhodes, Central OH
—Public Domain Illustrations Courtesy of Medusa
 
 
A MAGICIAN OF SURREALISTIC ANIMALS

He made the alphabet of animals surreal,
unlike the ilk that sailed on Noah's Ark.
Brancusi, Ernst, Man Ray, Duchamp would deal
with art of such a brand, a noble lark
demystifying beauty—like his fly
of steel and porcelain—a basin, doves
that served as armchairs, while he sought to try
to make a funhouse with the mirth that loves
to laugh, and not a silent, doleful church.
Working in the Louvre, he saw the stare
of ancient creatures while he felt the lurch
and buck of riding sculpted Apis bare.
He planned a house of brick—a giant head—
whose grand design is now entombed and dead.
 
 
 
 

WORDS OF A MAGICIAN"S SPELL

The magician turned things into tales
to tell our fabled foibles with a bite.
Our modern mode of teaching virtue fails
to let us know our acts are wrong or right.
Forget such lessons, old or modified.
Look deep into a creature's startled eyes,
a dolphin's glance that darkened as it died,
a seagull's wing that flails and fails to prise
itself from oily globs, a starving cat
too weak to eat that once was loved when new
and kittenish, the whale we killed for fat,
the gelding boiled into a pot of glue.
These animals have neither words to say
or need, like us, a word that means "betray".
 
 
 
 
 
CONJURING THE MAGIC OF SLEEP

Beyond the river of stars
I erased myself from the light
and hunted buried clues
to the place where you bedded,
where sleep had promised rest,
a place you had found alone.
Along your sleeping sprawl
flowing linen folds
enclose your legs like clothes
in a hellenistic frieze
and loosely follow lines
of a torso that rose and fell
with each suspenseful breath
like the soul raised in elation,
possessing or leaving the body.
Floating, levitating,
my pivoting, weightless arm
moved—a magician's pass.
I poised my head beside
your ear and whispered phrases:
Let me list the names
of our lost identities.
I will tell such secrets
that every heart reveals
at last, at the end of life.
I know who bears the fault
your dreams of love expired.
Tell me whether you want
to know these hidden things.
But if I speak, remember,
I also will have to disclose
the horror and horrors to come
from a womb of stillborn words.
So grip my hand and ascend
towards that clamorous weeping.
 
 
 
 
 
MAGICIANS OF HEALING

A stroke had slowed, made thick, his tongue
and sent Enlightenment magicians
to attend him, science's patricians,
casting latin words like spells
amidst machines whose sounds have stung
the silence, more than what it tells.

We seek to mint a soothing word,
but language like these stiffened sheets
is dull, unlike the rhythmic beats
of hearts that speak to heart, the hand
that's held when our emotion's blurred,
while life is life and nothing's planned.

A feeding nurse directs him: "Swallow."
His wit returns: "I do prefer
the sparrow," startling us and her.
His history of verbal play,
of puns, conundrums hard to follow,
give a grace no words can say.

This winter ended with that sparrow,
even though the falling snow
continues, making progress slow.
"His eye is on the sparrow." Move
us past our fear, so narrow.
The deepest part of us is love.

_____________________

Today’s LittleNip:

And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it.

―Roald Dahl

_____________________
 
Our thanks to Royal Rhodes for today’s fine, magical poetry, just ripe for the season! Royal says he has known magicians of art, bringing beauty into being, magicians of education, opening new worlds to students, and magicians of medicine, healing so many of the world's ailments and sorrows. He lives in a small village whose inhabitants daily embody the abracadabra of friendship.

_____________________

—Medusa
 
 
 

 
 





















 
 
 
 
 
For info about
future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column on the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!
 

 
















 
 
 
 

Tuesday, October 28, 2025

Enchantresses

 Promises, Spells And The Like
—Poetry by Joyce Odam and Robin Gale Odam,
Sacramento, CA
—Photos and Original Art by Joyce Odam
 
 
THOUGHTS FROM THE SEVENTH DAY
OF AUGUST
—Joyce Odam

This I have done :
stared at the sun too long.

Thought the wind in my hair
was mine.

Ached
to be bird.

Welcomed and given the pain
of love.

Looked through the golden eyes
of the summer lion.

Turned into leaves
soon after.

Belonged to nature
as no human should.

Walked through the souls
of the dead.

Worshipped
weeds and flowers.

Practiced the sorcery
of thought.

Knocked
wood.

Destroyed myself
with seven sins.

Danced in the arms
of a shadow.

                  
(prev. pub. in Arx, Nov. 1969;
and in Medusa’s Kitchen, 8/21/18; 1/7/25)
 
 
 
Another Time


VESTIGE
—Joyce Odam

I picked up the lamp and it was empty,
wishes scattered all over the ground,
and no Genie.

The lamp was dented and dull,
tossed away as worthless, and I had
no desire to ask for magic again.

I heard a harsh laugh in the distance
and watched a sinuate figure
vanish like smoke in the air.

What do I care? I muttered,
and kicked
the useless lamp back into the gutter.

                                     
(prev. pub. in Medusa’s Kitchen, 5/7/24)
 
 
 
 A Different Place


there is little here
flowers hidden every year
in your tall shadow

    —Robin Gale Odam

After
The Prepared Bouquet, 1957, by Rene Magritte

(prev. pub. in
Brevities, March 2020) 
 
 
 
 Heart Of A Flower


THE SORCERESS LOVES 
—Joyce Odam

If I say red,
you see red.
Such is the power of my language.

I lean close to you,
let you feel waft of lavender
from my old flowers. You love me.

I read my book of spells,
every night and into the morning.
You never catch on.

I sigh blue at you
and you hold me. I moan
silver . . .   silver . . .   and you weep.

You cling to my gray cliffs of peril
and I create white gulls
to release us into flying.

Look! We are everywhere,
as in
a swirling kaleidoscope of color.

It is your dream, and I have entered it.
A long thin stream of black
cuts under us, and I rescue you.

                                   
(prev. pub. in Medusa’s Kitchen, 7/17/10; 10/29/24)
 
 
 
 Self-Portrait


FRESH WATER AND THE SEA
—Robin Gale Odam
After “Variations on a Theme by H.D.”
by Joyce Odam


One disaster, one bother away,
maybe Chance could save me again.

The ravens would say, rise up to the day.
I write for the Muse to twine the blues
among the hues of gray.

Ace of magic—return of the stranger—
I know the dark hair, the eyes deeper than hurt.

He gives me a clue, a clue, he says, the some-
thing between us—fresh water and the sea—

the something between us, the clue is the clue.
The clue is the vapor, the ravens would say.

And the brackish tears would stain my face,
and as for Chance, the breath of illusion—

the rolling whispers, the eminent span
of the drawn-out quarrel—he’ll do it again. 
 
 
 
 A Touch Of Blues


THE LITTLE SHOP OF MYSTERY
—Joyce Odam

What we sell here is always what you need.
Amulets and calendars; out-dated stones;
jars of rain that still separate into drops.

We have the spool of thread you lost when you
forgot how to sew—in just those colors needed
for the coloring book you never opened.

We have more : pretty little boxes to hold rings,
a perfect leaf that you passed up when you
were looking through a window to find

your old reflection looking back
through you . . . shall I go on?
We have the key for your travel. The map.

The other side of the door. We have
the book you read and lost, the one
with the pages full of truth and photographs.

We have the perfect penmanship of your youth,
a tube of healing for your hands. We always greet you
with recognition—are sad when you must go.

Goodbye. We know you must be off. We have
postcards for this. We have a cat that sleeps
on a chair and dreams prophetic dreams.

The dreams are for sale. The little bell
on the door is made of sunshine.
It tinkles every time someone comes or leaves.

                                                         
(prev. pub. in Medusa’s Kitchen, 8/25/15)
 
 
 

 
 Today’s LittleNip:

I ASK YOU TO TELL MY FORTUNE
—Joyce Odam

Seven, you tell me, being
a seer, and
three to round out
to ten should
odd or even
rule. You are so serious.
I watch with apprehension
as you turn the cards, even
as I scoff at their power.


(prev. pub. in Medusa’s Kitchen, 7/17/10)
 
 
 
At Dusk

_____________________

Our thanks to those two enchantresses, Joyce and Robin Gale Odam, for today’s fine poetry, Robin’s curating, and Joyce’s fine photos. Our Seed of the Week was Magicians I Have Known, and these two poets are, indeed, skillful magicians of poetry!

Our new Seed of the Week is “Skittering Through the Woods”. Send your poems, photos & artwork about this (or any other) subject to kathykieth@hotmail.com. No deadline on SOWs, though, and for a peek at our past ones, click on “Calliope’s Closet”, the link at the top of this column, for plenty of others to choose from. And see every Form Fiddlers’ Friday for poetry form challenges, including those of the Ekphrastic type.

Be sure to check each Tuesday for the latest Seed of the Week.

_____________________

—Medusa
 
 
 
 Touch
—Photo by Joyce Odam








 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
For future poetry happenings in
Northern California and otherwheres,
click on
UPCOMING NORCAL EVENTS
(http://medusaskitchen.blogspot.com/p/wtf.html)
in the links at the top of this page—
and keep an eye on this link and on
the daily Kitchen for happenings
that might pop up
—or get changed!—
 during the week.

Photos in this column can be enlarged by
clicking on them once, then clicking on the x
in the top right corner to come back to Medusa.

Poets’ bios appear on their first MK visit.
To find previous posts, type the name
of the poet (or poem) into the little
beige box at the top left-hand side
of this column. See also
Medusa’s Rapsheet at the bottom
of the blue column at the right
side of this column to find
any date you want.

Miss a post?
You can find our most recent ones  by
scrolling down under this daily one.
Or there's an "Older Posts" button
at the bottom of this column.
(Please excuse typos in older posts!
Blogspot has been through a lot of
incarnations in 20 years!)

Would you like to be a SnakePal?
Guidelines are at the top of this page
at the Placating the Gorgon link;
send poetry and/or photos and artwork
to kathykieth@hotmail.com. We post
work from all over the world—including
that which was previously published—
and collaborations are welcome.
Just remember:
the snakes of Medusa are always hungry—
for poetry, of course!